Visualizing Coregency


Book Description

In Visualizing Coregency, Lisa Saladino Haney explores the practice of co-rule during Egypt’s 12th Dynasty and the role of royal statuary in expressing the dynamics of shared power. Though many have discussed coregencies, few have examined how such a concept was expressed visually. Haney presents both a comprehensive accounting of the evidence for coregency during the 12th Dynasty and a detailed analysis of the full corpus of royal statuary attributed to Senwosret III and Amenemhet III. This study demonstrates that by the reign of Senwosret III the central government had developed a wide-ranging visual, textual, and religious program that included a number of distinctive portrait types designed to convey the central political and cultural messages of the dynasty.







Thutmose III


Book Description

Extensive treatment of this pivotal figure in the ancient Mediterranean world




Middle Kingdom Tomb Architecture at Lisht


Book Description

This volume documents twenty-six monumental tombs of the ancient Egyptian Twelfth Dynasty that were excavated by the Metropolitan Museum Egyptian Expedition from 1906 to 1934 and 1984 to 1991. Focusing on the study and reconstruction of the architecture of the tombs, the book also publishes remains of reliefs and inscriptions that decorated the walls. The author demonstrates the astonishing variety of Middle Kingdom funeral architecture. Whereas some of the Lisht structures relate closely to Old Kingdom mastabas, there is also a new group of freestanding chapels that are derived from contemporary deity temples and foreshadow the temple-tombs of later periods in Egyptian history. Also included is an appendix by James P. Allen on the biographical inscription in one of the tombs




The Representations of Women in the Middle Kingdom Tombs of Officials


Book Description

"In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration"--




The Coffin of Heqata


Book Description

The coffin published in this book represents a type that had some popularity in southern Upper Egypt in the early Middle Kingdom, but which, despite its extraordinary decoration had not attracted attention so far. The most striking feature of the decoration is that the object friezes - the pictorial rendering of ritual implements usually found on coffin interiors of the period - also include complete ritual scenes, some of which are attested only here. Apart from this, the decoration includes an extensive selection of the religious texts know as the Coffin Texts. The author first studies the archaeological context and dating of the coffin and attempts a reconstruction of the construction procedures from his technical description of the monument. The detailed account of the decoration in the rest of the book interprets the ritual iconography and offers fresh translations and interpretations of the Coffin Texts. A methodological innovation is that he regards the scenes and texts not as individual decoration elements, but as components of an integral composition. The background of this composition is argued to be a view of life in the hereafter in which the deceased is involved in an unending cycle of ritual action which reflects the funerary rituals that were actually performed on earth. On the one hand, these netherworldly rituals aim at bringing the deceased to new life by mummification, on the other the newly regenerated deceased partakes in embalming rituals for gods representing his dead father (Osiris or Atum). These gods, in their turn, effectuate the deceased's regeneration. The entire process results in a cycle of resuscitation in which the afterlife of the deceased and of the 'father gods' are interdependent. The sociological bias of this interpretation, with its emphasis on kinship relations, differs significantly from earlier attempts to explain Egyptian funerary religion.




The Theban Tombs Series


Book Description