The Strasbourg Manuscript


Book Description

- This book is the first to be dedicated to a comprehensive study with English of the early 15th century Strasbourg - One of the oldest technical manuals to include a recipe collection describing the preparation of drying oil media and their application in panel paintingThis book is the first to be dedicated to a comprehensive study with English translation (plus extensive commentary) of the early 15th century Strasbourg Manuscript - believed to have been the oldest German-language source for the study of Northern European painting techniques and considered to be the northern counterpart to Cennini's Il Libro dell arte. It is also one of the oldest technical manuals to include a recipe collection describing the preparation of drying oil media and their application in panel painting. Lost in a fire at the Strasbourg Library in 1870, this recipe collection was preserved in the only known copy commissioned by Sir Charles Eastlake, the first director of the National Gallery which was partially published in 1847. The author's extensive research is based on this copy, two later books based on it and also on comparison with other manuscripts of the Strasbourg tradition, which allowed her to reconstruct the text of the lost manuscript.







Commemorating the Dead in Late Medieval Strasbourg


Book Description

The Book of Donors for Strasbourg cathedral is an extraordinary medieval document dating from ca. 1320-1520, with 6,954 entries from artisan, merchant and aristocratic classes. This study is the first to comprehensively analyse the unpublished Book of Donors manuscript and show the types and patterns of gifts made to the cathedral. It also compares these gift entries with those in earlier obituary records kept by the cathedral canons, as well as other medieval obituary notices kept by parish churches and convents in Strasbourg. Analysis of the Book of Donors notes the increase of personal details and requests in fifteenth-century entries and discusses the different memorial opportunities available to the devout. This study draws a vivid picture of life in late medieval Strasbourg as seen through the lens of devotional and memorial practices, and will be of particular interest to scholars of art history, memory, and medieval urban life.




Early Music History


Book Description

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume seven include: Music, ritual and patronage at the Church of Our Lady, Antwerp; Instrumental music in urban centres of Renaissance Germany; and the fourth-century origin of the gradual.




The Berlin-Strasbourg Apocryphon


Book Description

The incomplete state in which many Coptic writings have survived makes them difficult to assess, and the text studied in this book is no exception. Preserved in two fragmentary manuscripts, the Berlin-Strasbourg-Apocryphon - previously known as the Gospel of the Savior - has been wrongly identified as a second-century gospel which was bypassed in the formation of the Christian canon. Alin Suciu demonstrates that this misunderstanding of the text derives from an insufficient knowledge of Coptic literature. Rather, the Berlin-Strasbourg Apocryphon is one of the numerous "apostolic memoirs," a peculiar genre of Coptic literature which consists of writings allegedly written by the apostles, often embedded in sermons attributed to famous church fathers. These texts were composed following the Council of Chalcedon, as part of the attempt of the emerging Coptic church to mold its identity after the schism.




The Singing of the Strasbourg Protestants, 1523-1541


Book Description

This book explores the part played by music, especially group singing, in the Protestant reforms in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, how both genres fitted into people’s lives during this time of strife and how the provision and dissemination of music affected the new ecclesiastical arrangement.







The Other Gospels


Book Description

Ehrman and Plese present a rare compilation of over 40 ancient gospel texts and textual fragments that do not appear in the New Testament.




The Astronomical Clock of Strasbourg Cathedral


Book Description

Strasbourg Cathedral’s astronomical clock is one of the most famous monuments to Time in the world. No other clock has been described and appreciated so often and in such a myriad of ways. There were three clocks built consecutively within the cathedral: the earlier fourteenth century clock has left little trace; a second clock was realized in 1570-1574; while the nineteenth century clock began as a proposal for repairs, but was intended by its maker as a replacement clock. This book gives a detailed outline of the artistic and technical components of the second clock, much of which survives, and it describes the astronomical indications and its underlying conceptual framework. The author has discovered a hitherto disregarded contemporary statement that the clock displays four ways of determining the ascendant as described by Ptolemy. He also shows that the Strasbourg clock is the result of a highly original reception of the architectural theory of Vitruvius and other mathematical and mechanical texts of Late Antiquity. Revised and updated translation from the German edition Die Straßburger Münsteruhr: Funktion und Bedeutung eines Kosmos-Modells des 16. Jahrhunderts. Published by GNT-Verlag in 1993. See inside this book.




The Empire At The End Of Time


Book Description

In this book, Frances Courtney Kneupper examines the apocalyptic prophecies of the late medieval Empire, which even within the sensational genre of eschatological prophecy stand out for their bitter and violent nature. In addition to depicting the savage chastisement of the clergy and the forcible restructuring of the Church, these prophecies also infuse the apocalyptic narrative with explicitly German elements-in fact, German speakers are frequently cast as the agents of these stirring events in which the clergy suffer tribulations and the Church hierarchy is torn down. These prophecies were widely circulated throughout late medieval German-speaking Europe. Kneupper explores their significance for members of the Empire from 1380 to 1480, arguing that increased literacy, the development of strong urban centers, the drive for reform, and a connection to the imperial crown were behind their popularity. Offering detailed accounts of the most significant prophecies, Kneupper shows how they fit into currents of thought and sentiment in the late medieval Empire. In particular, she considers the relationships of German prophecy to contemporary discourses on Church reform and political identity. She finds that eschatological thought was considered neither marginal nor heretical, but was embraced by a significant, orthodox population of German laypeople and clerics, demonstrating the importance of popular eschatological thought to the development of a self-conscious, reform-minded, German-identified Empire on the Eve of the Reformation.