The Taiheiki


Book Description

"This celebrated literary classic has delighted generations of Japanese. In its pages, you will find a vivid contemporary description of the fourteenth-century intrigues and battles that led to the destruction of the Hojo family, the military overlords of the nation, and made it possible for the Emperor Go-Daigo (1288-1339), one of Japan's most remarkable sovereigns, to reassert the power of the throne. Go-Daigo's first hesitant attempts to overthrow the Hojo, the early defeats suffered by his supporters, his dethronement and exile, the legendary exploits of his generals, the growing strength of his arms, and his ultimate return to the throne are all recounted in engrossing detail. The anonymous authors of The Taiheiki diversify their narrative through skillful use of the rich treasure house of the Chinese dynastic histories, the verse of the Six Dynasties and T'ang, and the Confucian teachings underlying the strict warrior code of loyalty and filial piety. They write with a deep sense of the inevitability of karma--determined fate and the impermanence of man and his works--but the spirit of the age is reflected in their praise of valor and military prowess, their taste for descriptions of the trappings of war, and their frequent irreverent asides. Considered a part of the gunki monogatari, or war tales canon in Japan, The Taiheiki celebrates martial adventure and can be seen as a prose counterpart to the Homeric epics of the Iliad and the Odyssey." -- Amazon.com







The Taiheiki


Book Description

An epic saga of samurai warfare in medieval Japan This celebrated literary classic has delighted generations of Japanese. In its pages, you will find a vivid contemporary description of the fourteenth-century intrigues and battles that led to the destruction of the Hojo family, the military overlords of the nation, and made it possible for the Emperor Go-Daigo (1288-1339), one of Japan's most remarkable sovereigns, to reassert the power of the throne. Go-Daigo's first hesitant attempts to overthrow the Hojo, the early defeats suffered by his supporters, his dethronement and exile, the legendary exploits of his generals, the growing strength of his arms, and his ultimate return to the throne are all recounted in engrossing detail. The anonymous authors of The Taiheiki diversify their narrative through the skillful use of the rich treasure house of the Chinese dynastic histories, the verse of the Six Dynasties and T'ang, and the Confucian teachings underlying the strict warrior code of loyalty and filial piety. They write with a deep sense of the inevitability of karma—determined fate and the impermanence of man and his works—but the spirit of the age is reflected in their praise of valor and military prowess, their taste for descriptions of the trappings of war, and their frequent irreverent asides. Considered a part of the gunki monogatari, or war tales canon in Japan, The Taiheiki celebrates martial adventure and can be seen as a prose counterpart to the Homeric epics of the Iliad and the Odyssey.







Samurai, Warfare and the State in Early Medieval Japan


Book Description

Karl Friday, an internationally recognised authority on Japanese warriors, provides the first comprehensive study of the topic to be published in English. This work incorporates nearly twenty years of on-going research and draws on both new readings of primary sources and the most recent secondary scholarship. It overturns many of the stereotypes that have dominated views of the period. Friday analyzes Heian -, Kamakura- and Nambokucho-period warfare from five thematic angles. He examines the principles that justified armed conflict, the mechanisms used to raise and deploy armed forces, the weapons available to early medieval warriors, the means by which they obtained them, and the techniques and customs of battle. A thorough, accessible and informative review, this study highlights the complex casual relationships among the structures and sources of early medieval political power, technology, and the conduct of war.




Heroes of the Grand Pacification


Book Description

The book introduces the print-series Taiheiki eiyū den or Heroic Biographies from the 'Tale of Grand Pacification', designed by Utagawa Kuniyoshi (1797–1861), who is considered the founder of the heroic genre in Japanese prints. The series is devoted to the final years of the sixteenth century civil wars and the key figure of the day, Toyotomi Hideyoshi (1536?–98). All fifty prints of the series are reproduced in full color. Each print is accompanied by a translation of the extensive texts incorporated into the composition and detailed historical and cultural commentaries. The introductory essay reviews the peculiarities of Kuniyoshi’s warrior images, explores the roots of Toyotomi Hideyoshi’s popularity and discusses the texts in the prints as a source of information on the late medieval warriors’ outlook and battlefield practices.




The Origins of Japan’s Medieval World


Book Description

This pioneering collection of 15 essays argues that Japan's medieval age began in the 14th century rather than the 12th, and marks the beginning of a fundamentally new debate about how Japan's lengthy classical period finally ended.




The Tale of the Heike


Book Description

The Tale of the Heike is one of the masterworks of Japanese literature, ranking with The Tale of Genji in quality and prestige. Familiar in Japan for generations, first through oral narration and later through the printed page, this fourteenth-century reworking of traditional materials tells the story of the decline and final military defeat of the mighty house of Taira, reporting battlefield exploits in vivid detail, chronicling the fates of high-born ladies and other helpless victims of the times with delicate lyricism, and introducing humorous passages to leaven the comberness of the theme articulated in its famous opening lines: 'The sound of the Gion Shoja bells color of the sala flowers reveals the truth that the prosperous must decline. The proud do not endure, thay are like a dream on a spring night; the mighty fall at last, they are as dust before the wind.' The translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original, especially in preserving the evidence of oral narration. Intended for the general audience as well as the specialist, this edition is lightly annotated, but includes three appendixes that give background information, a chronology, and an evaluation of the Heike as literature. There is also a glossary of persons, places, and terms. Illustrations consist of a color frontispiece, about fifteen prints from fourteenth- and fifteenth-century manuscripts, and two maps. --publisher description.




A New History of Medieval Japanese Theatre


Book Description

This book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.




The Six National Histories of Japan


Book Description

The Six National Histories of Japan chronicle the history of Japan from its origins in the 'Age of the Gods' to A.D. 887. Compiled in the imperial court during the eighth and ninth centuries by leading scholars and officials of the day, they have exerted a profound effect on Japanese thought for well over a millenium. In his book, renowned historian Taro Sakamoto interpreted modern scholarly findings, as well as presenting his own views, thus completing the modern re-evaluation of the controversial first history. His study is the only one to survey all six histories, identifying common features and pointing out the special characteristics of each. John Brownlee's translation makes available to English readers a valuable study of the Six National Histories which also provides insights into the methods of contemporary Japanese historians.