The Stones of Venice; Volume 2


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A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Nature of Gothic


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The Stones of Venice


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Venice Noir


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"Drifter" by Emily Mandel was selected for inclusion in The Best American Mystery Stories 2013, edited by Otto Penzler and Lisa Scottoline Original stories by: Peter James, Emily St. John Mandel, Barbara Baraldi, Mike Hodges, Mary Hoffman, Maria Tronca, Matteo Righetto, Tony Cartano, Francesco Ferracin, Isabella Santacroce, Michelle Lovric, Francesca Mazzucato, Maxim Jakubowski, and Michael Gregorio. "Forget the magnificence of Venice's art, architecture, and music, and delve into this tour of the City of Water's murky depths...visions of a Venice not seen in tourist brochures." --Publishers Weekly "Editor Jakubowski does an excellent job of selecting a variety of stories that represent all strata of Venetian life, from tourists visiting for Carnevale to criminals running illegal operations in the bay...A must-read for lovers of Venice...the presence of a new and intriguing voices, many of them Italian, will pique the interest of international-mystery readers." --Booklist "Sex, food and real estate inspire 14 hot-blooded new takes on crime in the magical city of Venice...Rather than crimes of passion, this collection focuses on the passion of crime, painting its noir in robust tones rather than gritty gray." --Kirkus Reviews "Venice Noir, edited by Maxim Jakubowski, aims to shred through our preconceptions of this remarkable city. The 14 writers featured in this anthology of short stories take our travel brochure images of Venice and scatter them like confetti." --NY Journal of Books Maxim Jakubowski is a British editor and writer. Following a long career in book publishing, during which he was responsible for several major crime imprints, he opened London's mystery bookshop Murder One. He reviews crime fiction for the Guardian, runs London's Crime Scene Festival, and is an advisor to Italy's annual Courmayeur Noir in Festival. His latest crime novel is Confessions of a Romantic Pornographer, and he edits the annual Best British Mysteries series.




The Lamp of Memory


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Toward an Architecture of Enjoyment


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Toward an Architecture of Enjoyment is the first publication in any language of the only book devoted to architecture by Henri Lefebvre. Written in 1973 but only recently discovered in a private archive, this work extends Lefebvre’s influential theory of urban space to the question of architecture. Taking the practices and perspective of habitation as his starting place, Lefebvre redefines architecture as a mode of imagination rather than a specialized process or a collection of monuments. He calls for an architecture of jouissance—of pleasure or enjoyment—centered on the body and its rhythms and based on the possibilities of the senses. Examining architectural examples from the Renaissance to the postwar period, Lefebvre investigates the bodily pleasures of moving in and around buildings and monuments, urban spaces, and gardens and landscapes. He argues that areas dedicated to enjoyment, sensuality, and desire are important sites for a society passing beyond industrial modernization. Lefebvre’s theories on space and urbanization fundamentally reshaped the way we understand cities. Toward an Architecture of Enjoyment promises a similar impact on how we think about, and live within, architecture.




The Quattro Cento


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Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on Modernism and ongoing acclaim for their beauty and intellectual acuity. Two of his most influential books, The Quattro Cento of 1932 and Stones of Rimini of 1934, are brought together for the first time in this new volume, which includes all their original illustrations. This new edition also provides a foreword by Stephen Bann and introductions by David Carrier and Stephen Kite that place Stokes's masterworks in the context of early twentieth-century culture and discuss their structure and relevance to today's experience of art and architecture.Written as parts of an incomplete trilogy, The Quattro Cento and Stones of Rimini mark a crossroads in the transition from late Victorian to Modernist conceptions of art, especially sculpture and architecture. Stokes continued, even extended, John Ruskin's and Walter Pater's belief that art is essential to the individual's proper psychological development but wove their teaching into a new aesthetic shaped by his analysis with Melanie Klein and recent innovations in literature, dance, and the visual arts.Few writers have been able to invoke the material presence of works of art in the way Stokes does in The Quattro Cento and Stones of Rimini. They combine travel writing with acts of looking spun out so as to reinterpret the imposing legacy of the Italian Renaissance through an aesthetic of the direct carving of stone, which has parallels in the sculpture of Henry Moore and Barbara Hepworth but was for Stokes the discovery of artists in fifteenth-century Italy. To his way of thinking, there then arosea realization that the materials of art "were the actual objects of inspiration, the stocks for the deepest fantasies." During the Renaissance, Stokes maintained, stone accordingly "blossomed" into sculpture and buildings,




Lady Killer


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"Two murderers stalk their prey --and two romances blossom in their dark shadows"--Jacket




Public Sydney


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For the first time, see the making of Sydney and all its public buildings and places in exquisite drawings in this new book. For anyone who cares about Sydney, or cities in general -- whether a passionate city dweller, architect, landscape designer, planner, engineer or historian -- it offers a deep appreciation of the city's evolution.