The Sitwells and the Arts of the 1920s and 1930s


Book Description

'Battle is in the curve of their nostrils', wrote Arnold Bennett of the Sitwells. 'They issue forth from their bright pavilions and demand trouble.' Poets, patrons of the arts and ardent self-publicists, the three siblings, Edith, Osbert and Sacheverell, rarely missed an opportunity to promote themselves or denounce their sworn enemy, the philistine. They were natural subjects, and targets for the media. Unconventional, aristocratic, physically imposing (all more than six feet tall), they were bold, talented and provocative, and there were three of them. This book celebrates their lives and their artistic crusade, which brought them into contact and conflict with many of the leading figures of the arts in the early part of this century. Gertrude Stein, T. S. Eliot, Dylan Thomas and Evelyn Waugh were among their friends; their favourite enemies included Wyndham Lewis, Noel Coward and D. H. Lawrence.







The Sitwells and the Arts of the 1920s and 1930s


Book Description

Edith, Osbert, and Sacheverell Sitwell rarely missed an opportunity to promote themselves or denounce their sworn enemy, the Philistine. The Sitwells were natural subjects, and targets, for the media. Unconventional, aristocratic, and physically imposing, they were bold, talented, and provocative. This book celebrates their lives and their artistic crusade, which brought them into contact and conflict with many of the leading figures of the arts in the early part of this century. Gertrude Stein, T.S. Eliot, Dylan Thomas, and Evelyn Waugh were among their friends; their favorite enemies included Wyndham Lewis, Noel Coward, and D.H. Lawrence. The book begins with their childhood at Renishaw, the ancestral home in Derbyshire, England, and with their ill-matched parents, the eccentric Sir George and the extravagant Lady Ida. It follows them to London, to the fashionable circles of Bloomsbury and the elegant drawing rooms of celebrated society hostesses; and to Paris, to the studios Modigliani and Picasso. It discusses their involvement with the Russian ballet, their early literary ventures, and their patronage of the young composer William Walton, which resulted in Facade, their most famous collaboration. In 1925, Sacheverell Sitwell married the beautiful and spirited Georgia Doble, which precipitated the break-up of the trio. The book's final chapters are devoted to the individual lives of Edith, Osbert, and Sacheverell; their friendships, their literary successes and failures, their fame, and their continuing battles.




The Many Facades of Edith Sitwell


Book Description

"A fascinating book that takes us deep into Edith Sitwell's world of artifice, disguise, high camp, and verbal ingenuity. In these essays, Sitwell emerges as a central figure in an alternative avant-garde in early twentieth-century Britain."--Faye Hammill, author of Sophistication: A Literary and Cultural History Establishing Edith Sitwell at the center of British modernism, this volume showcases her many achievements in poetry, autobiography, novel writing, criticism, art, and performance. Forgoing the gossip about her eccentric appearance and self-fashioned persona that has too often overshadowed serious writing about her work, the contributors explore how Sitwell combined persona and poetry to foster an outpouring of iconoclastic creativity. The Many Facades of Edith Sitwell argues that Sitwell was crucial to the development of a British avant-garde that operated alongside the conventionally accepted transatlantic modernism of Ezra Pound and T. S. Eliot. With Sitwell as an influential literary player and social architect, the British interwar arts scene was not an ascetic escape from personality--as the modernism of Pound and Eliot has often been characterized--but an alternative space of flamboyant, extravagant, and ornate performance. Allan Pero is associate professor of English at the University of Western Ontario. Gyllian Phillips is associate professor of English studies at Nipissing University.




The Sitwells


Book Description




The Sitwells and the Arts of the 1920s and 1930s


Book Description

'Battle is in the curve of their nostrils', wrote Arnold Bennett of the Sitwells. 'They issue forth from their bright pavilions and demand trouble.' Poets, patrons of the arts and ardent self-publicists, the three siblings, Edith, Osbert and Sacheverell, rarely missed an opportunity to promote themselves or denounce their sworn enemy, the philistine. They were natural subjects, and targets for the media. Unconventional, aristocratic, physically imposing (all more than six feet tall), they were bold, talented and provocative, and there were three of them. This book celebrates their lives and their artistic crusade, which brought them into contact and conflict with many of the leading figures of the arts in the early part of this century. Gertrude Stein, T. S. Eliot, Dylan Thomas and Evelyn Waugh were among their friends; their favourite enemies included Wyndham Lewis, Noel Coward and D. H. Lawrence.




Artistic Outlaws


Book Description

"The creator of the new composition in the arts is an outlaw until he is a classic", Gertrude Stein wrote in 1926. Unlike male modernists such as T. S. Eliot or Ezra Pound, the modernist women poets Edith Sitwell, Amy Lowell, Stein and H. D. never became "high" modernist models but remained "artistic outlaws". The present study shows how these women were present on the modernist scene but followed their own concepts and struggled to establish their position as modernist women poets. Defying definition, the four poets not only richly contributed to modernism, but were indeed its developers.




British Music and Modernism, 1895–1960


Book Description

Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.




Art and Its Discontents


Book Description

Although interest in the painter, poet, and art writer Adrian Stokes (1902&–1972) has been growing in recent years, Art and Its Discontents is the first biographical study of this pivotal figure in British modernism. Focused on Stokes's formative years, the book offers important new insights into his intellectual development, his growing commitment to the arts, and his eventual turn to the art criticism that would win him international renown. Even as Richard Read follows Stokes from his London childhood to his travels in Italy and his psychoanalysis with Melanie Klein, he weaves Stokes's experiences and writings into the great social and cultural issues of his era. Stokes's friendship with Ezra Pound is given its due, but Read balances his exploration of Stokes's modernist ideas with detailed discussion of his profound debt to the teachings of John Ruskin and Walter Pater. Seen in this broad perspective, Stokes emerges as a thinker who bridged Victorian and modernist cultures and renewed the British tradition of aesthetic criticism.




Women, Periodicals and Print Culture in Britain, 1890s-1920s


Book Description

New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres. The essays focus on well-known publications and introduce those as yet obscure and understudied - including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.Key FeaturesHelps recover neglected women writers and cast new light on canonical onesHighlights the geographical diversity of modern British print cultureEmphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture Includes a section on social movement periodicals