The Story of Perugia


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The Story of Perugia


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A History of Perugia


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Death in Perugia


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The definitive account of the killing of British student, Meredith Kercher, in Perugia - the shocking case that appalled the world.




The Monster of Perugia


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The Monster of Perugia - The Framing of Amanda Knox, is a work of literary non-fiction that is unlike any other book about the events surrounding the murder of Meredith Kercher. By framing his narrative in terms of powerful analogies from history and literature, Dr. Waterbury illuminates the dark recesses of a gross miscarriage of justice. This is not only an informative book, it is a "wonderful, good read" in the words of one reviewer. Douglas Preston, bestselling author of The Monster of Florence and numerous other books wrote: "The Monster of Perugia is a fascinating book... I highly recommend this well-written, clear, gripping, and ultimately infuriating book." The Monster of Perugia demolishes the forensic evidence put forth by the prosecution, but this book is not just about forensics. Amanda and Raffaele were wrongfully convicted, but Monster of Perugia doesn't just prove their innocence. It reaches behind the facade of justice slowly taking its course to lay bare the baseless demonization, the incompetent framing, and the unconscionable incarceration of Amanda Knox by corrupt and incompetent powers within the justice system of the small city of Perugia, Italy. "By the end, Waterbury makes us understand what it's like to be an entirely innocent victim of a corrupt system. He tells us the truth and calls us to action." Thomas Lee Wright, author.




The Story of Assisi


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Sweet Husk


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The River Where You Forgot My Name


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Winner, Montana Book Award-Honor Book, 2019 The River Where You Forgot My Name travels between early 1800s Virginia and Missouri and present-day western Montana, a place where “bats sail the river of dark.” In their crosscutting, the poems in this collection reflect on American progress; technology, exploration, and environment; and the ever-changing landscape at the intersection of wilderness and civilization. Three of the book’s five sections follow poet Corrie Williamson’s experiences while living for five years in western Montana. The remaining sections are persona poems written in the voice of Julia Hancock Clark, wife of William Clark, who she married soon after he returned from his western expedition with Meriwether Lewis. Julia lived with Clark in the then-frontier town of St. Louis until her early death in 1820. She offers a foil for the poet’s first-person Montana narrative and enriches the historical perspective of the poetry, providing a female voice to counterbalance the often male-centered discovery and frontier narrative. The collection shines with all-too human moments of levity, tragedy, and beauty such as when Clark names a river Judith after his future wife, not knowing that everyone calls her Julia, or when the poet on a hike to Goldbug Hot Springs imagines a mercury-poisoned Lewis waking “with the dawn between his teeth.” Williamson turns a curious and critical eye on the motives and impact of expansionism, unpacking some of the darker ramifications of American hunger for land and resources. These poems combine breathtaking natural beauty with backbreaking human labor, all in the search for something that approaches grace.




The Disappearing Letters


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A collection of poems by one author.




The Story of Perugia


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