The St. Louis Anthology


Book Description

St. Louis is a fragmented place. It’s physically dissected by rivers, highways, walls, and fences, but it’s also a place where one’s race, class, religion, and zip code may as well be cards in a rigged poker game, where the winners’ prize is the ability to ignore the fact that the losers have drastically shorter life expectancies. But it can also be a city of warmth, love, and beauty―especially in its contrasts. Edited by Ryan Schuessler (Sweeter Voices Still: An LGBTQ Anthology from Middle America), the collection features nearly 70 essays penned by St. Louis writers, journalists, clerics, poets, and activists including Aisha Sultan, Galen Gritts, Vivian Gibson, Maja Sadikovic, Nartana Premachandra, Sophia Benoit, Robert Langellier, Samuel Autman, Umar Lee, and more.




St. Louis Noir


Book Description

“St. Louis gets a turn to show its dark side . . . [A] spirited, black-hearted collection” including a story from New York Times–bestselling author John Lutz (Kirkus Reviews). A vibrant Midwest metropolis, St. Louis has a rich, multicultural history of art and literature—both high and low. That duality is embraced here in an anthology that spans the reaches of noir, from violent criminality to bad luck and bad attitudes. St. Louis Noir includes stories by bestselling authors John Lutz and Scott Phillips, a poetic interlude featuring Poet Laureate Michael Castro, and more tales from Calvin Wilson, LaVelle Wilkins-Chinn, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, and L.J. Smith. “The stories here are uniformly strong. Regular readers of the Noir series know what to expect: tightly written, tightly plotted, mostly character-driven stories of murder and mayhem, death and despair, shadow and shock.” —Booklist “Thirteen tales of grim homicidal happenings (plus one poetic interlude) set in the streets of the St. Louis area.” —St. Louis Post-Dispatch




Ain't But a Place


Book Description

This collection of fiction and poetry, memoirs and autobiography, history and journalism illuminates the African American experience in St. Louis in the nineteenth and twentieth centuries.




An East St. Louis Anthology


Book Description

Comprised of facsimile reproductions of excerpts from: History of East St. Louis, by Robert A. Tyson (1875); Saint Louis : the future great city of the world, by Logan Reavis (1876); History of St. Clair County, Illinois (1881); Historical encyclopedia of Illinois, and, History of St. Clair County (1907); Standard atlas of St. Clair County, Illinois (1901); Directory of the city of East St. Louis, St. Clair County, Illinois (1893); East St. Louis directory (1887); Ordinances of the city of East St. Louis, St. Clair County, Illinois (1884).




Sweeter Voices Still


Book Description

A groundbreaking nonfiction collection about queer life in the Midwest. "A marvelous ode to humanity and its passions."-- Little Village The middle of America―the Midwest, Appalachia, the Rust Belt, the Great




The Last Children of Mill Creek


Book Description

Vivian Gibson grew up in Mill Creek, a neighborhood of St. Louis razed in 1955 to build a highway. Her family, friends, church community, and neighbors were all displaced by urban renewal. In this moving memoir, Gibson recreates the every day lived experiences of her family, including her college-educated mother, who moved to St. Louis as part of the Great Migration, her friends, shop owners, teachers, and others who made Mill Creek into a warm, tight-knit, African-American community, and reflects upon what it means that Mill Creek was destroyed by racism and "urban renewal."




Black in the Middle


Book Description

An ambitious, honest portrait of the Black experience in flyover country. One of The St. Louis Post Dispatch's Best Books of 2020. Black Americans have been among the hardest hit by the rapid deindustrialization and




House of Villadiva


Book Description

A St. Louis Magazine Must-Read for 2021! WELCOME TO THE “ornate but rickety” Villadiva, whose stained glass windows and uneven floors house more than a century of St. Louis’s queer culture and drama. In a city where “ambition and history and activism and machinations mix with scandal and sex and ghosts and murder,” it’s beneath Villadiva’s crystal chandeliers that secrets are revealed and stories come to life. You’ll feel you’re in the room with provocateur Andoe and his riotous, multigenerational tribe of eccentrics, socialites, drag queens, card-reading witches, psychic mediums, addicts, and promiscuous extroverts--as well as the stalkers, liars, and felonious, headline-grabbing sociopaths who are determined to destroy them. House of Villadiva reveals the heart and heartlessness of urban queer life in the 21st century—and the secret to living through it. Book Review 1: "Chris Andoe writes like he talks, which is a very good thing, because he's one of our city’s best talkers. And the object of his fascination—whether he’s three martinis into a happy hour or three thousand words into a written chapter—is the ensemble cast that is LGBTQ St. Louis, in all its pettiness and pageantry, glory, and weirdness. Sometimes he only records the drama; other times he spritzes gasoline on the flames. But all of it captivates him. Readers of this book can count on feeling the same way." -- Nicholas Phillips, St. Louis Magazine




The Dead End Kids of St. Louis


Book Description

Joe Garagiola remembers playing baseball with stolen balls and bats while growing up on the Hill. Chuck Berry had run-ins with police before channeling his energy into rock and roll. But not all the boys growing up on the rough streets of St. Louis had loving families or managed to find success. This book reviews a century of history to tell the story of the “lost” boys who struggled to survive on the city’s streets as it evolved from a booming late-nineteenth-century industrial center to a troubled mid-twentieth-century metropolis. To the eyes of impressionable boys without parents to shield them, St. Louis presented an ever-changing spectacle of violence. Small, loosely organized bands from the tenement districts wandered the city looking for trouble, and they often found it. The geology of St. Louis also provided for unique accommodations—sometimes gangs of boys found shelter in the extensive system of interconnected caves underneath the city. Boys could hide in these secret lairs for weeks or even months at a stretch. Bonnie Stepenoff gives voice to the harrowing experiences of destitute and homeless boys and young men who struggled to grow up, with little or no adult supervision, on streets filled with excitement but also teeming with sharpsters ready to teach these youngsters things they would never learn in school. Well-intentioned efforts of private philanthropists and public officials sometimes went cruelly astray, and sometimes were ineffective, but sometimes had positive effects on young lives. Stepenoff traces the history of several efforts aimed at assisting the city’s homeless boys. She discusses the prison-like St. Louis House of Refuge, where more than 80 percent of the resident children were boys, and Father Dunne's News Boys' Home and Protectorate, which stressed education and training for more than a century after its founding. She charts the growth of Skid Row and details how historical events such as industrialization, economic depression, and wars affected this vulnerable urban population. Most of these boys grew up and lived decent, unheralded lives, but that doesn’t mean that their childhood experiences left them unscathed. Their lives offer a compelling glimpse into old St. Louis while reinforcing the idea that society has an obligation to create cities that will nurture and not endanger the young.




Seeking St. Louis


Book Description

Complementing the new permanent exhibition at the Missouri Historical Society, this anthology gathers over three centuries of writings on St. Louis by 100 individuals who have been inspired to describe the physical and cultural essence of this region. The volume contains excerpted selections from all genres--travel diaries, poetry, fiction, journalism, drama, and rare out-of-print and previously unpublished archival material--including poems by Angus Umphraville, from the first volume of verse published west of the Mississippi, and newspaper articles by Theodore Dreiser when he was a beat reporter for the St. Louis Globe-Democrat. Other compelling excerpts were authored by such notables as Auguste Chouteau, Charles Dickens, William Wells Brown, William T. Sherman, Sara Teasdale, T. S. Eliot, Tennessee Williams, Fanny Hurst, William S. Burroughs, Miles Davis, Nzotake Shange, John Lutz, Carl Phillips, and Quincy Troupe. A biographical introduction precedes each entry to place the author and the excerpt in the proper historical context. The content of Seeking St. Louis was enriched by the involvement of several of the St. Louis area's foremost literary experts--Robert Boyd, Jan Garden Castro, Gerald Early, Wayne Fields, and Karen Goering--who served as contributing editors.