The theater and its double
Author : Antonin Artaud
Publisher :
Page : 159 pages
File Size : 44,41 MB
Release : 1979
Category : Theater
ISBN : 9780802141392
Author : Antonin Artaud
Publisher :
Page : 159 pages
File Size : 44,41 MB
Release : 1979
Category : Theater
ISBN : 9780802141392
Author : Antonin Artaud
Publisher :
Page : 159 pages
File Size : 45,48 MB
Release : 1958
Category :
ISBN :
Author : Antonin Artaud
Publisher : Grove Press
Page : 174 pages
File Size : 36,47 MB
Release : 1958
Category : Drama
ISBN : 9780802150301
A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.
Author : Julie Stone Peters
Publisher : Oxford University Press, USA
Page : 516 pages
File Size : 28,91 MB
Release : 2003
Category : Literary Criticism
ISBN : 9780199262168
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Author : Jane Gilmer
Publisher : BRILL
Page : 262 pages
File Size : 28,66 MB
Release : 2021-05-12
Category : Literary Criticism
ISBN : 9004449426
The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for an alchemical theatre inspired by the directives of Antonin Artaud.
Author : Albert Bermel
Publisher : Bloomsbury Publishing
Page : 155 pages
File Size : 18,99 MB
Release : 2014-05-20
Category : Literary Criticism
ISBN : 1408118025
The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.
Author : Kimberly Jannarone
Publisher : University of Michigan Press
Page : 272 pages
File Size : 25,50 MB
Release : 2012-06-26
Category : Literary Criticism
ISBN : 0472035150
DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div
Author : Nikolaĭ Nikolaevich Evreinov
Publisher :
Page : 320 pages
File Size : 22,83 MB
Release : 1927
Category : Drama
ISBN :
Author : Antonin Artaud
Publisher : Ivan R. Dee Publisher
Page : 0 pages
File Size : 22,37 MB
Release : 2004
Category : Performing Arts
ISBN : 9781566635585
This revised and updated edition contains all of Artaud's key writings on theatre and cinema from 1921 to his death in 1948, including new selections never before in English. Artaud's ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. One of the great daring mapmakers of consciousness in extremis.-Susan Sontag.
Author : Lee Siegel
Publisher : Yale University Press
Page : 176 pages
File Size : 24,76 MB
Release : 2016-01-28
Category : Biography & Autobiography
ISBN : 0300216637
Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.