The Technique of Wall Painting in Ancient India
Author : Shrikant B. Dabhade
Publisher :
Page : 68 pages
File Size : 31,69 MB
Release : 1895
Category : Mural painting and decoration
ISBN :
Author : Shrikant B. Dabhade
Publisher :
Page : 68 pages
File Size : 31,69 MB
Release : 1895
Category : Mural painting and decoration
ISBN :
Author : Shigeo Aoki
Publisher : Springer Nature
Page : 330 pages
File Size : 30,89 MB
Release : 2021-03-13
Category : Technology & Engineering
ISBN : 9813341610
This book presents recent research on ancient Silk Road wall paintings, providing an up-to-date analysis of their coloring materials and techniques, and of developments in efforts to preserve them. The destruction of the Bamiyan Buddhas in 2001 encouraged international collaboration between conservation research institutes to study and protect the Silk Road’s painted heritage. The collaborations led to exciting new discoveries of the rich materials used in wall painting, including diverse pigments and colorants, and various types of organic binding media. In addition, comparative research across the region revealed shared painting practices that indicate the sophisticated exchange of technologies and ideas. In parallel with these advances in technical understanding, greater awareness and sensitivity has been fostered in endeavors to preserve this fragile heritage. The book offers insights obtained from conservation projects and ongoing research, that encompass the geographical regions and periods related to the Silk Road, including from Japan, China, Korea, India and Afghanistan, and countries of the Eastern Mediterranean region. It also discusses the current issues and future challenges in the field. Featuring concise chapters, the book is a valuable resource for students and professionals in the field of cultural heritage preservation, as well as those who are not familiar with the fascinating topic of Silk Road wall painting research.
Author : A.S. Bhalla
Publisher : Archaeopress Publishing Ltd
Page : 166 pages
File Size : 22,62 MB
Release : 2024-07-11
Category : History
ISBN : 1803277629
This book examines similarities and differences between art in ancient Indian (Indus) civilizations and that of the Aegean civilizations. The comparison raises questions about possible cross-cultural influences, which became more significant following Alexander’s invasion and the subsequent adaptation of Indian art under the Indo-Greek kingdoms.
Author : Om Prakash Agrawal
Publisher :
Page : 192 pages
File Size : 34,86 MB
Release : 2002
Category : Artists' materials
ISBN :
Sri Lanka Has A Rich And Long Tradition Of Wall Paintings, Starting From Prehistoric Times, Transversing The Historical Period Up To The Present Day. The Present Book Is An Attempt To Collect And Present All The Known Information On This Vast Subject.
Author : Neville Agnew
Publisher : Getty Publications
Page : 537 pages
File Size : 12,22 MB
Release : 2010-08-03
Category : Art
ISBN : 1606060139
Neville Agnew, senior principal project specialist at the GCI, is the author of numerous publications in research chemistry and conservation, including (with two coauthors) the book Cave Temples of Mogao: Art and History on the Silk Road. --Book Jacket.
Author : Sukh Dev Singh Charak
Publisher : Abhinav Publications
Page : 310 pages
File Size : 15,70 MB
Release : 1998
Category : Art
ISBN : 9788170173564
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
Author : Arie Wallert
Publisher : Getty Publications
Page : 241 pages
File Size : 20,82 MB
Release : 1995-08-24
Category : Art
ISBN : 0892363223
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author : Asok K. Bhattacharya
Publisher :
Page : 216 pages
File Size : 30,55 MB
Release : 1976
Category : Painting
ISBN :
Study based on ancient Sanskrit texts.
Author : Isabella Nardi
Publisher : Routledge
Page : 209 pages
File Size : 37,93 MB
Release : 2007-01-24
Category : Art
ISBN : 1134165242
Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in the Sanskrit treatises. Drawing on the experiences of significant painters, Nardi suggests a new way of reading and understanding these concepts.
Author : Gerald W. R. Ward
Publisher :
Page : 848 pages
File Size : 17,35 MB
Release : 2008
Category : Art
ISBN : 0195313917
"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."