The Theoretical Writings of Jean Philippe Rameau
Author : Michaela Maria Keane
Publisher :
Page : pages
File Size : 15,94 MB
Release : 1900
Category :
ISBN :
Author : Michaela Maria Keane
Publisher :
Page : pages
File Size : 15,94 MB
Release : 1900
Category :
ISBN :
Author : Sister Michaela Maria Keane
Publisher :
Page : 0 pages
File Size : 15,86 MB
Release : 1981
Category :
ISBN :
Author : Thomas Christensen
Publisher : Cambridge University Press
Page : 350 pages
File Size : 45,64 MB
Release : 2004-12-16
Category : Biography & Autobiography
ISBN : 052161709X
"Ranging widely over the musical and intellectual thought of the eighteenth century, Thomas Christensen orients Rameau's accomplishments in the light of contemporaneous traditions of music theory as well as many of the scientific ideas current in the French Enlightenment. Rameau is revealed to be an unsuspectedly syncretic and sophisticated thinker, betraying influences ranging from neoplatonic thought and Cartesian mechanistic metaphysics to Locke's empirical psychology and Newtonian experimental science. Additional primary documents and manuscripts (many revealed here for the first time) help clarify Rameau's fascinating and stormy relationship with the Encyclopedists: Diderot, Rousseau, and d'Alembert." "This book will be of value to all music theorists concerned with the foundations of harmonic tonality and it should also be of interest to scholars of eighteenth-century science, the Enlightenment, and the general history of ideas."--BOOK JACKET.
Author : Jean-Philippe Rameau
Publisher :
Page : 438 pages
File Size : 47,15 MB
Release : 1969
Category : Harmony
ISBN :
Author : Jean-Philippe Rameau
Publisher : [n.p.] : American Institute of Musicology
Page : 416 pages
File Size : 33,3 MB
Release : 1967
Category : Harmony
ISBN :
Author : Jean-Philippe Rameau
Publisher :
Page : 168 pages
File Size : 50,27 MB
Release : 1967
Category : Harmony
ISBN :
Author : Joel Lester
Publisher : Harvard University Press
Page : 370 pages
File Size : 50,47 MB
Release : 1992
Category : Language Arts & Disciplines
ISBN : 9780674155237
This is the most comprehensive account ever given of the theory behind the music of Baroque and Classical composers, from Bach to Beethoven. While giving preeminent theorists their due in this panoramic survey of musical thought, Joel Lester also examines the works of more than one hundred seventeenth- and eighteenth century writers.
Author : Jean-Philippe Rameau
Publisher :
Page : 642 pages
File Size : 26,24 MB
Release : 1972
Category : Harmony
ISBN :
Author : Mark Howard
Publisher :
Page : 0 pages
File Size : 48,52 MB
Release : 2016
Category : Music
ISBN : 9788870968460
This volume presents English translations of two seminal works of music theory by Rameau: Code de musique pratique; and Nouvelles réflexions dur le principe sonore. The translations are accompanied by extensive historical, analytical and cultural commentary. With a foreword by Robert Zappulla.
Author : Cynthia Verba
Publisher : Cambridge University Press
Page : 341 pages
File Size : 20,24 MB
Release : 2013-02-21
Category : Music
ISBN : 1107311004
Cynthia Verba's book explores the story of music's role in the French Enlightenment, focusing on dramatic expression in the musical tragedies of the composer-theorist Jean-Philippe Rameau. She reveals how his music achieves its highly moving effects through an interplay between rational design, especially tonal design, and the portrayal of feeling and how this results in a more nuanced portrayal of the heroine. Offering a new approach to understanding Rameau's role in the Enlightenment, Verba illuminates important aspects of the theory-practice relationship and shows how his music embraced Enlightenment values. At the heart of the study are three scene types that occur in all of Rameau's tragedies: confession of forbidden love, intense conflict and conflict resolution. In tracing changes in Rameau's treatment of these, Verba finds that while he maintained an allegiance to the traditional French operatic model, he constantly adapted it to accommodate his more enlightened views on musical expression.