The Spring and Autumn Annals of Master Yan


Book Description

The Spring and Autumn Annals of Master Yan is the biography of the most important statesmen and political thinkers of the Eastern Zhou dynasty China: Yan Ying (d. 500 BCE). Living through an exceptionally troubled period, he served three rulers and two dictators of the state of Qi, in Shandong Province. His experiences informed his revolutionary theories concerning the relationship between the individual and the state. Long considered to be a forgery, recent archaeological discoveries have proved the Spring and Autumn Annals of Master Yan to be a genuinely ancient text. This book provides not only the first complete translation of the text into any Western language, but a detailed analysis of the context in which it was produced.




晏子春秋


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晏子春秋


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Spring and Autumn Annals of Wu and Yue


Book Description

A Tale of Two Kingdoms offers a highly readable translation of the earliest surviving novel written in the Chinese language, Wu Yue chunqiu (The Spring and Autumn Annals of the Kingdoms of Wu and Yue). Composed nearly two millennia ago and featuring some of the most famous characters in Chinese literature, this powerful saga of humiliation, violence, and revenge recounts the battles between the states of Wu and Yue during the Spring and Autumn period (770–481 BCE). In her detailed introduction and annotations, translator Olivia Milburn places the work in its historical and cultural context and explains its ongoing significance in the history of fiction writing in East Asia, making the case that this was, in fact, China's first novel. This approachable translation by one of the leading scholars in the field makes this key text available to specialist and nonspecialist readers alike.




Spring and Autumn Annals of Wu and Yue


Book Description

Spring and Autumn Annals of Wu and Yue is the first complete English translation of Wu Yue Chunqiu, a chronicle of two neighboring states during China's Spring and Autumn period. This collection of political history, philosophy, and fictional accounts depicts the rise and fall of Wu and Yue and the rivalry between them, the inspiration for centuries of poetry, vernacular fiction, and drama. Wu Yue Chunqiu makes use of rich sources from the past, carefully adapting and developing them into complex stories. Historical figures are transformed into distinctive characters; simple records of events are fleshed out and made tangible. The result is a nuanced record that is both a compelling narrative and a valuable historical text. As one of the earliest examples of a regional history, Wu Yue Chunqiu is also an important source for the history of what is now Zhejiang and Jiangsu. In Spring and Autumn Annals of Wu and Yue, Jianjun He's engaging translation and extensive annotations make this significant historical and literary work accessible to an English-speaking audience for the first time.




A Korean Confucian’s Advice on How to Be Moral


Book Description

Tasan Chŏng Yagyong (1762–1836) is one of the most creative thinkers Korea has ever produced, one of the country’s first Christians, and a leading scholar in Confucian philosophy. Born in a staunchly Neo-Confucian society, in his early twenties he encountered writings by Catholic missionaries in China and was fascinated. However, when he later learned that the Catholic Church condemned the Confucian practice of placing a spirit tablet on a family altar to honor past generations, he left the small Catholic community he had helped found and ostensibly returned to the Neo-Confucian fold. Nevertheless, the Christian ideas he studied in his youth influenced his thinking for the rest of his life, stimulating him to look at Neo-Confucianism with a critical eye and suggest new solutions to problems Confucian scholars had been addressing for centuries. A Korean Confucian’s Advice on How to Be Moral is an annotated translation of Tasan’s commentaries on the Confucian classic Zhongyong (usually translated as The Doctrine of the Mean) in which he applies both Confucianism and Christianity to the question of how to best develop a moral character. Written as a dialogue with King Chŏngjo (r. 1776–1800), these texts reveal how Tasan interpreted his Confucian tradition, particularly its understanding of how human beings could cultivate morality, while the king’s questions illustrate the mainstream Neo-Confucianism Tasan was reacting against. Tasan challenged the non-theistic standard, insisting that living a moral life is not easy and that we need to be motivated to exert the effort necessary to overcome our selfish tendencies. He had abandoned his faith by the time he wrote these commentaries but, influenced by Catholic works and determined to find a more effective way to live a moral life than non-theistic Neo-Confucianism provided, Tasan constructed a Confucian philosophy of moral improvement centered on belief in God. This translation, helpfully annotated for context and analysis, is an exploration of early Korean engagement with the West and a powerful guide to all those interested in Confucianism, Christianity, and morality.




Concise Reader of Chinese Literature History


Book Description

This book includes the history of Chinese literature before 1949. It firstly outlines the development process of Chinese literature and basic features and then discusses them according to the literary genre, for the literature of each era. This book gathers established scholars in the field and presents their latest research in the Chinese literature history studies. Moreover, it has included the literature history of different nationalities in the history of China and the records of folk literature history, reflecting literature from different classes. In the limited space of this book, the writers who have been loved by the Chinese people for three thousand years are discussed, such as Qu Yuan, Tao Yuanming, Li Bai, Du Fu, Su Shi, Xin Qiji, Yuan Haowen, Nalan Xingde, and so on. Careful elaborations are made on each writer together with quotations and analysis of their work.




Dictionary of the Ben Cao Gang Mu, Volume 3


Book Description

The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.




The Tso Chuan


Book Description

A vivid chronicle of events in the feudal states of China between 722 and 468 B.C., the Tso Chuan has long been considered both a major historical document and and an influential literary model. Covering over 250 years, these historical narratives focus not only on the political, diplomatic, and military affairs of ancient China, but also on its economic and cultural developments during the turbulent era when warring feudal states were gradually working towards unification. Ending shortly after Confucius' death in 479 B.C., the Tso Chuan provides a background to the life and thought of Confucius and his followers that is available in no other work.




The Art of Chinese Philosophy


Book Description

Goldin thus begins the book by asking the basic question "What are we reading?" while also considering why it has been so rarely asked. Yet far from denigrating Chinese philosophy, he argues that liberating these texts from the mythic idea that they are the product of a single great mind only improves our understanding and appreciation. By no means does a text require single and undisputed authorship to be meaningful; nor is historicism the only legitimate interpretive stance. The first chapter takes up a hallmark of Chinese philosophy that demands a Western reader's cognizance: its preference for non-deductive argumentation. Chinese philosophy is an art (hence the title) he demonstrates, more than it is a rigorous logical method. Then comes the core of the book, eight chapters devoted to the eight philosophical texts divided into three parts: Philosophy of Heaven, Philosophy of the Way, and Two Titans at the End of an Age. .