The Technics of Bel Canto... - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Technics Of Bel Canto Giovanni Battista Lamperti, Maximilian Heidrich, Theodore Baker G. Schirmer, 1905 Music; Instruction & Study; Voice; Music / Instruction & Study / Voice; Voice culture




The Technics of Bel Canto


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The Technics of Bel Canto


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2012 Reprint of Original 1905 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Giovanni Battista Lamperti was born in 1839 in Milan to Italian singing teacher Francesco Lamperti. He was a chorister at the great cathedral and studied voice and piano at the conservatory. A student and later accompanist for his father at the conservatory, Giovanni knew better than anyone else the method his father taught (which he claimed descended from the great castrato-teacher Antonio Bernacchi). Appropriating it for teaching his own students, Giovanni also began teaching voice at the Milan conservatory and then for 20 years in Dresden, followed by Berlin. His preferred teaching arrangement was having three or four students present at each lesson: each would get their turn while the others observed and learned thereby. He was said to be a strict, exacting instructor not given to flattery, but who enthusiastically praised his students upon exceptional achievement. Many of Giovanni's students became international opera stars including Irene Abendroth, Marcella Sembrich, Ernestine Schumann-Heink, Paul Bulss, Roberto Stagno, David Bispham and Franz Nachbaur. "The Technics of Bel Canto" is the only book that Giovanni ever wrote on his method.




TECHNICS OF BEL CANTO


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The Technics of Bel Canto


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The Technics of Bel Canto (Illustrated)


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The Technics of Bel Canto (Illustrated) is a brief overview of technical singing. The original illustrations are included.




The Technics of Bel Canto (Classic Reprint)


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Excerpt from The Technics of Bel Canto Experience a sensitive ear, and the gift of intuition and individualization. The Vocal Organs may be described briefly as a pipe with double-reed, blown by means of diaphragm and lungs. The Voice results from the projection of an air-current against the Vocal Cords in varying degrees of tension. In forming the voice, three groups of muscles cooperate, namely, the Breathing-muscles, the Vocal muscles, and the Sound-modifying muscles. The mode of breathing required for artistic singing is diaphragmatic breathing. It is the sole method by which a singer can conduct sufficient air tranquilly', and with a minimum of exertion, from the lungs to the vocal organs. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Technics of Bel Canto - Scholar's Choice Edition


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Technics of Bel Canto - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Technics of Bel Canto (1905)


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As the last of the great master-teachers of the "old Italian school" of singing, Giovanni Battista Lamperti taught his students virtuosic vocal techniques handed down from the great castrati of the 17th century: exquisitely rich chiaroscuro tone, seamless flowing legato phrasing, undetectable passaggi register transitions and the delicately poised appoggio breath technique that allowed the astonishingly rapid coloratura typical of baroque music. In the only treatise he ever wrote, Lamperti the younger shares with all students, teachers and enthusiasts of singing, the techniques and skills that made his students that greatest singers of their time: the arcane secrets of bel canto. Original title: "Die Technik des Bel Canto" (1905)