The Studies on the Hebrew Language / İbrani Dili Üzerine Araştırmalar


Book Description

This book is a selection of the papers presented at the International Symposium on the History of the Hebrew Language on 16–17 October 2012. The selection constitutes seven Israeli and two Turkish speakers. The subjects were chosen according to historical periods and contemporary relevance. As regards the ancient period, the contributors discuss the language of the Bible and the Mishnah, as well as that of the Dead Sea Scrolls, which provide an additional insight into what kind of Hebrew was used at the time of their writing. For the Middle Ages, the focus is on the Hebrew of the Genizah documents, mostly from Arabic speaking countries, and also on Hebrew printing in the city of Istanbul, which pioneered the first printing presses in the Ottoman Empire. With regard to the modern period, emphasis is placed on the renaissance of Hebrew, together with a comparison to the modernization of Turkish. Contributions to the symposium dealing with linguistics were devoted to the relations of Hebrew with Aramaic, on the one hand, and with Arabic on the other. A review of the current study of Hebrew in Erciyes and other Turkish universities provided a fitting conclusion to the programme. All in all, the symposium and the publication of its proceedings provided an introduction to the history of Hebrew as an ancient language revived today in the State of Israel.




Boycott Theory and the Struggle for Palestine


Book Description

Boycott Theory for Palestine aims to advance academic boycott, divestment, and sanctions (BDS) by presenting the fullest and most sophisticated justification for it yet given, demonstrating how the boycott relates to current debates within contemporary political and intellectual life.




Ibrani Dili Üzerine Araştirmalar


Book Description

This book is a selection of the papers presented at the International Symposium on the History of the Hebrew Language on 16â "17 October 2012. The selection constitutes seven Israeli and two Turkish speakers. The subjects were chosen according to historical periods and contemporary relevance. As regards the ancient period, the contributors discuss the language of the Bible and the Mishnah, as well as that of the Dead Sea Scrolls, which provide an additional insight into what kind of Hebrew was used at the time of their writing. For the Middle Ages, the focus is on the Hebrew of the Genizah documents, mostly from Arabic speaking countries, and also on Hebrew printing in the city of Istanbul, which pioneered the first printing presses in the Ottoman Empire. With regard to the modern period, emphasis is placed on the renaissance of Hebrew, together with a comparison to the modernization of Turkish. Contributions to the symposium dealing with linguistics were devoted to the relations of Hebrew with Aramaic, on the one hand, and with Arabic on the other. A review of the current study of Hebrew in Erciyes and other Turkish universities provided a fitting conclusion to the programme. All in all, the symposium and the publication of its proceedings provided an introduction to the history of Hebrew as an ancient language revived today in the State of Israel.




The Turkic Speaking Peoples


Book Description

"Written by a group of eminent scholars, it covers subjects that range from the classification of Turkic languages to religion, literature, the arts, and general lifestyle, from the inception of Turkic history documented by Runic inscriptionson the Orkhon River in Mongolia, to the rise and decline of the Ottoman Empire and the birth of the Republic of Turkey, from the shamanistic cults of Turks in Siberia to Islam, whose standard bearers were the Ottoman Turks confronting Europe in the Balkans and the Mediterranean." - from back cover.




MediaArtHistories


Book Description

Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice. Digital art has become a major contemporary art form, but it has yet to achieve acceptance from mainstream cultural institutions; it is rarely collected, and seldom included in the study of art history or other academic disciplines. In MediaArtHistories, leading scholars seek to change this. They take a wider view of media art, placing it against the backdrop of art history. Their essays demonstrate that today's media art cannot be understood by technological details alone; it cannot be understood without its history, and it must be understood in proximity to other disciplines—film, cultural and media studies, computer science, philosophy, and sciences dealing with images. Contributors trace the evolution of digital art, from thirteenth-century Islamic mechanical devices and eighteenth-century phantasmagoria, magic lanterns, and other multimedia illusions, to Marcel Duchamp's inventions and 1960s kinetic and op art. They reexamine and redefine key media art theory terms—machine, media, exhibition—and consider the blurred dividing lines between art products and consumer products and between art images and science images. Finally, MediaArtHistories offers an approach for an interdisciplinary, expanded image science, which needs the "trained eye" of art history. Contributors Rudlof Arnheim, Andreas Broeckmann, Ron Burnett, Edmond Couchot, Sean Cubitt, Dieter Daniels, Felice Frankel, Oliver Grau, Erkki Huhtamo, Douglas Kahn, Ryszard W. Kluszczynski, Machiko Kusahara, Timothy Lenoir, Lev Manovich, W.J.T. Mitchell, Gunalan Nadarajan, Christiane Paul, Louise Poissant, Edward A. Shanken, Barbara Maria Stafford, and Peter Weibel




The Iranian Languages


Book Description

The Iranian languages form the major eastern branch of the Indo-European group of languages, itself part of the larger Indo-Iranian family. Estimated to have between 150 and 200 million native speakers, the Iranian languages constitute one of the world’s major language families. This comprehensive volume offers a detailed overview of the principle languages which make up this group: Old Iranian, Middle Iranian, and New Iranian. The Iranian Languages is divided into fifteen chapters. The introductory chapters by the editor present a general overview and a detailed discussion of the linguistic typology of Iranian. The individual chapters which follow are written by leading experts in the field. These provide the reader with concise, non-technical descriptions of a range of Iranian languages. Each chapter follows the same pattern and sequence of topics, taking the reader through the significant features not only of phonology and morphology but also of syntax; from phrase level to complex sentences and pragmatics. Ample examples on all levels are provided with detailed annotation for the non-specialist reader. In addition, each chapter covers lexis, sociolinguistic and typological issues, and concludes with annotated sample texts. This unique resource is the ideal companion for undergraduate and postgraduate students of linguistics and language. It will also be of interest to researchers or anyone with an interest in historical linguistics, linguistics anthropology and language development. Gernot Windfuhr is Professor of Iranian Studies at the University of Michigan; he has published widely on Persian and Iranian languages and linguistics and related languages, as well as on other aspects of Iranian culture including Persian literature and Pre-Islamic Iranian religions.




The Turkish Language Reform : A Catastrophic Success


Book Description

This is the first full account of the transformation of Ottoman Turkish into modern Turkish. It is based on the author's knowledge, experience and continuing study of the language, history, and people of Turkey. That transformation of the Turkish language is probably the most thorough-going piece of linguistics engineering in history. Its prelude came in 1928, when the Arabo-Persian alphabet was outlawed and replaced by the Latin alphabet. It began in earnest in 1930 when Ataturk declared: Turkish is one of the richest of languages. It needs only to be used with discrimination. The Turkish nation, which is well able to protect its territory and its sublime independence, must also liberate its language from the yoke of foreign languages. A government-sponsored campaign was waged to replace words of Arabic or Persian origin by words collected from popular speech, or resurrected from ancient texts, or coined from native roots and suffixes. The snag - identified by the author as one element in the catastrophic aspect of the reform - was that when these sources failed to provide the needed words, the reformers simply invented them. The reform was central to the young republic's aspiration to be western and secular, but it did not please those who remained wedded to their mother tongue or to the Islamic past. The controversy is by no means over, but Ottoman Turkish is dead. Professor Lewis both acquaints the general reader with the often bizarre, sometimes tragicomic but never dull story of the reform, and provides a lively and incisive account for students of Turkish and the relations between culture, politics and language with some stimulating reading. The author draws on his own wide experience of Turkey and his personal knowledge of many of the leading actors. The general reader will not be at a disadvantage, because no Turkish word or quotation has been left untranslated. This book is important for the light it throws on twentieth-century Turkish politics and society, as much as it is for the study of linguistic change. It is not only scholarly and accessible; it is also an extremely good read.




Animals and the Environment in Turkish Culture


Book Description

Landscape and animals have been fundamental elements of Turkish culture from the Ottomans to the present day. This book examines representations of and attitudes toward land and animals in selected Turkish literary texts and cultural contexts. Informed by global debates in ecocriticism, ecopoetics and animal studies, Kim Fortuny explores literary and arts activism, as well as environmental interventions in the Turkish cultural sphere in light of ongoing ecological degradation in Turkey. Writers from the Turkish canon such as Ahmet Hamdi Tanpinar and Nâzim Hikmet are explored alongside American and English texts to reveal common transnational environmental and ecological concerns across these distinct literary cultures. Analysing works of Turkish literature within the emerging field of ecocriticism, this interdisciplinary work will be of interest to scholars of Turkish and comparative literature and animal studies and ecocriticism across the humanities.




Disputation Literature in the Near East and Beyond


Book Description

Disputation literature is a type of text in which usually two non-human entities (such as trees, animals, drinks, or seasons) try to establish their superiority over each other by means of a series of speeches written in an elaborate, flowery register. As opposed to other dialogue literature, in disputation texts there is no serious matter at stake only the preeminence of one of the litigants over its rival. These light-hearted texts are known in virtually every culture that flourished in the Middle East from Antiquity to the present day, and they constitute one of the most enduring genres in world literature. The present volume collects over twenty contributions on disputation literature by a diverse group of world-renowned scholars. From ancient Sumer to modern-day Bahrain, from Egyptian to Neo-Aramaic, including Latin, French, Middle English, Armenian, Chinese and Japanese, the chapters of this book study the multiple avatars of this venerable text type.




Transhumanism and Posthumanism in Twenty-First Century Narrative


Book Description

Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.