The Sleepers Almanac No. 7


Book Description

Every year, Sleepers assembles a motley crue of new and established (but mostly new - mostly never heard of) writers for their critically acclaimed collection of short fiction (with occasional miscellany): The Sleepers Almanac. This year sees new stories from people the eds had previously not heard of, including the incredibly talented likes of Isabelle Li and Julie Koh. But there are names that might be familiar, too, to those who love short stories: Brad Bryant, Pierz Newton-John, or Sian Prior, perhaps better known for her journalism, but proving that she knows how to wrangle a story too. What makes the Almanac different is its breadth. The Almanac, which focuses on new and emerging authors, is the result of a slush-pile read, where writers from all over the country have been encouraged to send in stories up to 10,000 words long.




The Sleepers Almanac


Book Description

When Cate Kennedy spoke at the opening night of the Wheeler Centre, the new literary hub, she told a story so rich and textured that everyone who had been there that night had just one name on their lips, and it was Cate's. Cate's piece of storytelling is one of the many pieces to grace this latest Almanac, and it sits alongside new work from the likes of David Atle, Steven Amsterdam and Kalinda Ashton.When Sleepers was founded by Zoe Dattner and Louise Swinn several years ago their aim was to bring to the reading public the most exhilarating experience on the page. The previous Almanacs demonstrated how successful they were and now, in its sixth incarnation, the Sleepers Almanac has become an Atustralian institution, as always, the Almanac is a collection of short stories, poetry and cartoons, which specialises in bringrng together authors of some repute alongside novice writers. It will also be launched as an iPhone application for those who like to read on the run.







Portable Curiosities


Book Description

A biting collection of stories from a bold new voice. A young girl sees ghosts from her third eye, located where her belly button should be. A corporate lawyer feels increasingly disconnected from his job in a soulless 1200-storey skyscraper. And a one-dimensional yellow man steps out from a cinema screen in the hope of leading a three-dimensional life, but everyone around him is fixated only on the color of his skin. Welcome to Portable Curiosities. In these dark and often fantastical stories, Julie Koh combines absurd humour with searing critiques on modern society, proving herself to be one of Australia's most original and daring young writers.




Little White Slips


Book Description

An outstanding collection of short fiction from a bold new voice in contemporary literature. The 13 stories in Karen Hitchcock's debut collection Little White Slips showcase a formidable new talent. One of the most exciting recruits to the Australian Picador list in years, Karen's writing is deeply personal, strikingly feminine, heart-breakingly beautiful, at times fearless and confronting, and frequently hilarious. Whether tackling a troubled marriage using an action figure of Sigmund Freud, celebrating the apparent triumph of weight loss, or coping with the stresses of balancing a career with motherhood, the joys and frustrations of our lives are laid bare. Hitchcock's often painfully honest observations are balanced by a wry humour and sharp wit. And with stories encompassing growing up, love, betrayal, sex, marriage, self-image, and our relationships with family, friends and food, there are few women (and the odd man) who will not recognise themselves in these tales.




Strange Land


Book Description

Todd Hearon’s haunting debut collection chronicles the twin paths of isolation and desire in the search for meaning and union with others. On his pilgrimage through the lost worlds of earth and the soul, the speaker encounters drought in both the literal and spiritual sense as he confronts desolate landscapes, from the brown remnants of ruined cities, to the depths of the human heart and man’s capacity for utter destruction. Yet even though he frequently encounters darkness, he never ceases to seek beauty. He is a man who wears many faces, from Adam, staring down a bleak future bereft of Paradise, to the doomed poet Shelley, drowned off the coast of Italy. He speaks as a man adrift in his own life, seeking an answer to his emptiness, an estranged traveler through memory and longing. Lyrical and intense, Strange Land is a quest for understanding and human connection. Strange Land It goes without saying a word: the world under cover of midnight snow, what we have known of pageantry and lilac, leaf and song subsumed in starless silence. Waking at dawn into the tremulous blue of the room, as in earth’s afterglow, we lie, lidless, listening, as crows call out the ear’s horizons. What year is it? Into what country were we born and now must make our way? Outside the pane the stillness feels ancestral but the ghosts not yours, not mine. My émigré, we are cut off. An ocean to the east churns in chiaroscuro while unseen ranges to the south deflect our passage, what passage might have been. This country seems the passing of a dream to a moonscape’s still immitigable white, a land’s amnesia where against the sky three needling black birds fly and slip like an ellipsis out of sight.




The Book of Dirt


Book Description

‘An immense work of love and anger, a book Bram Presser was born to write.’ Joan London They chose not to speak and now they are gone...What’s left to fill the silence is no longer theirs. This is my story, woven from the threads of rumour and legend. Jakub Rand flees his village for Prague, only to find himself trapped by the Nazi occupation. Deported to the Theresienstadt concentration camp, he is forced to sort through Jewish books for a so-called Museum of the Extinct Race. Hidden among the rare texts is a tattered prayer book, hollow inside, containing a small pile of dirt. Back in the city, Františka Roubíčková picks over the embers of her failed marriage, despairing of her conversion to Judaism. When the Nazis summon her two eldest daughters for transport, she must sacrifice everything to save the girls from certain death. Decades later, Bram Presser embarks on a quest to find the truth behind the stories his family built around these remarkable survivors. The Book of Dirt is a completely original novel about love, family secrets, and Jewish myths. And it is a heart-warming story about a grandson’s devotion to the power of storytelling and his family’s legacy. Bram Presser was born in Melbourne in 1976. His stories have appeared in Best Australian Stories, Award Winning Australian Writing, The Sleepers Almanac and Higher Arc. His 2017 debut novel, The Book of Dirt, won the 2018 Goldberg Prize for Debut Fiction in the US National Jewish Book Awards, the 2018 Voss Literary Prize and three awards in the 2018 NSW Premier’s Literary Awards: the Christina Stead Prize for Fiction, the UTS Glenda Adams Award for New Writing and The People’s Choice Award. ‘The lyrical, impassioned and culturally rich prose of The Book of Dirt, and its moral force, bears echoes of such great Jewish writers as Franz Kafka (Presser inherited his grandfather’s copy of The Trial), Elie Wiesel, Primo Levi, Isaac Bashevis Singer and Cynthia Ozick...It is a major book, and one for the times: while I was reading it, neo-Nazis in America brought fatal violence to Charlottesville, and, in Melbourne, neo-Nazis placed posters in schools calling for the killing of Jews to be legalised...The Book of Dirt is a courageous work, as necessary for us to read as it was for Presser to write.’ Saturday Paper ‘A beautiful literary mind.’ A.S. Patrić ‘Meet Bram Presser, aged five, smoking a cigarette with his grandmother in Prague. Meet Jakub Rand, one of the Jews chosen to assemble the Nazi’s Museum of the Extinct Race. Such details, like lightning flashes, illuminate this audacious work about the author’s search for the grandfather he loved but hardly knew. Working in the wake of writers like Modiano and Safran Foer, Presser brilliantly shows how fresh facts can derail old truths, how fiction can amplify memory. A smart and tender meditation on who we become when we attempt to survive survival.’ Mireille Juchau ‘The Book of Dirt is a grandson’s tender act of devotion, the product of a quest to rescue family voices from the silence, to bear witness, drawing on legend, journey and history, and shaped by extraordinary storytelling.’ Arnold Zable ‘A remarkable tale of Holocaust survival, love and genealogical sleuthing...A beautiful tale that will stay with the reader long after the book’s end.’ Books+Publishing ‘It’s hard not to be captured from the opening epigraph...[A] magnificent ode to all that is lost.’ Longin to Be ‘It is difficult to convey the breadth and nuance of this extraordinary work. It is a book about how history is made—and about who is allowed the privilege to remake it. There are echoes here of Sebald’s biting honesty and Chabon’s long and rewarding vignettes. An absolute pleasure to read.’ Readings ‘As in Sebald’s prose narratives, Presser’s novel inhabits and the dynamic region between fiction and non-fiction.’ Australian Book Review ‘An impressive and captivating story of remembrance, a journey into the past for the sake of deciphering our present.’ Dasa Drndic ‘In The Book of Dirt the fractured lines of memory create a gripping story of survival and love.’ Leah Kaminsky ‘I found Bram Presser’s The Book of Dirt impossible to forget. Penetrating, soulful, and surprisingly welcoming, it reminded me of my own ancestors and how easy it is to sidestep the past.’ Barry Scott, Australian Book Review, 2017 Publisher Picks ‘Presser blurs the boundaries of fact and fiction in a compelling way...A wonderful and original book, told in rich, lyrically beautiful prose that is laden with history and cultural meaning.’ Good Reading ‘A combination of homage, mystery, family history and a sepia-toned love story...The Book of Dirt is magnificent.’ ANZ LitLovers ‘A heartfelt and original attempt to bridge the ever-growing gaps between history, memory and silence...Its heart beats so earnestly, and so loud...What Presser has produced is a meditation on the ethics of storytelling, of the duties we owe to the people whose stories we tell, and to the people whose stories we don’t.’ Australian ‘Always surprising and beautifully complex, and both deft and sensitive in its handling of its intertwined narratives and materials. It is an incredibly affecting book, one that lingers long after reading—and a remarkably assured debut.’ Age ‘A gripping tale of survival and an absorbing novelisation of his family’s extraordinary lives...Presser fills in the gaps in his grandfather’s story with vivid character studies; together with poignant black and white snapshots, he brings them evocatively to life. His poetic narrative is a perfect foil for the silences of his forbears.’ Toowoomba Chronicle ‘The Book of Dirt is both a loving, honest portrayal of lives that would have been erased, and an incorporation of the broader lessons of their experience into contemporary mythology. It keeps the discussion about trauma, memory, and intergenerational acts of transfer alive for those generations that follow, that risk forgetting. It is a potent achievement for a debut novel.’ Sydney Review of Books




The Weight of a Human Heart


Book Description

'The Weight of a Human Heart' turns the rules of storytelling on their head. A series of graphs illustrates the disintegration of a marriage, step by excruciating step. A literary feud, and an affair, play out in the book review section of a national newspaper. A young girl learns her mother's disturbing secrets.




The Best Australian Stories 2013


Book Description

In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing. Previous contributors include Kate Grenville, Nam Le, David Malouf, Mandy Sayer, DBC Pierre, Frank Moorhouse, Peter Goldsworthy, Marion Halligan, Venero Armanno, Sophie Cunningham, Romy Ash and many more.