The Stones of Venice; Volume 2


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A masterpiece of architectural criticism, this groundbreaking work by renowned art critic and social thinker John Ruskin explores the history and aesthetics of the monuments, sculpture, and architecture of Venice. Thought-provoking and illuminating, this book is a must-read for those interested in the history of art and architecture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Nature of Gothic


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The Stones of Venice


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This eBook version of The Stones of Venice, Volume 3 presents the full text of this literary classic.




The Stones of Venice Volume 2


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.







The Stones of Venice


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The Stones of Venice


Book Description

John Ruskin, one of the most influential art critics of the 19th century, wrote more than half a million words on Venice. This is an abridged version of his opus, which still contains the essence of his original work, for those who would appreciate Venice, architecture and Ruskin's fine writing.







The Stones of Venice Volume 2


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 edition. Excerpt: ... after this enlargement, the palace seems to have remained untouched for a hundred years, until, in the commencement of the fourteenth century, the works of the Gothic Palace were begun. As, therefore, the old Byzantine building was, at the time when those works first interfered with it, in the form given to it by Ziani, I shall hereafter always speak of it as the Ziani Palace; and this the rather, because the only chronicler whose words are perfectly clear respecting the existence of part of tlus palace so late as the year 1422, speaks of it as built by Ziani. The old "palace, of which half remains to this day, was built, as we now see it, by Sebastian Ziani."* So far, then, of the Byzantine Palace. xn. 2nd. The Gothic Palace. The reader, doubtless, recollects that the important change in the Venetian government which gave stability to the aristocratic power took place about the year 1297, f under the Doge Pietro Gradenigo, a man thus characterized by Sansovino: --" A prompt and prudent man, of unconquerable determination and great eloquence, who laid, so to speak, the foundations of the eternity of this republic, by the admirable regulations which he introduced into the government." We may now, with some reason, doubt of their admirableness; but their importance, and the vigorqus will and intellect of the Doge, are not to be disputed. Venice was in the zenith of her strength, and the heroism of her citizens was displaying itself in every quarter of the world4 The acquiescence in the secure establishment of the aristocratic power was an expression, by the people, of respect for the families which had been chiefly instrumental in raising the commonwealth to such a height of prosperity. * "El palazzo che anco di mezzo se vede veccbio, ...




The Lamp of Memory


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