'Attar: Selected Poems


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Seven 'Shahs' of Sufi Poetry - Selected Poems


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SEVEN 'SHAHS' OF SUFI POETRY Selected Poems Mas'ud Shah, Shah Ni'mat'ullah, Shah Da'i, Qutub Shah, Shah Latif, Bulleh Shah & Nur 'Ali Shah Translation & Introduction Paul Smith Mas'ud Shah (1048-1122) originally came from Hamadan. In the beginning he was at the court of the prince of Ghazneh and governor of India Sayfu'-daula Mahmud and quickly progressed in wealth and honour. When he was forty he was thrown into prison after being wrongfully accused along with his patron of treachery by Sultan Ibrahim. He became a 'Servant of God' or a Sufi and a bit of a hermit. His famous Habsiyyat, (prison-songs) are among the most interesting poems in the Persian language. Shah Ni'mat'ullah (1330-1431) was the founder of an order of Sufis that is today the largest in Iran. As well as a Sufi Master he was a poet who at times used 'Sayyid' as his takhallus or pen-name. He was influenced by Ibn 'Arabi and Hafiz.. He composed many prose works on Sufism and his Divan contains over 13,000 couplets, mostly ghazals and ruba'is. Shah Da'i (1406-1464) was born and passed away in Shiraz. He was initiated into Sufism by Abu Ishaq Bahrami known as 'The Shaikh of Four Books', a leader or representative of Shah Ni'mat'ullah. Among Shah Dai's works are a number of risalahs (Essays) including interpretations of Koranic verses, a translation of a short work of Ibn 'Arabi. Qutub Shah (1565-1611) was the fifth sultan of the Qutub Shahi dynasty of Golconda in South India. He founded the city of Hyderabad. Qutub Shah was a scholar of Arabic and Persian. He wrote poetry in Urdu and Persian. Qutub Shah had the distinction of being the first Urdu poet and is credited with introducing a new sensibility into prevailing genres of Persian/Urdu poetry. He was also a mystic or Sufi poet. Shah Latif (1689-1752) was a Sufi Master and is considered by many to be the greatest poet of the Sindhi language. His book of poetry is called the Risalo. His shrine is located in Bhit and attracts hundreds of pilgrims every day. He is the most famous Sindhi poet and Sufi. Bulleh Shah (1680-1758) was a Sufi poet who composed in Punjabi and settled in Kasur, now in Pakistan. His Spiritual Master was Shah Inayat. The poetic form Bulleh Shah used is called the Kafi, a style of Punjabi poetry used not only by the Sufis of Sindh and Punjab, but also by Sikh gurus. Nur 'Ali Shah (1760-1796). The 36th Qutub or Perfect Master or 'Pole' of the Ni'matullah Sufi Order was born in Isfahan. The Ulama of Kirmansh 'Ali Bihbahani who was nick-named 'the Sufi killer' saw the Sufi Poet Nur 'Ali Shah as a threat and he was poisoned. The correct rhyme-structure for the first time has been achieved in all poems. Biographies of all poets and essays on Sufi Poetry & its Forms, Selected Bibliographies. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Iqbal, Ghalib, Makhfi, Lalla Ded, Nazir, Iqbal, Seemab, Jigar and many others and his own poetry, fiction, plays, biographies, children's books. memoir and a dozen screenplays. amazon.com/author/smithpa




Huma - Life & Poems


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HUMA: LIFE & POEMS Translation & Introduction Paul Smith Merwan S. Irani, known world-wide as Meher Baba, took Huma (Phoenix) as his takhallus or pen-name when he composed enlightened ghazals in a mixture of Persian, Urdu, Hindi & Gujarati in his twenties as a realized disciple of the Qutub or Perfect Master Upasni Maharaj, and also later on. He knew the ghazals of Hafiz by heart as did his father the dervish Sheriar Irani, who had originally walked to Pune in India from Khooramshah in Iran. Merwan went on to reveal himself as Perfect Master (Qutub) and later also declared himself as the Rasool or Messiah (Avatar). The correct rhyme-structure has been kept as well as the beauty and meaning of these important beautiful, inspiring, mystical poems. CONTENTS: The Life, Times & Poetry of Meher Baba, Selected Bliography, A Large Selection of Ghazals, Qasidas, Qit'as (Fragments), Slokas (Couplets). The correct form and meaning is here. Pages 120. Introduction to Sufi Poets Series 'AISHAH Al-BA'UNIYAH, AMIR KHUSRAU, ANSARI, ANVARI, AL-MA'ARRI, 'ARIFI, 'ATTAR, ABU SA'ID, AUHAD UD-DIN, BABA FARID, BABA AZFAL, BABA TAHIR, BEDIL, BULLEH SHAH, DARA SHIKOH, GHALIB, GHANI KASHMIRI, HAFIZ, HASAN DEHLAVI, HUMA, IBN 'ARABI, IBN YAMIN, IBN AL-FARID, IQBAL, INAYAT KHAN, 'IRAQI, JAHAN KHATUN, JAMI, JIGAR, KAMAL AD-DIN, KABIR, KHAQANI, KHAYYAM, LALLA DED, MAKHFI, MANSUR HALLAJ, MIR, MU'IN UD-DIN CHISHTI, NAZIR, NESIMI, NIZAMI, NUND RISHI, OBEYD ZAKANI, RABI'A, RAHMAN BABA, RUMI, SADI, SA'IB, SANA'I, SARMAD, SHABISTARI, SHAH LATIF, SHAH NI'MAT'ULLAH, SULTAN BAHU, YUNUS EMRE, EARLY ARABIC SUFI POETS, EARLY PERSIAN SUFI POETS, URDU SUFI POETS, ETC. 90-120 pages each. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre. Lalla Ded, Mahsati, Ibn 'Arabi and others, and his own poetry, fiction, plays, biographies, children's books, screenplays. www.newhumanitybooks.com




Islamic Mystical Poetry


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Written from the ninth to the twentieth century, these poems represent the peak of Islamic Mystical writing, from Rabia Basri to Mian Mohammad Baksh. Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind. These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.




Tales from the Land of the Sufis


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Take a magic carpet ride into the delightful world of Sufi storytelling with these best-loved tales from Persian literature and lore, in which images of madness, passionate love, and self-sacrifice convey the inner experiences of the soul that has surrendered to the Divine Beloved. The tales are retold from the celebrated works of Sufi poets and spiritual masters such as Rumi, Attar, Nizami, and Jami, as well as anecdotes about these famous masters.




The Legacy of Mediæval Persian Sufism


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Veils and Clothing Government Economics and Commerce Medicine and Healing.




Majnun - Qays Ibn Al-mulawwah


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MAJNUN (QAYS IBN AL-MULAWWAH) Life & Poems Translation & Introduction Paul Smith Majnun was a real person! Qays (Majnun='madman) was a youth, a Bedouin poet in the seventh century of the Bani Amir tribe in the Najd desert in Arabia. He fell in love with Layla from the same tribe whom he was denied. (It is said that Shakespeare was inspired by their tale for Romeo & Juliet from their tragic love story). Most of his recorded poetry was composed before his descent into love-madness (mast) then through a Perfect Master... his spiritual unification with his beloved. Here in the form of the qit'as in which they were composed, is the largest collection of his immortal poems translated into English. 120 pages. Introduction to Sufi Poets Series 'AISHAH Al-BA'UNIYAH, AMIR KHUSRAU, ANSARI, ANVARI, AL-MA'ARRI, 'ARIFI, 'ATTAR, ABU SA'ID, AUHAD UD-DIN, BABA FARID, BABA AZFAL, BABA TAHIR, BEDIL, BULLEH SHAH, DARA SHIKOH, GHALIB, GHANI KASHMIRI, HAFIZ, HASAN DEHLAVI, HUMA, IBN 'ARABI, IBN YAMIN, IBN AL-FARID, IQBAL, INAYAT KHAN, 'IRAQI, JAHAN KHATUN, JAMI, JIGAR, KAMAL AD-DIN, KABIR, KHAQANI, KHAYYAM, LALLA DED, MAKHFI, MAJNUN, MANSUR HALLAJ, MIR, MU'IN UD-DIN CHISHTI, NAZIR, NESIMI, NIZAMI, NUND RISHI, OBEYD ZAKANI, RABI'A, RAHMAN BABA, RUMI, SADI, SA'IB, SANA'I, SARMAD, SHABISTARI, SHAH LATIF, SHAH NI'MAT'ULLAH, SULTAN BAHU, YUNUS EMRE, EARLY ARABIC SUFI POETS, EARLY PERSIAN SUFI POETS, URDU SUFI POETS, ETC. 90-120 pages each. Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre. Lalla Ded, Mahsati, Ibn 'Arabi and others, and his own poetry, fiction, plays, biographies, children's books, screenplays. www.newhumanitybooks.com




The Heritage of Sufism


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This collection - the second of a three-volume study - examines the roots of the artistic, literary and cultural renaissance of Sufism from the 12th to the 15th centuries. It includes essays on Rumi's poetry and imagery; Sufi music and the idea of ecstacy; sainthood and Neoplatonism; comparative metaphysics and literature; and unity of religion theory in Sufi philosophy.




AHMED YESEVI & ALISHER NAVOI First Two Chagatai (Early Turkish) Sufi Master Poets


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AHMED YESEVI & ALISHER NAVOI First Two Chagatai (Early Turkish) Sufi Master Poets SELECTED POEMS Translation & Introduction Paul Smith Ahmed Yesevi, born in Sayram in 1093, and died in 1166 in Hazrat-e Turkestan, (both cities now in Kazakhstan), was a Turkish poet and Sufi or Dervish who exerted a powerful influence on the development of mystical orders throughout the Turkish-speaking world. Yesevi is the earliest known Turkish poet who composed poetry in an early Turkish dialect, Chagatai. He was a pioneer of popular mysticism, founded the first Turkish order, (the Yeseviye), that quickly spread over the Turkish-speaking areas. Yesevi had numerous students/followers in the region. His poems created a new genre of mystical folk poetry in Central Asia and influenced many Sufi/Dervish poets including 'Attar, Rumi, Hafiz (who both knew Turkish) and Yunus Emre. The book of his poems, the Divan-e Hikmet (Book of Wisdom), consists mainly of gazels and murabbas (foursomes), Kosmos (robi'as srung together) and munajat (prayers). All are generously represented in this translation in the correct forms for the first time. Alisher Navoi (1441 - 1501) a truly universal man, was of Uyghur origin who was born and lived in Herat (now north-western Afghanistan) like Jami who he knew. He is generally known by his pen name Navoi ('the weeper'). Alisher Navoi was among the key writers who revolutionized the literary use of the Turkic languages. Navoi himself wrote primarily in the Chagatai language and produced 30 works over a period of 30 years, during which Chagatai became accepted as a prestigious and well-respected literary language. Navoi also wrote in Persian (under the pen name of Fani), and to a much lesser degree in Arabic and Hindi. Navoi's best-known poems are found in his four divans, or poetry collections, which total 50,000 couplets. Each part of the work corresponds to a different period of a person's life. He is still greatly revered throughout the Middle East, Asia & Russia and there are many building etc. named after him. Many of his gazels & robai's are represented in this translation in the correct forms for the first time. Introduction: Turkish & Sufi Poetry & Life & Times & Poetry of both poets, On the Gazel & the Roba'i in Turkish Sufi Poetry, Selected Bibliographies. Large Format Paperback 7" x 10" 415 pages. Illustrated




Esoteric Images: Decoding the Late Herat School of Painting


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In Esoteric Images: Decoding the Late Herat School of Painting Tawfiq Daʿadli decodes the pictorial language which flourished in the city of Herat, modern Afghanistan, under the rule of the last Timurid ruler, Sultan Husayn Bayqara (r.1469-1506). This study focuses on one illustrated manuscript of a poem entitled Khamsa by the Persian poet Nizami Ganjavi, kept in the British Library under code Or.6810. Tawfiq Daʿadli decodes the paintings, reveals the syntax behind them and thus deciphers the message of the whole manuscript. The book combines scholarly efforts to interpret theological-political lessons embedded in one of the foremost Persian schools of art against the background of the court dynamic of an influential medieval power in its final years.