The Muddied Mirror


Book Description

Extends formalism to facture and situates the materiality of Titian's later works within the late sixteenth-century interest in embodiment and violence rather than within the Renaissance ideals of classicizing beauty and perfection.




Titian's Portraits through Aretino's Lens


Book Description

After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.




Titian, the Della Rovere Dynasty & His Portrait of Guidobaldo II and His Son


Book Description

The Klesch portrait by Titian of Guidobaldo II with his son Francesco Maria represents the duke of Urbino in his full power as supreme commander of papal troops, with his heir next to him. This rare, full-length double portrait has only recently been attributed to Titian after undergoing extensive analyses and restoration, revealing a beautiful painting in non finito manner, with bravura impasto passages entirely characteristic of the master, all of which is illustrated and explained in this new book.00In this volume full of new research, Ian Verstegen reveals that Guidobaldo was not peripheral but central to Italian politics and was regarded at several points in history as a key figure who could bring peace or who could influence major conflicts on the Italian peninsula, particularly the War of Siena, and then Pope Paul IV?s offensive war against Spain. Anne-Marie Eze gives the first comprehensive examination of the painting?s provenance, outlining the portrait?s vicissitudes and reception at different moments in its near 500-year history, reexamining received wisdom and fill gaps in our knowledge of its whereabouts. Finally, Matthew Hayes and Ian Kennem about its past ownership, and presenting new documentary evidence to expand on dy reflect on the technique, date, recent conservation, and authorship of the painting, proving it to be a masterpiece that only the great Titian could have created.




Titian's Hidden Double Portrait


Book Description

Recounts the astonishing story of this lost Titian masterpiece, now on view in Venice for the first time since its restoration This book recounts the fascinating history of Titian's unfinished portrait, A Lady and her Daughter (possibly his mistress Milia and their daughter), which dates from the early 1550s. After Titian's death in 1576, it was repainted in his studio with a more saleable image of Tobias and the Angel. Often presented as Titian's work but in a style which made the attribution suspect, the painting has had a succession of owners. It belonged to Tsar Nicholas I for a short time, and ultimately to the art dealer René Gimpel, who hid it with other artwork in a warehouse in London during World War II, where it miraculously survived the Blitz. It was not until the mid-20th century that an x-ray examination uncovered the beautiful painting underneath, an undisputed work by the great master himself. The painstaking restoration process, begun in 1983, took 20 years. Notable art historians and conservators have contributed essays that offer an in-depth examination of this exceptional and mysterious painting.




Renaissance Faces


Book Description

"This survey traces the development of portrait painting in Northern and Southern Europe during the Renaissance, when the genre first flourished. Both regions developed their own distinct styles and techniques, but each was influenced by the other. Focusing on the relationship between artists of the north and south, renowned specialists analyse the notion of likeness - at that time based not only on accurate reference to posterity, but incorporating all aspects of human life, including propaganda, power, courtship, love, family, ambition and hierarchy. Essays and individual catalogue entries present new research on works by some of the greatest portraitists of the period, including Giovanni Bellini, Sandro Botticelli, Lucas Cranach, Albrecht Durer, Jan van Eyck, Hans Holbein and Titan, all magnificently illustrated."--Jacket.




Titian Remade


Book Description

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.




Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting


Book Description

Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.




Titian


Book Description

The Classic Art Series Abrams is proud to announce a major event in art history.The Classic Art Seriesoffers a comprehensive approach to publishing the Old Masters. Commissioned from important scholars, these books reproduce every known work by their subjects in large-format color illustrations, along with a general biographical and critical essay, commentaries, and extensive documentation, including a list of collections and extensive bibliography. Printed on the very finest paper using the most sophisticated technology available today, they are intended to be both beautiful art books and lasting contributions to knowledge. The Flemish artist Pieter Bruegel the Elder (1525–1569) is considered to be the first Western landscape and genre painter. He has been especially beloved through the centuries for his paintings of peasant scenes. Along with an essay by Manfred Sellink, this book reprints the first biography of Bruegel, in facsimile and translation, written by Karel van Mander around 1604. The annotated catalogue includes all forty paintings and seventy drawings attributed to Bruegel in color, with numerous details, as well as his seventy-five prints.




Titian


Book Description

The first definitive biography of the master painter in more than a century, Titian: His Life is being hailed as a "landmark achievement" for critically acclaimed author Sheila Hale (Publishers Weekly). Brilliant in its interpretation of the 16th-century master's paintings, this monumental biography of Titian draws on contemporary accounts and recent art historical research and scholarship, some of it previously unpublished, providing an unparalleled portrait of the artist, as well as a fascinating rendering of Venice as a center of culture, commerce, and power. Sheila Hale's Titian is destined to be this century's authoritative text on the life of greatest painter of the Italian High Renaissance.




Metamorphosis


Book Description

As part of a unique collaboration between the National Gallery and the Royal Opera House, 14 leading poets were invited to respond to three great masterpieces by the Renaissance painter, Titian.