The Sources and Text of Richard Wagner's Opera "Die Meistersinger Von Nürnberg"
Author : Anna Maude Bowen
Publisher :
Page : 112 pages
File Size : 11,57 MB
Release : 1977
Category : Music
ISBN :
Author : Anna Maude Bowen
Publisher :
Page : 112 pages
File Size : 11,57 MB
Release : 1977
Category : Music
ISBN :
Author : Anna Maude Bowen
Publisher :
Page : 104 pages
File Size : 44,40 MB
Release : 1897
Category :
ISBN :
Author : Anna Bowen
Publisher :
Page : 0 pages
File Size : 17,2 MB
Release : 1897
Category :
ISBN :
Author : Anna Maude Bowen
Publisher : Rarebooksclub.com
Page : 28 pages
File Size : 47,33 MB
Release : 2013-09
Category :
ISBN : 9781230185712
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1897 edition. Excerpt: ... alle jar auf sanct thomas tag oder die nechst schuel darfor sol man die Festlider verhoren und die fest singer verornern (verordnen) wie solen singen." This was evidently to prepare for a festival on St. John Evangelist's Day (December 27). According to Schnorr von Carolsf eld 4) there was a festal gathering of the Mastersingers at Wohrd, a suburb of Nuremberg, on the Feast of Trinity. Now Wagner has either mistaken the festival of St. John Evangelist for that of St. John Baptist (June 24) or has arbitrarily changed the festival of Trinity to that of St. John. His reasons for choosing this spring-day, so beautifully celebrated in southern Germany, are obvious. 1) Wagenseil, 546. 2) Uhland: Schriften," II, 297.; 3) Genee, 4i2. 4) Mey, 44, Ranisch, 28, says that the Nuremberg Mastersingers had a festival a week after Pentecostal Sunday at Wohrd--but this was because the expenses of meeting in the church were too great. Wagner has also arbitrarily assumed that there were two Critic's Seats (Gemerke), a smaller and a larger, the first to be used at the Open Singing, the second in the Singing-school (VII, 164). This is a gratuitous invention of his, as is also the marking of the song by Beckmesser as the only critic, instead of the customary three or four. This latter device was however necessary, since only Walther's rival would have criticized his song so severely. Poor Walther is marked, too, according to rules that he has never heard, for from the Leges Tabulaturas have been read to him only the introductory part, and David's glib enumeration of errors contains no real information. There is a curious slip in Hans Sachs' speech immediately after his reception by the apprentices and people in the third act. Sachs informs...
Author : Pratt Institute. Free Library
Publisher :
Page : 24 pages
File Size : 32,34 MB
Release : 1900
Category :
ISBN :
Author : Christopher Kimbell
Publisher : Taylor & Francis
Page : 194 pages
File Size : 32,68 MB
Release : 2024-07-02
Category : Music
ISBN : 1040040616
Since its premiere in 1868, Wagner’s Die Meistersinger von Nürnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera. The work’s significance as a touchstone of national culture survived even such troubling episodes as its public endorsement in 1933 as ‘the most German of all German operas’ by Joseph Goebbels or the rendition in previous years by audiences at Bayreuth of both national and Nazi-party anthems at the work’s culmination. This chequered reception history and apparent propensity for reinterpretation or reclamation has long fuelled debates over the socio-political meanings of Wagner’s musical narrative. On the question of Beckmesser, for instance, heated arguments have surrounded the existence of antisemitic stereotypes in the work as well as their possible indication of a racial-political dimension to Sachs’s restoration of Nuremberg society. Through a combination of musical-textual analysis with critical theory, this book interrogates the ideological underpinnings of Die Meistersinger’s narrative. In four interconnected studies of the characters of Walther, Sachs, Beckmesser, and Eva, the book traces a critical potential within the opera’s construction of provincial and national identities and problematizes existing discourse around its depiction of race and gender.
Author : Helen M. Greenwald
Publisher : Oxford Handbooks
Page : 1217 pages
File Size : 37,99 MB
Release : 2014
Category : Music
ISBN : 0195335538
Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.
Author : Boston Public Library. Allen A. Brown Collection of Music
Publisher :
Page : 354 pages
File Size : 16,28 MB
Release : 1915
Category : Music
ISBN :
Author : M. Bribitzer-Stull
Publisher : Springer
Page : 228 pages
File Size : 31,31 MB
Release : 2007-09-17
Category : Music
ISBN : 0230607179
Please note this is a 'Palgrave to Order' title (PTO). Stock of this book requires shipment from an overseas supplier. It will be delivered to you within 12 weeks. A central concern of this study is the relationship between Wagner the artist and Wagner the social phenomenon. Many of the essays within explore the most difficult yet most crucial issue in Wagner studies: the impact of the composer's problematic world view and complex personal life on his musical/dramatic creations.
Author : New York Public Library. Research Libraries
Publisher :
Page : 576 pages
File Size : 10,20 MB
Release : 1979
Category : Library catalogs
ISBN :