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The Edge of Redemption


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When King Maurice of Alandar launches a surprise attack on her kingdom, seventeen-year-old Princess Lorellecrown princess of Aundriais forced to flee for her safety, leaving behind her country and her beloved parents King Norman and Queen Isabel. She escapes the fortress and boards a ship traveling across the Jasmin Sea to the beautiful island of Julinar. On the journey, she meets Sir James Wellington, a young knight who will stop at nothing to protect her. Yet even hundreds of miles away from the fray, she is still not safe from the dangers and horrors of war. As Alandar closes in on her, Lorelle must sacrifice everything to defend her country, find her way home, and fight for those she loves.







The Soul of the Soldier


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The sketches in this book and in my previous one, "The Cross at the Front," are attempts to show the soul of the soldier serving in France as I have seen it during the year and a half that I have been with him. It is a padre's privilege and duty to be the voice with which, in public worship, the soldiers speak to God; and through which their last thoughts are borne to their friends at home. He is their voice both when they are sick or wounded, and when they lie silent in the grave. He speaks of their hopes and fears, hardships and heroisms, laughter and tears. As best he may he tries to tell, to those who have a right and a longing to know, how they thought, and how they bore themselves in the great day of trial when all risked their lives and many laid them down. Soldiers, as a rule, are either inarticulate or do not care to speak of themselves; and the padre has to be their spokesman if ever their deeper thoughts and finer actions are to be known to their friends. To do this he may have to bring himself into the picture, or even illustrate a common thing in their lives by a personal experience of his own. To reveal life and thought at the Front in the third person, and without sacrificing truth and vividness, requires a degree of literary power and art which cannot be expected of a padre to whom writing is but a by-product, and not his main work. I have written but little of military operations--these things are not in my province. Moreover, they are not the things which are most revealing. The presence of Spring is first and most surely revealed by the flowers in our gardens and lanes; and the soldier is most clearly seen in the little things that happen on the march--in his billet or in the Dressing Station. Some things are not seen at all. They are only felt, and my opinion about them must be taken for what it is worth. One knows what the men are by their influence on one's own mind and life. I do not judge the morality and spirituality of our soldiers entirely by their habits and speech, for these are but outward and clumsy expressions of the inner life and are largely conventional. There is something else to put in the reckoning, and to find out what the soldiers are worth to us we must somehow get behind their words and actions and find out what they are worth to God, whose terrible wheel of war is shaping their characters. I appraise them mostly by the total effect of the impact of their souls on mine. I know their thoughts and feelings by the thoughts and feelings they inspire in me. "Do men gather grapes of thorns or figs of thistles?" There are certain thoughts and emotions that only come to me strongly when I am with the soldiers or when I am living again with them in memory, and so, I take these as their gift to me and judge the men by their influence on my character. Character is, in its influence, subtle as Spring. Words and actions by themselves are too coarse and conventional to do anything but mislead us in judging the quality of our men. "By their fruits ye shall know them." Not by their leaves. Fruit is seed. In the seed the tree reproduces itself. And reproduction, whether in physical, moral or spiritual life, is the test of vitality. To be continue in this ebook...




War and Redemption


Book Description

Much has rightly been written about the physiological and psychological symptoms, known as posttraumatic stress disorder (PTSD), suffered by combat veterans, and their treatment. Much less has been written about the moral, spiritual and existential pain that soldiers experience as a consequence of carrying through the stated purpose of war for the common soldier - kill the enemy until the war is won. Based on his 20+ years' experience of treating combat veterans, Dr Larry Dewey explores the war trauma and life adaptation of combatants over two decades of intensive treatment. He addresses moral, spiritual and existential issues while also attending to the important physiological and psychological symptoms. Using case material, thoughts, experiences and, literally, the words of 65 veterans of various wars, he portrays in depth and with meaningful detail the process of successful treatment and the eventual positive adaptation for these veterans. The volume explores the deep pain and burden of killing and the role of propaganda and love in starting and maintaining war. Through the veterans' stories the author portrays the personal war of the ordinary combatant and the burden of guilt, grief and pain they often carry afterwards. The second part tackles the actual healing process, and part three explores the concepts of sin, confession, mercy, forgiveness, redemption and love, and how veterans have used them in aiding their own recovery from war's grief and moral pain. War and Redemption provides an invaluable tool in the understanding and treatment of PTSD for therapists, veterans and their families. It will also be a fascinating and valuable resource for all those interested in PTSD more generally.




Levinas and the Cinema of Redemption


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In his philosophy of ethics and time, Emmanuel Levinas highlighted the tension that exists between the "ontological adventure" of immediate experience and the "ethical adventure" of redemptive relationships-associations in which absolute responsibility engenders a transcendence of being and self. In an original commingling of philosophy and cinema study, Sam B. Girgus applies Levinas's ethics to a variety of international films. His efforts point to a transnational pattern he terms the "cinema of redemption" that portrays the struggle to connect to others in redeeming ways. Girgus not only reveals the power of these films to articulate the crisis between ontological identity and ethical subjectivity. He also locates time and ethics within the structure and content of film itself. Drawing on the work of Luce Irigaray, Tina Chanter, Kelly Oliver, and Ewa Ziarek, Girgus reconsiders Levinas and his relationship to film, engaging with a feminist focus on the sexualized female body. Girgus offers fresh readings of films from several decades and cultures, including Frank Capra's Mr. Smith Goes to Washington (1939), Federico Fellini's La dolce vita (1959), Michelangelo Antonioni's L'avventura (1960), John Huston's The Misfits (1961), and Philip Kaufman's The Unbearable Lightness of Being (1988).




Fighting Redemption


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Ryan Kendall is broken. He understands pain. He knows the hand of violence and the ache of loss. He knows what it means to fail those who need you. Being broken doesn't stop him wanting the one thing he can't have; Finlay Tanner. Her smile is sweet and her future bright. She's the girl he grew up with, the girl he loves, the girl he protects from the world, and from himself. At nineteen, Ryan leaves to join the Australian Army. After years of training he becomes an elite SAS soldier and deploys to the Afghanistan war. His patrol undertakes the most dangerous missions a soldier can face. But no matter how far he runs, or how hard he fights, his need for Finlay won't let go. Returning home after six years, one look is all it takes to know he can't live without her. But sometimes love isn't enough to heal what hurts. Sometimes people like him can't be fixed, and sometimes people like Finlay deserve more than what's left. This is a story about war and the cost of sacrifice. Where bonds are formed, and friendships found. Where those who are strong, fall hard. Where love is let go, heartache is born, and heroes are made. Where one man learns that the hardest fight of all, is the fight to save himself. This book is recommended for 18+ due to adult language and themes. Please note: K McCarthy is an Australian author and Australian spelling, language and slang has been used in this book.




Redemption's Return


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Although six, long months have passed since Rebecca took her leave from Jean Luc Rousseau near the outskirts of Breles, his feelings for the young woman have remained the same Six months have passed since the Redemption and her crew set sail for the West Indies, but tensions continue to mount back home as Napoleon Bonaparte, in his vain quest to rule all of Europe, creates a quick and efficient chaos to erupt among his countrymen, as well as his British adversaries in neighboring England. Mounting an oppressive manhunt for suspected dissidents and traitors loyal to the French Republic, Bonaparte creates a ruthless regime of terror in which daily executions are carried out in the name of political genocide. Jean Luc Rousseau, along with Claude and Marielle Laroche, are sheltered from the all-too-recent upheaval living in the quiet community of Guilers, until an enchanting newcomer arrives. Her very presence threatens the placid complacency that has each of them under its spell, but when calamity strikes, all believe that only Rebecca can provide the evidence necessary to substantiate the truth. Will the Redemption return in time for her to save the life of Jean Luc Rousseau?