The Archaeology of Sacred Spaces


Book Description

This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.




Jainism


Book Description

Kurt Titze invites the reader, after acquainting him or her with the main tenets of the world`s classical religion of non-violence, to join him on a fascinating pilgrimage. The past glories of India have been and still are a favourite subject in books and films. In this book with its 350 illustrations spread over 280 pages, Kurt titze enfolds a sequence of glories which have been kept alive to the present-day. The aim of this book is to entice the reader to ask his way to spots and sites that are not mentioned in tourist guide books. To the Digambara Meru temple in Old Delhi, for example, or to the Veerayatan Ashram on the outskirts of Rajgir run by Jaina nuns, or to the rock-cut twenty-four Tirthankaras near Gingee in Tamilnadu. That an increasing number of people who pick up this book may do so instead of climbing the ramparts of yet another fort or of gazing at yet another collection of horrifying weapons.




The Temples of India


Book Description




Delights and Disquiets of Leisure in Premodern India


Book Description

Leisure is a corollary to pleasure. Essays in this historical exploration trace how leisure and recreation were often imagined and celebrated during premodern times, from the ancient to the precolonial period. This book takes into account the differential access to leisure and pleasure based on class and gender where masculinity is projected through manly sports and femininity though beauty and indulgence in the projection of recreation, entertainment and luxury. The counter-discourse representing labour for those who cater for this leisure is invisibilized as is their transactional nature. The volume dwells on the attitudes, prescribed and proscribed, and brings to the fore the differences across religious ideologies such as Brahmanism, Buddhism, Jaina and Muslim in various periods. Further it looks at leisure in the various classes and cultural spaces such as the elite, women, the king in the bed chamber, the court with dancing girls, public areas such as orchards and gardens and performance spaces.




Jaina-rūpa-maṇḍana


Book Description

The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.




Objects of Translation


Book Description

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.




Beyond the Temples: Unraveling the Mysteries of Hindu Gods


Book Description

"Beyond the Temples: Unraveling the Mysteries of Hindu Gods" beckons readers on a profound exploration of Hinduism, transcending the conventional narratives and inviting them into the heart of this ancient, diverse, and deeply spiritual tradition. With meticulous research and an engaging narrative, the book unravels the intricate tapestry of Hindu thought, navigating through the pantheon of deities to uncover the profound meanings behind rituals, symbols, and myths. Delving into the essence of karma, dharma, and moksha, it unveils the interconnectedness of divinity and humanity. More than a mere survey of gods and goddesses, this book illuminates the philosophical underpinnings, offering a scholarly yet accessible journey into the timeless wisdom that extends "beyond the temples." Whether you are a scholar, a spiritual seeker, or someone curious about the profound intricacies of Hinduism, this book promises to be a captivating guide through the rich tapestry of this ancient tradition.




A Thousand Petalled Lotus


Book Description

The Jain Temples At Dilwara In Mount Abu Evoke A Sense Of Awe For Their Sculptural Artistry. Unnamed Artists Who Had, For Years Created Exquisite Pieces In Ivory, Now Worked With Marble, Sculpting Ceilings And Domes, Columns And Walls, Creating Works Of Unparalled Beauty. They Carried Forward, And Deepened A Rich Tradition Of Temple Building In India, With Their Plethora Of Images From Indian Myths And Legends. Numerous Gods And Goddesses, Yaksas And Yaksis, Dancers And Musicians, Apsaras And Nagins, As Well As Flowers And Trees-Mythic And Real-Adore Every Nook And Corner Of These Temples. The Most Outstanding Feature Of These Temples Are The Thousand-Petalled Lotuses That Decorate The Domes In The Rangmandaps, Signifying A Very Highly Evolved Technical And Artistic Achievement.Some 200 Kms Away And 500 Years Later, In Ranakpur, The Adisvara Temple Is An Achievement Of A Different Kind. It Is Renowned For Its Architectural Splendour; A Thousand Columns That Define Its Wondrous Spaces Are All Unique, As No Two Are Alike.Using These Temples For A Photographic And A Reflective Study, Professor Sehdev Kumar Explores The Artistic Nuances Of These Temples In The Context Of The Rich Tradition Of Temple Architecture And Iconography In India.




The Temples in Kumbhāriyā


Book Description

Kumbhariya (Known Ancient As Arasaha Or Arasankara ), Now A Non-Descript Hamlet, Situated About A Mile And A Half To The Southeast Of The Famous Holy Tirtha-Town Ambaji (Banaskantha District, Gujarat, India) And About 35 Kms Southeast Of Mt. Abu Was An Important Jaina Site In High Medieval Times. Home To Five Exquisite Jaina Temples And A Sivaita Fane, These Marble Buildings Sacred To The Faithful, Were Built During Thesolanki Period Between The 11Th And Late-13Th Centuries A.D. This Work Also Demonstrates That The Spectacular Interiors Of The Four Jaina Temples At Kumnhariya Are More Ancient Than Those In The Delvada Temples And The Variety And Richness If The Columns And The Celling Equal Or Are On Par With The Delvada Temples On Mt. Abu




The Stepwells of Gujarat


Book Description