King Arthur's Death


Book Description

Professor Benson's edition of the Stanzaic Morte Arthur and the Alliterative Morte Arthure has been long out of print. Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.




The Stanzaic Morte


Book Description

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The Alliterative Morte Arthure


Book Description

This skillful rendering by John Gardner of seven Middle English poems into sparklingly modern verse translation--most of them for the first time--represents a selection of poems that, generally, have real artistic value but are so difficult to read in the original that they are not as well known as they deserve to be.




The Alliterative Morte Arthure


Book Description

One of the finest narrative poems of the Middle Ages translated in its entirety by a recognized authority on the poem. This volume represents an important chapter in the evolution of the Arthurian legend. It is marked as an epic poem by its celebration of battle and conquest and its unsentimental depiction of combat and death.




King Arthur's Death


Book Description

King Arthur’s Death (commonly referred to as the Alliterative Morte Arthure) is a Middle English poem that was written in Lincolnshire at the end of the fourteenth century. A source work for Malory’s later Morte d’Arthur, it is an epic tale which documents the horrors of war, the loneliness of kingship and the terrible price paid for arrogance. This magnificent poem tells of the arrival of emissaries from Imperial Rome demanding that Arthur pays his dues as a subject. It is Arthur’s refusal to accept these demands, and the premise of foreign domination, which leads him on a quest to confront his foes and challenge them for command of his lands. Yet his venture is not without cost. His decision to leave Mordred at home to watch over his realm and guard Guinevere, his queen, proves to be a costly one. Though Arthur defeats the Romans, events in Britain draw him back where he must now face Mordred for control of his kingdom – a conflict ultimately fatal to the pair of them. Combining heroic action, probing insight into human frailty and a great attention to contemporary detail, King Arthur’s Death is not only a lesson in effective kingship, it is also an astonishing mirror on our own times, highlighting the folly of letting stubborn dogma drive political decisions.




The Death of King Arthur


Book Description

The Alliterative Morte Arthure - the title given to a four-thousand line poem written sometime around 1400 - was part of a medieval Arthurian revival which produced such masterpieces as Sir Gawain and the Green Knight and Sir Thomas Malory's prose Morte D'Arthur. The Death of King Arthur deals in the cut-and-thrust of warfare and politics: the ever-topical matter of Britain's relationship with continental Europe, and of its military interests overseas. Simon Armitage is already the master of this alliterative music, as his earlier version of Sir Gawain and the Green Knight (2006) so resourcefully and exuberantly showed. His new translation restores a neglected masterpiece of story-telling, by bringing vividly to life its entirely medieval mix of ruthlessness and restraint.




The Alliterative Morte Arthure


Book Description

Essays examining a variety of aspects of important Arthurian poem. The present volume grew from a nucleus of four papers given at the Twelfth International Arthurian Conference at Regensburg in 1971 on the alliterative Morte Arthure, increasingly recognised as one of the great masterpiecesof medieval English literature. These lectures sought to reappraise the poem and its somewhat enigmatic historical and cultural context, and are presented here in a much revised and expanded form. Unlike most volumes of theiskind, the contributions form an integrated whole, the result of lengthy discussions among the collaborating scholars over the past year. The topics range from the poem's place among chronicles and Arthurian romances to the date, audience and attitude to contempary problems, notably that of war. pecific fields such as heraldry and laments for the dead are examined in detail, while the linguistic structure of the poem is the subject of two essays.




King Arthur's Death


Book Description




Treason


Book Description

Set against the framework of modern political concerns, Treason: Medieval and Early Modern Adultery, Betrayal, and Shame considers the various forms of treachery in a variety of sources, including literature, historical chronicles, and material culture creating a complex portrait of the development of this high crime.




Sleep and its spaces in Middle English literature


Book Description

Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.