The Stories of the Kings of Norway Called the Round World (Heimskringla): The story of Magnus the Good. The story of Harald the Hard-Redy. The story of Olaf the Quiet. The story of Magnus Barefoot. The story of Sigurd the Jerusalem-farer. Eystein, and Olaf. The story of Magnus the Blind and Harald Gilli. The story of Ingi, son of Harald, and his brethren. The story of Hakon Shoulder-Broad. The story of King Magnus, son of Erling. Explanations of the metaphors in the verses. 1895


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“The” Stories of the Kings of Norway Called the Round World (Heimskringla): The preface of Snorri Sturluson. The story of the Ynglings. The story of Halfdan the Black. The story of Harald Hairfair. The story of Hakon the Good. The story of King Harald Greycloak and of Earl Hakon the son of Sigurd. The story of King Olaf Tryggvison. Explanation of the metaphors of the verses. 1893


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The Power of Form


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Although positivism dismissed myths as childish fancy, bound to be superseded by reason, there has been a continuous reappraisal of the power of myths since the 19th century. Once viewed as primitive and unreliable accounts and an inadequate and distorted form of knowledge, myths came to be perceived as exemplary narratives, consisting of rich and complex symbolic constructs that carry meaning and a connection to reality. Myths then came to be regarded as a privileged expression of the human soul and of its possibly submerged and unconscious abysses and dramas. Rather than inherently obscure and elusive to a rational grasp, mythical narratives would therefore be driven by logical reasoning, giving shape to a particular worldview of life and humankind. The enduring power of mythical narrative is attested to by its very plasticity, subject to multiple recreations informed by changing concerns and insights. Mythical narratives have thus attracted the interest of various disciplines, from ethnology and history to philosophy, literature, sociology, politics, the history of religions and art history. This interdisciplinary volume studies how myths are inscribed and recycled within both individual and collective heritage, and examines the personal and political implications of multifaceted engagement with myths as one of the forms through which societies try to make sense of their perplexities.




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The Stories of the Kings of Norway Called the Round of the World Heimskringla


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Heimskringla


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Beginning with the dim prehistory of the mythical gods and their descendants, Snorri Sturluson tells us how scions of those descendants, the Swedish kings, colonised and subdued Norway, shire by shire, until King Harald Fairhair united the whole realm. The long line of his successors ruled Norway with varying fortunes, achieving, at one time, a far-flung dominion encompassing a major part of the British Isles and Denmark, besides the homeland. Great missionary kings, especially Olaf Haraldsson (who was later canonised and became the patron saint of Norway), introduced Christianity, and with it southern and western influences. Other rulers weakened the kingdom by their fratricidal struggles or wars with pretenders. Through the whole history, one senses the gradual rise of a national awareness. Snorri Sturluson is, without compare, the greatest historian of the Middle Ages. His work reflects the attitudes of his own troubled times and country, the Iceland of the thirteenth century, torn by bloody feuds.