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Violent Women and Sensation Fiction


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This book explores ideas of violent femininity across generic and disciplinary boundaries during the nineteenth century. It aims to highlight how medical, legal and literary narratives shared notions of the volatile nature of women. Mangham traces intersections between notorious legal trials, theories of female insanity, and sensation novels.




Women's Who's who


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Novel.




In Pursuit Of Infidelity


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"I wish I had known his nature before our marriage. May be that woul have helped me decide." Sheema, a busy professional, is happily married (or so she thinks). Life has become humdrum, and she has more or less accepted her fate, when suddenly life takes a turn and she finds herself trapped between life takes a turn and she finds herself Trapped between duty and lost love. Caught in the temptation, she struggles to hold onto her married life. Can she find a way out?




A Natural Woman


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Read the New York Times Bestselling memoir that is "revealing, humble, and cool-aunt chatty" about the incredible life that inspired the hit Broadway musical Beautiful (Rolling Stone). Carole King takes us from her early beginnings in Brooklyn, to her remarkable success as one of the world's most acclaimed songwriting and performing talents of all time. A Natural Woman chronicles King's extraordinary life, drawing readers into her musical world, including her phenomenally successful #1 album Tapestry, and into her journey as a performer, mother, wife and present-day activist. Deeply personal, King's long-awaited memoir offers readers a front-row seat to the woman behind the legend. The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances.




Women of the Day


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Women's Theatre Writing in Victorian Britain


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Women's Theatre Writing in Victorian Britain is the first book to make a comprehensive study of women playwrights in the British theatre from 1820 to 1918. It looks at how women playwrights negotiated their personal and professional identities as writers, and examines the female tradition of playwriting which dramatises the central experience of women's lives around the themes of home, the nation, and the position of women in marriage and the family. The book also includes an extensive Appendix of authors and plays, which will be a useful reference tool for students and scholars in nineteenth-century studies and theatre historians.




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Dublin is alien territory for young and impoverished Egyptian academic Mutazz, who is preparing a PhD on Irish poet Seamus Heaney. Mutazz has enough problems with his family's high expectations and the unrequited, idealized love that he left behind in Cairo. Now he has to deal with cantankerous landlords, the inscrutable local women, the Irish judiciary, haunted seminaries, and cold winter nights selling flowers on the banks of the Liffey to make ends meet. His own personal demons travel with him, especially the clash between his sexual desires and his reluctance to become emotionally entangled with anyone other than his version of the ideal woman. In his year away from home Mutazz learns how diverse the world is, but returning to Cairo is a shock that tests his physical and mental strength. Only when he passes that test can he make a promising new start.