The Suspect in Poetry


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Criticisms collected from the "Times Book Review" and several American literary quarterlies.




Silent Suspect


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James Dickey


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A fascinating biography of one of the most popular, colorful, and notorious American poets of our century. The legendary Southern poet James Dickey never shied away from cultivating a heroic mystique. Like Norman Mailer and Ernest Hemingway, he earned a reputation as a sportsman, boozer, war hero, and womanizer as well as a great poet, novelist, screenwriter, and essayist. But James Dickey made lying both a literary strategy and a protective camouflage; even his family and closest friends failed to distinguish between the mythical James Dickey and the actual man. Henry Hart sees lying as the central theme to Dickey's life; and in this authoritative, immensely entertaining biography he delves deep behind Dickey's many masks. Letters, anecdotes, tall tales and true ones, as well as the reluctant but finally candid cooperation of Dickey himself animate Hart's narration of a remarkable life. Readers of Dickey's National Book Award-winning poetry, his bestselling novel Deliverance, and anyone who witnessed his electrifying readings of his work will savor this book.




The Dead Lake


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A haunting Russian tale about the environmental legacy of the Cold War. Yerzhan grows up in a remote part of Soviet Kazakhstan where atomic weapons are tested. As a young boy he falls in love with the neighbour's daughter and one evening, to impress her, he dives into a forbidden lake. The radioactive water changes Yerzhan. He will never grow into a man. While the girl he loves becomes a beautiful woman. Why Peirene chose to publish this book: 'Like a Grimm's fairy tale, this story transforms an innermost fear into an outward reality. We witness a prepubescent boy's secret terror of not growing up into a man. We also wander in a beautiful, fierce landscape unlike any other we find in Western literature. And by the end of Yerzhan's tale we are awe-struck by our human resilience in the face of catastrophic, man-made, follies.' Meike Ziervogel 'A haunting and resonant fable.' Boyd Tonkin, Independent 'A tantalising mixture of magical and grim realism . . . a powerful study of alienation and environmental catastrophe.' David Mills, Sunday Times 'A poetic masterpiece, a novella of shocking legacies, alien beauty and blistering emotional intensity'. Pam Norfolk, Lancashire Evening Post 'A writer of immense poetic power.' Kapka Kassabova, Guardian Elizabeth Buchan, Daily Mail 'This superb novella . . . reads like a modern fairy-tale, full of a surreal yet mundane horror.' Lesley McDowell, Independent on Sunday 'Central Asian storytelling at its best.' Marion James, Today's Zaman LONGLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2015 INDEPENDENT BOOKS OF THE YEAR 2014 GUARDIAN READERS' BOOKS OF THE YEAR 2014




A Mosque in the Jungle


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Years before his political career took off, Othman Wok pioneered the writing of ghost stories and horror fiction in Singapore and Malaysia. Othman Wok left an indelible mark on Singaporean politics and society: signing the Independence of Singapore Agreement 1965, overseeing the construction of Singapore’s first large-scale sporting arena, working to advance the quality of social welfare services, developing the Mosque Building Fund, and being (in the words of PM Lee Hsien Loong) “steadfast and unwavering in believing in a multiracial, multi-religious, meritocratic Singapore”, among many other accomplishments. In addition, he pioneered the writing of ghost stories and horror fiction in Malay while working as a young reporter for Utusan Melayu and Mustika magazine between 1952 and 1956. These stories were fantastically popular, making him a household name in the Malay-speaking world, years before his political career took off. In fact, these tales may have been the first examples of horror fiction in either Singapore or Malaysia, in any language. A Mosque in the Jungle assembles two dozen of the best stories from his three fiction collections in English: Malayan Horror (1991), The Disused Well (1995) and Unseen Occupants (2006). Curated by award-winning poet and fictionist Ng Yi-Sheng, this book provides an entry point into Othman’s fiction, and a window into the work of a “literary genius” (Farouk A. Peru, Malay Mail Online)




Under the Tripoli Sky


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A fascinating portrait of a pre-Gaddafi society on the verge of change. Tripoli in the 1960s. A sweltering, segregated society. Hadachinou is a lonely boy. His mother shares secrets with her best friend Jamila while his father prays at the mosque. Sneaking through the sun-drenched streets of Tripoli, he listens to the whispered stories of the women. He turns into an invisible witness to their repressed desires while becoming aware of his own. Why Peirene chose to publish this book: 'This is a fascinating portrait of a closed society. On the surface this quiet vignette of a story could be read as gently nostalgic, but underneath the author reveals the seething tensions of a traditional city coming to terms with our modern world. The book gives us privileged access to a place where men and women live apart and have never learned to respect each other.' Meike Ziervogel 'The reader feels he is peeking through a half-drawn curtain on a secret feminine world in a patriarchal society . . . Excellent.' David Mills, Sunday Times 'Beautifully simple and restrained prose.' Lucy Popescu, Huffington Post 'It ought to be commended for its lack of sentimentality about this much-mythologized chapter of modern Libya.' Hasham Matar, Times Literary Supplement 'A short but shimmering read.' Malcolm Forbes, National




James Dickey


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No descriptive material is available for this title.




The Suspect


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The New York Times bestselling author of The Widow returns with a brand new novel of twisting psychological suspense about every parent’s worst nightmare... When two eighteen-year-old girls go missing in Thailand, their families are thrust into the international spotlight: desperate, bereft, and frantic with worry. What were the girls up to before they disappeared? Journalist Kate Waters always does everything she can to be first to the story, first with the exclusive, first to discover the truth—and this time is no exception. But she can’t help but think of her own son, whom she hasn’t seen in two years, since he left home to go travelling. As the case of the missing girls unfolds, they will all find that even this far away, danger can lie closer to home than you might think...




The Math Campers


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A father and husband's meditation on love, adolescence, and the mysterious mechanisms of poetic creation, from the acclaimed poet. The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape--first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say," a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom? Chiasson, an acclaimed poetry critic, has invented a remarkable structure where the reader and a poet speak to one another, across the void of silence and mystery. He is also the father of teenaged sons, and this volume continues the autobiographical arc of his prior, celebrated volumes. One long section is about the age of thirteen and the dawning of desire, while the title poem looks at the crucial age of fifteen and the existential threat of climate change and gun violence, which alters the calculus of adolescence. Though the outlook is bleak, these poems register the glories of our moment: that there are places where boys can kiss each other and not be afraid; that small communities are rousing and taking care of each other; that teenagers have mobilized for a better world. All of these works emerge from the secretive imagination of a father as he measures his own adolescence against that of his sons and explores the complex bedrock of marriage. Chiasson sees a perilous world both navigated and enriched by the passionate young and by the parents--and poets--who care for them.




Suspect


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In celebration of one year of publishing vital and diverse Asian writing and art, SUSPECT: VOLUME 1, YEAR 1 brings selected works from our online journal into print. Brimming with voices at once manifold yet singular, SUSPECT: VOLUME 1, YEAR 1 showcases a selection of Asian writers and creators hailing from Canada, China, India, Israel, Malaysia, Singapore, the UK, the US, and elsewhere. The anthology, which celebrates one year of SUSPECT journal's digital publishing, offers new perspectives from emerging literary voices. Boldly, yet always compassionately, these contributors demand of their readers an imagination expansive enough to sprawl borders, formal conventions, diverse subjectivities, and lives recorded from the margins. Where the anthology foregrounds global perspectives-from translations of poetry documenting Kazakhstan political strife to explorations of transnational Asian American identity-it also lives in the personal, minute, and intimate experiences of daily lives.