The Stone Gods


Book Description

The Whitbread Prize–winning author of Oranges Are Not the Only Fruit delivers a novel that “transports us to something like the future of our own planet” (The Washington Post Book World). On the airwaves, all the talk is of the new blue planet—pristine and habitable, like our own was sixty-five million years ago, before we took it to the edge of destruction. Off the air, Billie Crusoe and the renegade Robo sapien Spike are falling in love. Along with Captain Handsome and Pink, they’re assigned to colonize the new blue planet. But when a technical maneuver intended to make it inhabitable backfires, Billie and Spike’s flight to the future becomes a surprising return to the distant past—“Everything is imprinted forever with what it once was.” What will happen when their story combines with the world’s story? Will they—and we—ever find a safe landing place? Playful, passionate, polemical, and frequently very funny, The Stone Gods will change forever the stories we tell about the earth, about love, and about stories themselves. “Scary, beautiful, witty and wistful by turns, dipping into the known past as it explores potential futures.” —The New York Times Book Review “[A book] that you don’t so much read as drink in, refuse to put down, cast inside of like a hunting dog, seeking against all odds the insight that will illuminate everything, a true answer to the fix we’re in.” —Los Angeles Times “A vivid, cautionary tale—or, more precisely, a keen lament for our irremediably incautious species.” —Ursula K. Le Guin, bestselling author of Changing Planes




The Writing of the Gods


Book Description

The surprising and compelling story of two rival geniuses in an all-out race to decode one of the world's most famous documents--the Rosetta Stone--and their twenty-year-long battle to solve the mystery of ancient Egypt's hieroglyphs. The Rosetta Stone is one of the most famous objects in the world, attracting millions of visitors to the British museum ever year, and yet most people don't really know what it is. Discovered in a pile of rubble in 1799, this slab of stone proved to be the key to unlocking a lost language that baffled scholars for centuries. Carved in ancient Egypt, the Rosetta Stone carried the same message in different languages--in Greek using Greek letters, and in Egyptian using picture-writing called hieroglyphs. Until its discovery, no one in the world knew how to read the hieroglyphs that covered every temple and text and statue in Egypt. Dominating the world for thirty centuries, ancient Egypt was the mightiest empire the world had ever known, yet everything about it--the pyramids, mummies, the Sphinx--was shrouded in mystery. Whoever was able to decipher the Rosetta Stone, and learn how to read hieroglyphs, would solve that mystery and fling open a door that had been locked for two thousand years. Two brilliant rivals set out to win that prize. One was English, the other French, at a time when England and France were enemies and the world's two great superpowers. The Writing of the Gods chronicles this high-stakes intellectual race in which the winner would win glory for both himself and his nation. A riveting portrait of empires both ancient and modern, this is an unparalleled look at the culture and history of ancient Egypt and a fascinating, fast-paced story of human folly and discovery unlike any other.




Gods of Wood and Stone


Book Description

Two men from disparate worlds search for what constitutes a meaningful life in a searing portrait of honor and masculinity, sport and celebrity, marriage and parenthood in this “rough, tough, and thoughtful” (Phil Mushnick, New York Post) debut from Pulitzer Prize finalist and front-page columnist Mark Di Ionno. Joe Grudeck is a living legend—a first-ballot Hall of Famer beloved by Boston Red Sox fans who once played for millions under the bright Fenway lights. Now, he finds himself haunted by his own history, searching for connection in a world that’s alienated his true self beneath his celebrity persona. Soon, he’ll step back into the spotlight once more with a very risky Cooperstown acceptance speech that has the power to change everything—except the darkness in his past. Horace Mueller is a different type altogether—working in darkness at a museum blacksmith shop and living in a rundown farmhouse on the outskirts of Cooperstown, New York. He clings to an antiquated lifestyle, fueled by nostalgia for simpler times and a rebellion against the sport-celebrity lifestyle of Cooperstown. His baseball prodigy son, however, veers towards everything Horace has spent his life railing against. Gods of Wood and Stone is the story of these two men—a timeless, but strikingly singular tale of the responsibilities of manhood and the pitfalls of glory in a painful and exhilarating novel that’s distinctly American. “Delivered with a fan’s passion, a journalist’s eye for detail, and the unblinking courage of a storyteller, Mark Di Ionno knocks it out of the park with this piercing literary thriller” (Bryan Gruley, award-winning author of the Starvation Lake trilogy).




Fictions of Infinity


Book Description

This study traces the connection of infinity and Levinasian ethics in 21st-century fiction. It tackles the paradox of how infinity can be (re-)presented in the finite space between the covers of a book and finds an answer that combines conceptual metaphor theory with concepts from classical narratology and beyond, such as mise en abyme, textual circularity, intertextuality or omniscient narration. It argues that texts with such structures may be conceptualised as infinite via Lakoff and Núñez’s Basic Metaphor of Infinity. The catachrestic transfer of infinity from structure to text means that the texts themselves are understood to be infinite. Taking its cue from the central role of the infinite in Emmanuel Levinas’s ethics, the function of such ‘fictions of infinity’ turns out to be ethical: infinite textuality disrupts reading patterns and calls into question the reader’s spontaneity to interpret. This hypothesis is put to the test in detailed readings of four 21st-century novels, David Mitchell’s Cloud Atlas, Jeanette Winterson’s The Stone Gods, Ian McEwan’s Saturday and John Banville’s The Infinities. This book thus combines ethical criticism with structural aesthetics to uncover ethical potential in fiction.




The Stone Gods


Book Description

A glimpse into unlikely love braved in the face of the void. On the airwaves, all the talk is of the new blue planet–pristine and habitable, like our own 65 million years ago, before we took it to the edge of destruction. And off the air, Billie and Spike are falling in love. What will happen when their story combines with the world’s story, as they whirl towards Planet Blue, into the future? Will they–and we–ever find a safe landing place? Of immense imaginary and emotional scope, The Stone Gods is Jeanette Winterson at her prescient, playful, muscular best. An interplanetary love story, a traveller’s tale, a hymn to the beauty of the world, this is a novel that will change forever the stories we tell about the earth, about love and about stories themselves.




Gods of Flesh, Gods of Stone


Book Description

Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion.




Old Gods Almost Dead


Book Description

The acclaimed, bestselling rock-and-roll biographer delivers the first complete, unexpurgated history of the world’s greatest band. The saga of the Rolling Stones is the central epic in rock mythology. From their debut as the intermission band at London’s Marquee Club in 1962 through their latest record—setting Bridges to Babylon world tour, the Rolling Stones have defined a musical genre and experienced godlike adulation, quarrels, addiction, legal traumas, and descents into madness and death_while steadfastly refusing to fade away. Now Stephen Davis, the New York Times bestselling author of Hammer of the Gods and Walk This Way, who has followed the Stones for three decades, presents their whole story, replete with vivid details of the Stones’ musical successes_and personal excesses. Born into the wartime England of air-raid sirens, bombing raids, and strict rationing, the Rolling Stones came of age in the 1950s, as American blues and pop arrived in Europe. Among London’s most ardent blues fans in the early 1960s was a short blond teenage guitar player named Brian Jones, who hooked up with a lorry driver’s only son, Charlie Watts, a jazz drummer. At the same time, popular and studious Michael Philip Jagger–who, as a boy, bawled out a phonetic version of “La Bamba” with an eye-popping intensity that scared his parents–began sharing blues records with a primary school classmate, Keith “Ricky” Richards, a shy underachiever, whose idol was Chuck Berry. In 1962 the four young men, joined by Bill Perks (later Wyman) on bass, formed a band rhythm and blues band, which Brian Jones named the “the Rollin’ Stones” in honor of the Muddy Waters blues classic. Using the biography of the Rolling Stones as a narrative spine, Old God Almost Dead builds a new, multilayered version of the Stones’ story, locating the band beyond the musical world they dominated and showing how they influenced, and were influenced by, the other artistic movements of their era: the blues revival, Swinging London, the Beats, Bob Dylan’s Stones-inspired shift from protest to pop, Pop Art and Andy Warhol’s New York, the “Underground” politics of the 1960s, Moroccan energy and European orientalism, Jamaican reggae, the Glam and Punk subcultures, and the technologic advances of the video and digital revolution. At the same time, Old Gods Almost Dead documents the intense backstage lives of the Stones: the feuds, the drugs, the marriages, and the affairs that inspired and informed their songs; and the business of making records and putting on shows. The first new biography of the Rolling Stones since the early 1980s, Old Gods Almost Dead is the most comprehensive book to date, and one of the few to cover all the band’s members. Illustrated throughout with photos of pivotal moments, it is a celebration of the Rolling Stones as an often courageous, often foolish gang of artists who not only showed us new worlds, but new ways of living in them. It is a saga as raunchily, vibrantly entertaining as the Stones themselves.




Jeanette Winterson and Religion


Book Description

Since the publication of her first novel, Oranges Are Not the Only Fruit, Jeanette Winterson quickly established herself as a powerful and insightful writer on sexuality and gender. However, the profound and persistent religious themes of her work have received much less critical attention. Jeanette Winterson and Religion is the first in-depth study of the ways in which Winterson navigates the sacred and the profane in the full range of her writing, from her first novel to later works such as The PowerBook and The Stone Gods. This book reads the author's work alongside the theological turn in the thought of such theorists as Alain Badiou, John D. Caputo and Julia Kristeva as well as feminist and queer theologians such as Catherine Keller and Marcella Althaus-Reid. In this way, Jeanette Winterson and Religion reveals how Jeanette Winterson stakes out a unique and intriguing post-secular literary form of the sacred.




Gold of the Gods


Book Description

Carried in the Ark of the Covenant this anti-gravity superconductor was used by God's angels to create man. Later it was used by the priests to talk to God. The gifts that go with the Manna are perfect telepathy. You will know good and evil when it is in the room with you. You can project your thoughts, levitate, walk on water and live forever. For more information, go to www.alaskapublishing.com




The Ice People


Book Description

It's the middle of the twenty-first century, and the next Ice Age has suddenly sent global warming into reverse. Saul is one of the Ice People, the threatened peoples of the northern hemisphere, who, watching their world freeze over, try to move south towards the equator... 'Excellent ... intelligent, driven, imaginative, obsessive yet still gracious, one of our best ... Exciting stuff.' Fay Weldon 'Ambitious and subtle... She writes elegantly, unsentimentally, expertly... The Ice People works persuasively as science fiction, and is truthful about our emotional lives.' Independent 'Infused with poetic intensity ... this is a gripping fictional realisation of what we fear: the death of civilisation. Maggie Gee achieves her apocalyptic vision without the clank of hardware and intergalactic wars. Her detail is precise and controlled and her beautifully orchestrated whisper of redemption is rooted in eternal myth.' Elizabeth Buchan The Times 'An intriguing novel of ideas, fully fleshed out ... Classy science fiction.' Mail on Sunday 'A remarkable novel... up there with Orwell and Huxley.' Jeremy Paxman 'A gem of a book.' Rose Tremain 'A rattling good page-turning yarn.' George Melly 'A fantastic book' Mariella Frostrup