The Svetlana Boym Reader


Book Description

Svetlana Boym was a prolific writer, a charismatic professor, a novelist, and a public intellectual. She was also a fiercely resourceful and reflective immigrant; her most resonant book, The Future of Nostalgia, was deeply rooted in that experience. Even after The Future of Nostalgia carried her fame beyond academic circles, few readers were aware of all of her creative personas. She was simply too prolific, and her work migrated across most people's disciplinary boundaries-from literary and cultural studies through film, visual, and material culture studies, performance, intermedia, and new media. The Svetlana Boym Reader presents a comprehensive view of Boym's singularly creative work in all its aspects. It includes Boym's classic essays, carefully chosen excerpts from her five books, and journalistic gems. Showcasing her roles both as curator and curated, the reader includes interviews and excerpts from exhibition catalogues as well as samples of intermedial works like Hydrant Immigrants. It also features autobiographical pieces that shed light on the genealogy of her scholarly work and rarities like an excerpt from Boym's first graduate school essay on Russian literature, complete with marginalia by her mentor Donald Fanger. Last but not least, the reader includes late pieces that Boym did not live to see through publication, as well as transcripts of her memorable last lectures and performances.




The Svetlana Boym Reader


Book Description

Svetlana Boym was a prolific writer, a charismatic professor, a novelist, and a public intellectual. She was also a fiercely resourceful and reflective immigrant; her most resonant book, The Future of Nostalgia, was deeply rooted in that experience. Even after The Future of Nostalgia carried her fame beyond academic circles, few readers were aware of all of her creative personas. She was simply too prolific, and her work migrated across most people's disciplinary boundaries-from literary and cultural studies through film, visual, and material culture studies, performance, intermedia, and new media. The Svetlana Boym Reader presents a comprehensive view of Boym's singularly creative work in all its aspects. It includes Boym's classic essays, carefully chosen excerpts from her five books, and journalistic gems. Showcasing her roles both as curator and curated, the reader includes interviews and excerpts from exhibition catalogues as well as samples of intermedial works like Hydrant Immigrants. It also features autobiographical pieces that shed light on the genealogy of her scholarly work and rarities like an excerpt from Boym's first graduate school essay on Russian literature, complete with marginalia by her mentor Donald Fanger. Last but not least, the reader includes late pieces that Boym did not live to see through publication, as well as transcripts of her memorable last lectures and performances.




Ninochka


Book Description

A playful literary mystery set in the 1930s and 1990s, Ninochka tells the double tale of two women exiles who are both homesick and sick of home. Tanya, a Russian immigrant living in New York, travels to Paris in an attempt to reconstruct the secret life of Nina B., who was murdered there almost sixty years ago, on the eve of World War II. The murder was never solved, and in an attempt to crack the case, Tanya takes possession of Nina's handbag, which contains her diaries, love letters, kits for embroidering Russian blouses, a mysterious treatise on Eurasian supremacy, and a review of Ninotchka, the film in which Greta Garbo played a KGB agent who finds romance in Paris. Among the potential murder suspects are a charismatic professor and nationalist leader, an aspiring American songwriter, an aging Trotskyite, a Hungarian con artist, a heavy-drinking singer of nostalgic romance, and an athletic Comrade X of unknown origins who was rumored to have returned to the Soviet Union. As Tanya is drawn into this immigrant underworld of displaced people, double agents, and dreamers, she finds herself more and more implicated in the life of the murdered woman. Ultimately, she is forced to return to her native country, where she confronts her own homesickness in the changing post-Soviet world.




The Future of Nostalgia


Book Description

Can one be nostalgic for the home one never had? Why is it that the age of globalization is accompanied by a no less global epidemic of nostalgia? Can we know what we are nostalgic for? In the seventeenth century, Swiss doctors believed that opium, leeches, and a trek through the Alps would cure nostalgia. In 1733 a Russian commander, disgusted with the debilitating homesickness rampant among his troops, buried a soldier alive as a deterrent to nostalgia. In her new book, Svetlana Boym develops a comprehensive approach to this elusive ailment. Combining personal memoir, philosophical essay, and historical analysis, Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities -- St. Petersburg, Moscow, Berlin, and Prague-and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstam, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, from love letters on Kafka's grave to conversations with Hitler's impersonator, Boym unravels the threads of this global epidemic of longing and its antidotes.




Death in Quotation Marks


Book Description




The Svetlana Boym Reader


Book Description

Svetlana Boym was a prolific writer, a charismatic professor, a novelist, and a public intellectual. She was also a fiercely resourceful and reflective immigrant; her most resonant book, The Future of Nostalgia, was deeply rooted in that experience. Even after The Future of Nostalgia carried her fame beyond academic circles, few readers were aware of all of her creative personas. She was simply too prolific, and her work migrated across most people's disciplinary boundaries-from literary and cultural studies through film, visual, and material culture studies, performance, intermedia, and new media. The Svetlana Boym Reader presents a comprehensive view of Boym's singularly creative work in all its aspects. It includes Boym's classic essays, carefully chosen excerpts from her five books, and journalistic gems. Showcasing her roles both as curator and curated, the reader includes interviews and excerpts from exhibition catalogues as well as samples of intermedial works like Hydrant Immigrants. It also features autobiographical pieces that shed light on the genealogy of her scholarly work and rarities like an excerpt from Boym's first graduate school essay on Russian literature, complete with marginalia by her mentor Donald Fanger. Last but not least, the reader includes late pieces that Boym did not live to see through publication, as well as transcripts of her memorable last lectures and performances.




The Off-Modern


Book Description

Svetlana Boym writes a new genealogy of modernity, moving beyond older debates between modernism and postmodernism to focus on the intersection of art, architecture, technology, and philosophy in the early twenty-first century. Drawing on theories of Georg Simmel, Henri Bergson, Aby Warburg, and Jacques Derrida, Boym presents the off-modern as an eccentric, self-questioning, anti-authoritarian perspective with roots in the Russian avant-garde, now developed in surprising ways by contemporary artists, architects, and curators around the world. She illustrates the off-modern in discussions of (and with) figures as diverse as architect Rem Koolhaas, Albanian artist-turned-mayor Edi Rama, an art collective in Delhi, and the creator of the Museum of Jurassic Technology in Los Angeles. Both a manifesto and a memoir, The Off-Modern often returns to themes of travel and immigration, exploring issues of diasporic intimacy and productive estrangement amid nostalgic landscapes of urban ruins.




Augustine the Reader


Book Description

Stock displays an enviable and intimate knowledge of the text of Augustine, above all of his Confessions and, as the book progresses, of the De Trinitate.




The Penguin Book of Erotic Stories By Women


Book Description

Stories by: Kathy Acker, Isabel Allende, Laila Baalabaki, Simone de Beauvoir, Svetlana Boym, Angela Carter, Kate Chopin, Colette, Elizabeth Cook, Candas Jane Dorsey, Carol Emshwiller, L.A. Hall, Radclyffe Hall, Bessie Head, Siv Holm, Evelyn Lau, La Marquise de Mannoury d'Ectot, Katherine Mansfield, Ann Oakley, Iva Pekárková, Claire Rabe, Alifa Rifaat, Joanna Russ, May Sinclair, Verena Stefan, Gertrude Stein, Nicole Ward Jouve, Anna- Elisabeth Weirauch, Edith Wharton, Amy Yamada. Tales of forbidden lust, illicit desires, the twin hungers of loneliness and lust and the complexities of intimacy: all are explored in this fascinating anthology of stories on erotic themes. Spanning the last hundred years The Penguin Book of Erotic Stories by Women brings together tales that capture the sexual mores of their ages. This is an anthology that acknowledges and confirms a woman's right to shape and define her own sexuality, rather than having it forced on her by men.




Architecture of the Off-Modern


Book Description

This is an imaginative tour through the history and afterlife of Vladimir Tatlin's legendary but unbuilt Monument to the Third International of 1920. Boym traces the vicissitudes of Tatlin's Tower from its reception in the 1920s to its privileged recall in 'the reservoir of unofficial utopian dreams' of the Soviet-era.