The St Ives Artists


Book Description

St Ives is unique in British art history. Between the Second World War and the 1970s, many progressive artists chose to work and often settle around this small port in the far west of Cornwall.Drawing on fresh research, Michael Bird has created a fascinating and highly readable account of St Ives and its artists.




Barbara Hepworth


Book Description

An exhibition catalog featuring the artwork of British sculptor Barbara Hepworth.




St. Ives Artists


Book Description

The achievement of Christopher Wood has often been overshadowed by the legend that grew up around his life after his dramatic suicide at the age of 29. Increasingly, however, critics have come to see his work, particularly the output of the last two years of his life, as having a pivotal role in the development of modernism in Britain. The integrity of Wood's endeavour, the combination of self-confidence and uncertainty, accomplishment and awkwardness gives his paintings a very human quality that continues to be recognised and admired by audiences and painters today.




St. Ives Artists


Book Description

Margaret Garlake's study of Peter Lanyon provides a unique survey of his life and work, from his childhood friendship with Patrick Heron to international acclaim in the 1960s. He was the only Cornishman among the leading members of the St. Ives group.




Modern Art and St. Ives


Book Description

"In this new exploration of modern art and St Ives, works by St Ives artists are looked at in the context of their contemporaries in Europe, North America and beyond. The work of this period includes the utopian ideal of constructivism and the tradition of craft and the handmade. Paintings, sculpture and ceramics - drawn from public and private collections in the UK and abroad - richly illustrate how artists' engagement with St Ives was a part of the global art scene of the twentieth century." -- back cover.




Alfred Wallis


Book Description

Wallis was a semi-literate Cornish fisherman, a little mentally unbalanced and largely deaf, who took up painting at the age of seventy, never having received any tuition. He painted largely out of loneliness, selling his pictures for a few pence to anyone who wanted them. He died in a workhouse above Penzance at the age of eighty-seven. Wallis used to paint old scraps of cardboard, most of them oddly shaped and supplied by the local grocer. He insisted on using ship s paint, a medium which he understood, and he employed very few colours. His subject was usually the sea and boats - scenes he had known during his early days as an Atlantic seaman and offshore fisherman. Painting was for him a dip into the memories of the past. Despite his lack of training, during his lifetime Wallis had a few distinguished patrons, for the most part artists, scholars and museum officials, among whom were Ben Nicholson, Barbara Hepworth and H. S. Ede (then at the Tate Gallery)."




St. Ives, 1883-1993


Book Description

Major artists, past and present, such as Lanyon, Heron, Nicholson, Mitchell, Hepworth, Frost, Gabo, Barns-Graham, Leach and Hamada came to live in St Ives and recognised a unique creative environment which stimulated their ideas.




100 Ideas that Changed Art


Book Description

From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a source of inspiration and a fascinating resource for the general reader to dip into. The book shows how developments in materials and technology have radically changed the way that art is produced. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day. Illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.




The Dark Monarch


Book Description

Explores the influence of folklore, mysticism, mythology and the occult on the development of modernism and surrealism in Britain. This book features the works of both historic and contemporary artists, and considers the influence of neo-romantic and arcane themes on a significant strand of British art practice.