A Rhetoric of Bourgeois Revolution


Book Description

What Is the Third Estate? was the most influential pamphlet of 1789. It did much to set the French Revolution on a radically democratic course. It also launched its author, the Abbé Sieyes, on a remarkable political career that spanned the entire revolutionary decade. Sieyes both opened the revolution by authoring the National Assembly's declaration of sovereignty in June of 1789 and closed it in 1799 by engineering Napoleon Bonaparte's coup d'état. This book studies the powerful rhetoric of the great pamphlet and the brilliant but enigmatic thought of its author. William H. Sewell's insightful analysis reveals the fundamental role played by the new discourse of political economy in Sieyes's thought and uncovers the strategies by which this gifted rhetorician gained the assent of his intended readers--educated and prosperous bourgeois who felt excluded by the nobility in the hierarchical social order of the old regime. He also probes the contradictions and incoherencies of the pamphlet's highly polished text to reveal fissures that reach to the core of Sieyes's thought--and to the core of the revolutionary project itself. Combining techniques of intellectual history and literary analysis with a deep understanding of French social and political history, Sewell not only fashions an illuminating portrait of a crucial political document, but outlines a fresh perspective on the history of revolutionary political culture.










Depictions of the Three Orders and Estates around the Year 1500


Book Description

This volume highlights the copious and various depictions of the three orders of society during the Late Middle Ages and at the beginning of the Early Modern Period. It discusses the origins and development of the trifunctional division into the orders of the oratores, bellatores and laboratores, and the abundantly preserved visual material, which proves that this scheme was one of the most widespread ideological foundations of European societies at that time. Late Gothic and Renaissance depictions of the three orders of society can be found in different mediums, from woodcuts to wall paintings, and were produced by important artists such as J. Fouquet and Pieter Bruegel, as well as anonymous painters. The vast numbers of preserved examples of this topic confirm the significance and strength of this iconographic theme at the end of the Middle Ages.




Sieyès: Political Writings


Book Description

The abbe Emmanuel Joseph Sieyes (1748-1836) distinguished himself as the chief theoretician of the French Revolution--and as a revolutionary constitutional and social theorist in his own right--through his rigorously analytical theory of representative government and its corollary, the representative character of social life in general. He expressed the essence of his thought in a series of three pamphlets published in the months leading up to the meeting of the Estates-General in 1789. This volume presents all three essays--Views of the Executive Means, An Essay on Privileges, and What Is the Third Estate?--in their entirety. The third essay, in a new translation by Michael Sonenscher, is followed by Sieyes's 1791 newspaper debate with Tom Paine on the merits of monarchy versus republicanism. Elucidated by Sonenscher's insightful Introduction, these texts will fascinate anyone interested in the history of the French Revolution, the history of social and political thought, or the origins and character of modern liberalism.




1789: The French Revolution Begins


Book Description

The first comprehensive study of the complex events and debates through which the 1789 French National Assembly became a sovereign body.




The Three Orders


Book Description

Tripartite construct of medieval French society.




Three Estates


Book Description




The Three Estates


Book Description

This is the first ever English translation of Sir David Lindsay’s masterpiece of 16th-century Scottish political theatre, Ane Pleasant Satyre of the Thrie Estaitis in Commendatioun of Vertew and Vituperatioune of Vyce. The work’s importance lies in its status as a well-known piece of national literature, and as a historical document of interest to historians of Scottish and European court politics.The verse translation available here is of over 3,000 lines, in an edition which combines a historical and critical introduction with the possibilities of modern performance. Besides issues of text and translation, the introduction examines the background of Scotland in 1552, the author and his audience, the play’s performance history and its position as a Renaissance text. A work on a grand scale with a cast of over 40, the play confronts and resolves the ill-counselled, misrule of young King Humanity through the intervention, not only of King Correction and of learned contemporaries, but also through the fearless condemnations of the Poor Man and the political resolution of John The Common Weal. Its conclusions are humanly centred, popularly representative and yet strikingly realistic. They, and their manner of expression, make an ideal object for the study of a society poised between the pluralism of the Renaissance and the rigour of the Reformation.