The Symbolism of Medieval Churches


Book Description

The Symbolism of Medieval Churches: An Introduction explores the ways in which the medieval church building and key features of it were used as symbols, particularly to represent different relationships within the Church and the virtues of the Christian life. This book introduces the reader to the definition, form, and use of medieval symbols, and the significance that they held and still hold for some people, exploring the context in which church symbolism developed, and examining the major influences that shaped it. Among the topics discussed are allegory, typology, moral interpretation, and anagogy. Further chapters also consider the work of key figures, including Hugh and Richard of St Victor and Abbot Suger at St-Denis. Finally, the book contrasts the Eastern world with the Western world, taking a look at the late Middle Ages and what happened to church symbolism once Aristotle had ousted Plato from the schools. Entering into the medieval mind and placing church symbolism in its context, The Symbolism of Medieval Churches will be of great interest to upper-level undergraduates, postgraduates, and scholars working on Architectural History, Medieval Art, Church History, and Medieval History more widely.




The Secret Language of Churches & Cathedrals


Book Description

Who is depicted in that stained glass window? What is the significance of those geometric figures? Why are there fierce-looking beasts carved amidst all that beauty? Is there a deeper purpose behind the play of light and space in the nave? Why is there a pelican on the lectern and ornate foliage on the pillars? The largely illiterate medieval audience could read the symbols of churches and cathedrals and recognise the meanings and stories deliberately encoded into them. For worshippers these were places of religious education and an awe-inspiring feast that satisfied both the senses and the soul. Today, in an age less attuned to iconography, such places of worship are often seen merely as magnificent works of architecture. This book restores the lost spiritual meaning of these fine and fascinating buildings. The Secret Language of Churches & Cathedrals provides a three-part illustrated key by which modern visitors can understand the layout, fabric and decorative symbolism of Christian sacred structures - thereby bringing back to life their original atmosphere of awe and sanctity. Part One is an analysis of structural features, outside and in, from spires and domes to clerestories and brasses. Part Two is a theme-by-theme guide, which identifies significant figures, scenes, stories, animals, flowers, and the use of numbers, letters and patterns in paintings, carvings and sculpture. Part Three is a historical decoder, revealing the evolution of styles - from basilicas through Byzantine, Romanesque, Gothic and beyond. For all those who seek to know more about Christian art and architecture, this richly illustrated book will instruct and delight in equal measure.







Medieval Graffiti


Book Description

A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.




Churches in Early Medieval Ireland


Book Description

This is the first book devoted to churches in Ireland dating from the arrival of Christianity in the fifth century to the early stages of the Romanesque around 1100, including those built to house treasures of the golden age of Irish art, such as the Book of Kells and the Ardagh chalice. � Carrag�in's comprehensive survey of the surviving examples forms the basis for a far-reaching analysis of why these buildings looked as they did, and what they meant in the context of early Irish society. � Carrag�in also identifies a clear political and ideological context for the first Romanesque churches in Ireland and shows that, to a considerable extent, the Irish Romanesque represents the perpetuation of a long-established architectural tradition.




Gargoyles and Grotesques


Book Description

Gargoyles are an architectural feature designed to throw rainwater clear of the walls of a building. Widely used on medieval churches, these water spouts were often richly decorated, and fashioned as serpents' heads and other fanciful shapes. Today, the term gargoyle is also popularly applied to any carved decorative head or creature high up on a building and this book is an exploration of all of these enchanting features. Written by an academic and stonecarver, it is the perfect introduction to this fascinating subject. Gargoyles aims to provide a concise introduction to the stone carvings often found on religious and secular buildings in Britain from the medieval period to the modern. It will explore the typical imagery, some of the theories put forward to explain them, as well as consider the carvings within their architectural and social contexts. Incorporating recent and current research, the book will nevertheless be accessible to the general reader.




The Symbolism of Marriage in Early Christianity and the Latin Middle Ages


Book Description

In the middle ages everyone, it seems, entered into some form of marriage. Nuns - and even some monks - married the bridegroom Christ. Bishops married their sees. The popes, as vicars of Christ, married the universal church. And lay men, high and low, married carnal woman. What unites these marriages was their common reference to the union of Christ and church. Christ's marriage to the church was the paradigmatic symbol in which all the other forms of union participated - in superior or inferior ways. This book grapples with questions of the impact of marriage symbolism on both ideas and practice in the early Christian and medieval period. In what ways did marriage symbolism - with its embedded concepts of gender, reproduction, household, and hierarchy - shape people's thought about other things, such as celibacy, ecclesial and political relations, and devotional relations? How did symbolic thinking, contrariwise, shape marriage regulation and law? And how, if at all, were these two directions of thinking symbolically about marriage related?







Medieval Marriage


Book Description

Medieval Marriage shows how marriage symbolism emerged from the world of texts to become a social force affecting ordinary people. Building on d'Avray's Medieval Marriage Sermons, it broadens the scope of the argument and works from a wide range of manuscript sources of different genres.