The Songs of the Russian People, as Illustrative of Slavonic Mythology and Russian Social Life (Classic Reprint)


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Excerpt from The Songs of the Russian People, as Illustrative of Slavonic Mythology and Russian Social Life In the translations contained in the present volume I have attempted to give, in every case, as literal a version of the original as possible. My rule has been to translate the songs into prose, line for line and word for word, and this rule has scarcely ever been broken. Only here and there, in the introductory chapter and in that on Marriage, I have been some times almost unconsciously led into following, to some slight extent, the rhythmical flow of the Russian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Athenaeum


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The Athenaeum


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The Songs of the Russian People


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The Publishers' and Stationers' Weekly Trade Circular


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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.







The Singer Resumes the Tale


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Edited by Mary Louise Lord after the author's death, The Singer Resumes the Tale focuses on the performance of stories and poems within settings that range from ancient Greek palaces to Latvian villages. Lord expounds and develops his approach to oral literature in this book, responds systematically for the first time to criticisms of oral theory, and extends his methods to the analysis of lyric poems. He also considers the implications of the transitional text - a work made up of both oral and literary components. Elements of the oral tradition - the practice of storytelling in prose or verse, the art of composing and transmitting songs, the content of these texts, the kinds of songs composed, and the poetics of oral literature - are discussed in the light of several traditions, beginning in the ancient world, through the Middle Ages, to the present. Throughout, the central figure is always the singer. Homer, the Beowulf poet, women who perform lyric songs, tellers of folktales, singers of such ballads as "Barbara Allen", bards of the Balkans: all play prominent roles in Lord's book, as they have played central roles in the creation of this fundamental literature.




Books in Print


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