The Theatrical Observer; and Daily Bills of the Play
Author :
Publisher :
Page : 810 pages
File Size : 25,96 MB
Release : 1822
Category : Dramatic criticism
ISBN :
Author :
Publisher :
Page : 810 pages
File Size : 25,96 MB
Release : 1822
Category : Dramatic criticism
ISBN :
Author :
Publisher :
Page : 978 pages
File Size : 12,60 MB
Release : 1825
Category : Theater
ISBN :
Author : Jonathan Mulrooney
Publisher : Cambridge University Press
Page : 295 pages
File Size : 16,93 MB
Release : 2019-01-10
Category : Literary Criticism
ISBN : 1316877396
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Author : William S. Ward
Publisher : University Press of Kentucky
Page : 208 pages
File Size : 10,93 MB
Release : 2014-07-15
Category : Reference
ISBN : 0813164877
Growth of interest in the periodical literature of the past has emphasized increasingly the need for specialized hand lists, a need which the American Union List of Serials, the British Union Catalogue of the Periodical Publications in the University Libraries of the British Isles, and other existing indexes cannot answer. To satisfy one area of this need, William S. Ward has compiled a near-definitive index and finding list of periodicals and newspapers of the English Romantic period. In it are reflected the holdings of almost eleven hundred American, Canadian, and British libraries and newspaper offices. The volume is also the first to list titles and library locations of all the newspapers, magazines, and other serials published in the British Isles during the years between the French Revolution and the Great Reform Bill.
Author : Robert William Lowe
Publisher :
Page : 408 pages
File Size : 23,34 MB
Release : 1888
Category : Theater
ISBN :
Author : R. Pearson
Publisher : Springer
Page : 235 pages
File Size : 36,84 MB
Release : 2015-06-23
Category : Fiction
ISBN : 1137504684
This book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?
Author : Bernth Lindfors
Publisher : University Rochester Press
Page : 406 pages
File Size : 11,23 MB
Release : 2011
Category : Biography & Autobiography
ISBN : 1580463819
The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades not only as a tragedian in classic roles such as Othello and Oroonoko but also as a comic actor in popular farces and musicals. In 1833, when a bill to abolish slavery was being debated in Parliament, he was called back to London to perform at one of the city's most prestigious theaters, where his appearance, now under his own name but also billed as "a native of Senegal," created a great deal of controversy. In dealing with Aldridge's emergence as a professional actor in the United Kingdom, Lindfors here records in detail the ups and downs of his itinerant existence in a world where no theatergoer had ever seen anyone like him on stage before. Aldridgewas genuinely a unique phenomenon in Britain at a pivotal point in history. Bernth Lindfors is Professor Emeritus of English and African Literatures, University of Texas at Austin, and editor of Ira Aldridge: The African Roscius (University of Rochester Press, 2007).
Author : Dongshin Chang
Publisher : Routledge
Page : 216 pages
File Size : 15,10 MB
Release : 2015-02-11
Category : Performing Arts
ISBN : 1135007519
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Author : Jane Moody
Publisher : Cambridge University Press
Page : 300 pages
File Size : 23,87 MB
Release : 2007-07-30
Category : Drama
ISBN : 9780521039864
This book explores British illegitimate theatre towards the end of the eighteenth century.
Author : Allen A. Brown Collection (Boston Public Library)
Publisher : Boston : The Trustees
Page : 976 pages
File Size : 36,34 MB
Release : 1919
Category : Drama
ISBN :