The Study of Spanish and Portuguese Literature


Book Description

This 2-volume book on the literature of Spain and Portugal represents an extraction from Bouterwek's most significant critical work entitled Geschichte der Poesie und Beredsamkeit seit dem Ende der dreizehnten Jahrhunderts (History of Poetry and Eloquence from the Close of the Thirteenth Century), in which the author has taken an historical and critical survey of the literature of the principal nations of Europe. The first of the following volumes is devoted to the history of Spanish, and the second to the history of Portuguese Literature. The subdivisions of the work correspond with periods marked out by certain revolutions in taste, produced by the rise of eminent writers, or by other influential circumstances. These epochs in literary cultivation form convenient resting places for the student, and contribute to exhibit in a clear point of view the circumstances by which the advancement of polite learning has been accelerated or retarded. The specimens, which are numerous, and a great portion of which are selected from very scarce works, cannot fail to prove highly acceptable to the lovers of the literature of Spain and Portugal. For a general and comprehensive knowledge of that literature they will be found amply sufficient, and to those who wish to pursue its study more in detail, they will afford most useful assistance. In such a course of study, great advantage may also be derived from the numerous bibliographical notes introduced by the author.




History of Spanish and Portuguese Literature, Vol. 1 of 2


Book Description

Excerpt from History of Spanish and Portuguese Literature, Vol. 1 of 2: Spanish Literature The subdivisions of the following volume corres pond with periods marked out by certain revolutions in taste, produced by the rise of eminent writers, or by other influential circumstances. These epochs in literary cul tivation form convenient restin g places for the student, and contribute to exhibit, in a clear point of view, the circumstances by which the advancement of polite learning has been accelerated or retarded. The specimens, which are numerous, and a great portion of which are selected from very scarce works, form a valuable collection f or the use of the literary student, and cannot fail to prove highly acceptable to the more advanced lovers of Spanish lite rature. For a general and comprehensive knowledge of that literature they will be found amply sufficient, and to those who wish to pursue its study more in detail, they will afford most useful assistance. In such a course of study, great advantage may also be derived from the numerous bibliographical notes which the author has in troduced, and which are therefore scrupulously retained in the translation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Being Portuguese in Spanish


Book Description

Among the many consequences of Spain’s annexation of Portugal from 1580 to 1640 was an increase in the number of Portuguese authors writing in Spanish. One can trace this practice as far back as the medieval period, although it was through Gil Vicente, Jorge de Montemayor, and others that Spanish-language texts entered the mainstream of literary expression in Portugal. Proficiency in both languages gave Portuguese authors increased mobility throughout the empire. For those with literary aspirations, Spanish offered more opportunities to publish and greater readership, which may be why it is nearly impossible to find a Portuguese author who did not participate in this trend during the dual monarchy. Over the centuries these authors and their works have been erroneously defined in terms of economic opportunism, questions of language loyalty, and other reductive categories. Within this large group, however, is a subcategory of authors who used their writings in Spanish to imagine, explore, and celebrate their Portuguese heritage. Manuel de Faria e Sousa, Ângela de Azevedo, Jacinto Cordeiro, António de Sousa de Macedo, and Violante do Céu, among many others, offer a uniform yet complex answer to what it means to be from Portugal, constructing and claiming their Portuguese identity from within a Castilianized existence. Whereas all texts produced in Iberia during the early modern period reflect the distinct social, political, and cultural realities sweeping across the peninsula to some degree, Portuguese literature written in Spanish offers a unique vantage point from which to see these converging landscapes. Being Portuguese in Spanish explores the cultural cross-pollination that defined the era and reappraises a body of works that uniquely addresses the intersection of language, literature, politics, and identity.










History of Spanish and Portuguese Literature


Book Description

This Is A New Release Of The Original 1823 Edition.




History of Spanish and Portuguese Literature


Book Description

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Cuban-American Literature and Art


Book Description

This groundbreaking collection offers an understanding of why Cuban-American literature and visual art have emerged in the United States and how they are so essentially linked to both Cuban and American cultures. The contributors explore crucial issues pertinent not only to Cuban-American cultural production but also to other immigrant groups—hybrid identities, biculturation, bilingualism, immigration, adaptation, and exile. The complex ways in which Cuban Americans have been able to keep a living memory of Cuba while developing and thriving in America are both intriguing and instructive. These essays, written from a variety of perspectives, range from useful overviews of fictional and visual works of art to close readings of individual texts.