Roots, Radicals and Rockers


Book Description

SHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZERoots, Radicals & Rockers: How Skiffle Changed the World is the first book to explore this phenomenon in depth - a meticulously researched and joyous account that explains how skiffle sparked a revolution that shaped pop music as we have come to know it. It's a story of jazz pilgrims and blues blowers, Teddy Boys and beatnik girls, coffee-bar bohemians and refugees from the McCarthyite witch-hunts. Billy traces how the guitar came to the forefront of music in the UK and led directly to the British Invasion of the US charts in the 1960s.Emerging from the trad-jazz clubs of the early '50s, skiffle was adopted by kids who growing up during the dreary, post-war rationing years. These were Britain's first teenagers, looking for a music of their own in a pop culture dominated by crooners and mediated by a stuffy BBC. Lonnie Donegan hit the charts in 1956 with a version of 'Rock Island Line' and soon sales of guitars rocketed from 5,000 to 250,000 a year. Like punk rock that would flourish two decades later, skiffle was a do-it-yourself music. All you needed were three guitar chords and you could form a group, with mates playing tea-chest bass and washboard as a rhythm section.




Skiffle


Book Description

The origins of Skiffle lay in the music of the migrant workers of the 1920s and 30s who had left their homes in the southern states of America seeking work in the north and carried their musical heritage with them, whether it was the Mississippi blues, the work song, or the barrelhouse ballad, and a wealth of household 'instruments" including the washboard, gut bucket or the tea chest bass.




The Skiffle Craze


Book Description




The Beautiful Music All Around Us


Book Description

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by. Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse." Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts," Wade shows how a single artist can make a difference within a democracy. Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.




DiY Culture


Book Description

Editor George McKay claims that popular protest today is characterized by a culture of immediacy and direct action. Gathered here is a collection of in-depth and reflective pieces by activists and other key figures in Britain's DiY culture. From the environmentalist to the video activist, the raver to the road protester, the neo-pagan to the anarcho-capitalist, Britain's youth forge a new kind of politics. 16 photos.




The History of Rock & Roll, Volume 2


Book Description

From rock and roll historian Ed Ward comes a comprehensive, authoritative, and enthralling cultural history of one of rock's most exciting eras. It's February 1964 and The Beatles just landed in New York City, where the NYPD, swarms of fans, and a crowd of two hundred journalists await their first American press conference. It begins with the question on everyone's mind: "Are you going to get a haircut in America?" and ends with a reporter tugging Paul McCartney's hair in an attempt to remove his nonexistent wig. This is where The History of Rock & Roll, Volume 2 kicks off. Chronicling the years 1964 through the mid-1970s, this latest volume covers one of the most exciting eras of rock history, which saw a massive outpouring of popular and cutting-edge music. Ward weaves together an unputdownable narrative told through colorful anecdotes and shares the behind-the-scenes stories of the megastars, the trailblazers, DJs, record executives, concert promoters, and producers who were at the forefront of this incredible period in music history. From Bob Dylan to Bill Graham, Jimi Hendrix, Janis Joplin, The Byrds, Aretha Franklin, The Rolling Stones, and more, everyone's favorite musicians of the era make an appearance in this sweeping history that reveals how the different players, sounds, and trends came together to create the music we all know and love today.




The Country of Liverpool


Book Description

In the 1960s, Liverpool had the biggest country and western scene in Europe. Country music was part of the fabric of Liverpool; as ingrained as the Irish influence and a bowl of Scouse. Country music influenced every group. Follow the story of one of the top groups: Phil Brady and the Ranchers. When John Lennon started his group, The Quarrymen, their musical influences were skiffle (which has its roots in country music), country and western and rock 'n' roll (which has country roots too). Their musical heroes had their roots in country music and shaped The Beatles sound. ● Why were Liverpool lads obsessed with cowboys? ● Which Beatles album did John call their "Country and Western Album"? ● How many country-influenced songs did they record, both during and after The Beatles? The roots of the beat music scene of the 1960s began with Lonnie Donegan's "Rock Island Line", which was issued in 1956, beginning the skiffle craze. However, examining the skiffle music scene shows that the roots of skiffle were in country; the roots of John Lennon's Quarrymen were in country and western, which was reflected in the songs of The Beatles. Liverpool groups were playing a mixture of country, rock 'n' roll, rhythm and blues, rockabilly and whatever else it discovered. Groups had to decide which route to take. However country music wasn't completely new to Liverpool because of skiffle. Hank Walters formed his first group around 1947, while still at school. There was a country scene in Liverpool in the 1940s, when Liverpool sailors brought records back from America. They brought jazz, country, R & B and everything else that was for sale in the record stores of New York and Boston. When radio brought those American hits to the ears of British people, another music revolution was taking place. Liverpool, the last Western frontier of England, would find it had more in common with Nashville than London. So in 1962, Phil Brady decided to act on the influence of country music in his life and start his first band, going on to become the #1 country artist in Britain, receiving an award from Roy Orbison at the first British Country Music Awards. Phil, from the Dingle, met and toured with some of the biggest names in country music, like Slim Whitman, Willie Nelson, Buck Owens, Hank Snow and, when he visited Nashville in 1968, met up with Chet Atkins and George Hamilton IV, and spent the day at Willie Nelson's ranch. He recorded several albums and singles, including the very first 45rpm single for the new Cavern Sound Ltd. Phil had a fan club, run by Frank Nash, who saved many of his photos, flyers and newspaper cuttings, which are reproduced here for an insight into the musical career of one of Britain's greatest ever country music stars. Yes, some of the photos are blurred, crooked and low quality, but that makes them even more authentic and special.




With a Little Help from My Friends


Book Description

Celebrate friendship with this lyrical picture book that beautifully illustrates John Lennon and Paul McCartney’s world-renowned words from “With a Little Help from My Friends.” In this gorgeously illustrated Classic Board Book, the universally loved song “With a Little Help From My Friends” comes to life, proving that sometimes, all you need is a little help from your friends!




In My Life


Book Description

With three generations of one family, we share moments that are meant to be savored in this special book that beautifully illustrates the words of John Lennon and Paul McCartney’s world-renowned song “In My Life.” There are places I’ll remember, in my life, though some have changed... One gift with a bright bow starts a young girl on a path…one her mother follows with her as she explores, grows, and rides off on her own, only to return again with her own daughter in tow. This hauntingly beautiful book shares the small moments of that journey that are meant to be remembered and savored in the lyrics of this classic song.




Lonnie Donegan and the Birth of British Rock & Roll


Book Description

When Lonnie Donegan first burst onto the scene early in 1956, his energetic brand of skiffle galvanised a generation and transformed the face of music. Before Elvis Presley, the Beatles and the Rolling Stones, there was Lonnie, guitar in hand, ready to kick-start the British pop and rock scene. From the traditional jazz bands of his early career to the blues and folk songs that secured his popularity, the sound of Lonnie Donegan was immediate and infectious, a long-awaited call to arms for those coming of age after the dark days of the Second World War. During a successful seven-year run, Lonnie racked up twenty-six Top 20 singles, became the first British act to have an LP enter the charts, the first to have a hit EP and the first ever to have a single enter the charts at no. 1. Here was a talent to emulate - and the youth of the 1950s did just that. Including exclusive interviews with music royalty, from Mick Jagger, Paul McCartney and Mark Knopfler to Brian May, Bill Wyman and the late John Peel, as well as Lonnie's first wife and daughter, Patrick Humphries reveals the extraordinary story of the skiffle king and godfather of British rock & roll.