Author : Frank Milner
Publisher :
Page : 156 pages
File Size : 31,85 MB
Release : 2004
Category : Art
ISBN :
Stuckists are pro contemporary figurative painting with ideas, and anti conceptual art, mainly because of the poverty of its concepts. This book accompanies the first major national exhibition by the Stuckists, held during the third Liverpool Biennial, 2004.
Author :
Publisher :
Page : 60 pages
File Size : 16,27 MB
Release : 2000
Category : Art, British
ISBN :
Author : Charles Thomson
Publisher :
Page : 147 pages
File Size : 23,90 MB
Release : 2011
Category : Art, Modern
ISBN : 9780907165316
Published on the occassion of the exhibition held at Lauderdale House, Highgate Hill, London, Apr. 19 - May 2, 2011.
Author : Alex Danchev
Publisher : Penguin UK
Page : 429 pages
File Size : 38,1 MB
Release : 2011-01-27
Category : Art
ISBN : 0141932155
In this remarkable collection of 100 manifestos from the last 100 years, Alex Danchev presents the cacophony of voices of such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery. Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dalí, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas. Edited with an Introduction by Alex Danchev
Author : Alan Kirby
Publisher : A&C Black
Page : 578 pages
File Size : 19,79 MB
Release : 2009-05-01
Category : Technology & Engineering
ISBN : 1441175288
Almost without anybody noticing, a new cultural paradigm has come center stage, displacing an exhausted and increasingly marginalised postmodernism. Dr. Alan Kirby calls this cultural paradigm digimodernism, a name comprising both its central technical mode and its privileging of the fingers and thumbs in its use. The increasing irrelevancy of postmodernism requires a new theory to underpin our current digital culture.
Author : Grant Pooke
Publisher : Routledge
Page : 299 pages
File Size : 19,29 MB
Release : 2012-11-12
Category : Art
ISBN : 1135654832
The last few decades have been among the most dynamic within recent British cultural history. Artists across all genres and media have developed and re-fashioned their practice against a radically changing social and cultural landscape – both national and global. This book takes a fresh look at some of the themes, ideas and directions which have informed British art since the later 1980s through to the first decade of the new millennium. In addition to discussing some iconic images and examples, it also looks more broadly at the contexts in which a new ‘post-conceptual’ generation of artists, those typically born since the late 1950s and 1960s have approached and developed aspects of their professional practice. Contemporary British Art is an ideal introduction to the field. To guide the reader, the book is organised around genres or related practices – painting; sculpture and installation; and film, video and performance. The first chapter explores aspects of the contemporary art market and some of the contexts within which art is made, supported and exhibited. The chapters that discuss various genres of art practice also mention books that may be useful to support further reading. Extensively illustrated with a wide range of work (both known, and less well-known) from artists such as Chris Ofili, Rachel Whiteread, Damien Hirst, Banksy, Anthony Gormley, Jack Vettriano, Sam Taylor-Wood, Steve McQueen and Tracey Emin, and many more.
Author : Sinead Murphy
Publisher : John Hunt Publishing
Page : 86 pages
File Size : 30,3 MB
Release : 2012
Category : Art
ISBN : 184694984X
The theme of 'disinterest' is a dominant one in philosophical accounts of aesthetic experience, and, unlike many philosophical themes, it has had and continues to have a huge effect, on presuppositions about the nature of judgment, of feeling, of art, of resistance, of all of those experiences and activities that appear to operate at least partly outside of the given regulations of human existence. The Art Kettle has two aims: first, to show that 'modern' art - that is, art during and since the Enlightenment - is not only itself defined by 'disinterest,' by dearth of purpose, but functions as a standard for creativity, for free thinking, for choice, for indulgence, for questioning, and for protest, that suits very well the requirement, in our capitalist democracies, that differences and resistances expend themselves without effect on the combination of conservatism and consumption that supports these democracies; second, to show that the historical conflation of aesthetic experience and 'disinterest' is subject to resistance from another historical conflation: of aesthetic experience and use or purpose.
Author : Henry Hongmin Kim
Publisher : Chronicle Books
Page : 459 pages
File Size : 42,45 MB
Release : 2018-03-20
Category : Design
ISBN : 1616896728
If the aim of graphic design is to communicate meaning clearly, there's an irony that the field itself has struggled between two contradictory opposites: rote design resulting from a rigorous, fixed set of rules, and eccentric design that expresses the hand of the artist but fails to communicate with its audience. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, Graphic Design Discourse: Evolving Theories, Ideologies, and Processes of Visual Communication establishes a new paradigm for graphic design methodologies for the twenty-first century. This illuminating anthology is essential reading for practicing designers, educators, and students trying to understand how to design in a singular, expressive way without forgoing clear and concise visual communication.
Author : Ted Kessler
Publisher : Akashic Books
Page : 320 pages
File Size : 43,27 MB
Release : 2025-01-07
Category : Biography & Autobiography
ISBN : 1636142141
The story of Billy Childish, the most famous artist you’ve never heard of, by legendary music journalist Ted Kessler In 1977, seventeen-year-old Steven Hamper was a stonemason in the dockyards of Chatham, Kent, in England. His heart, however, beat in sync with the punk rock tremors of the era, seduced by its celebration of amateurism. So, in a gesture of revolutionary defiance, he took a three pound club hammer and smashed his hand, vowing to never work again. In doing so, Steven Hamper metamorphosed into Billy Childish, a true Renaissance man. Childish has since remained steadfastly true to punk’s DIY cred, becoming one of the most recognizable and authentic voices in whichever artistic endeavor he undertakes. He has released over 150 albums of raw rock and roll, punk, blues, and folk; and has written many volumes of searing poetry as well as several autobiographical novels. But what he is perhaps best known for in recent years is his painting, for which he is now critically, commercially, and internationally feted. He hasn’t changed course in any of his disciplines, though. The world just caught up with the sheer volume of his brutally honest work. To Ease My Troubled Mind is a mosaic portrait collated over a year of interviews with Childish, as well as with close family, ex-girlfriends, band members past and present, friends, foes, collaborators, even his therapist. It is an unflinching, yet frequently spiritual and funny portrait of an artist who is now one of the most prolific and uncompromising of his generation. The volume also includes a foreword by British comedian Stewart Lee.
Author : Alexander Adams
Publisher : Andrews UK Limited
Page : 223 pages
File Size : 17,89 MB
Release : 2022-07-21
Category : Art
ISBN : 1788360923
From Banksy to Extinction Rebellion, artivism (activism through art) is the art of our era. From international biennale to newspaper pages, artivism is everywhere. Both inside museums and on the streets, global artivism spreads political messages and raises social issues, capturing attention with shocking protests and weird stunts. Yet, is this fusion of art and activism all it seems? Are artivist messages as subversive and anti-authoritarian we assume they are? How has the art trade commodified protest and how have activists parasitised art venues? Is artivism actually an arm of the establishment? Using artist statements, theoretical writings, statistical data, historical analysis and insider testimony, British art critic Alexander Adams examines the origins, aims and spread of artivism. He uncovers troubling ethical infractions within public organisations and a culture of complacent self-congratulation in the arts. His findings suggest the perception of artivism – the most influential art practice of the twenty-first century – as a grassroots humanitarian movement could not be more misleading. Adams concludes that artivism erodes the principles underpinning museums, putting their existence at risk.
