Music Theater and Popular Nationalism in Spain, 1880-1930


Book Description

Overture. Theater music and the problem of Spanish nationalism -- Theatrical and political revolutions in nineteenth-century Spain -- Urban life on the Spanish musical stage -- Staging history, staging national identity -- Regenerationism, Viennese operetta, and Spanish nationalism -- The romance of rural Spain and the failure of the restoration settlement -- Zarzuela and the operatic tradition -- Classicism and historicism





Book Description




Flamenco


Book Description

Written by a group of dedicated flamenco enthusiasts, this book traces the history and development of the art of flamenco, that proud, soulful, stirring folk music and dance created by the gypsies of the Andalusian region of Spain in the 19th century. The essays examine the musical, artistic, and spiritual aspects of flamenco as well as its social context and history. The great performers both past and present are identified and discussed.




Ethnomusicology


Book Description

First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.




Flamenco Music and National Identity in Spain


Book Description

Flamenco Music and National Identity in Spain explores the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity. A salient theme in this book is that the development of notions of style and identity are mediated by social institutions. Specifically, the book documents the development of flamenco's musical style by tracing the genre's development, between 1880 and 1980, and demonstrating the manner in which the now conventional characterization of the flamenco style was mediated by krausist, modernist, and journalist institutions. Just as importantly, it identifies two recent institutional forces, that of audio recording and cinema, that promote a concept of musical style that sharply contrasts with the conventional notion. By emphasizing the importance of forward-looking notions of style and identity, Flamenco Music and National Identity in Spain makes a strong case for advancing the Spanish experiment in nation-building, but also for re-thinking nationalism and cultural identity on a global scale.




The Spirit of Flamenco


Book Description

The juxtaposition of thirty black-and-white remastered Lindbergh images and thirty contemporary color images, provides a fascinating survey of the area over nearly a century allowing a unique view of the multi-layered, cultural landscape of the American S




Introduction to Andorra


Book Description

Andorra is a tiny country located in southwestern Europe, with an area of just 468 square kilometers. Despite its small size, Andorra boasts a rich history and unique traditions that are deeply rooted in its Catalan origins. The country is situated in the eastern Pyrenees, between France and Spain, and has a population of approximately 77,000 people. The official languages of Andorra are Catalan, Spanish, and French, and the country has two co-princes, the President of France and the Bishop of Urgell in Spain. Andorra is renowned for its picturesque scenery, with mountains, valleys, and rivers creating breathtaking landscapes. The country is a popular destination for winter sports enthusiasts, with skiing and snowboarding being the most popular activities. Andorra is also home to a number of historic landmarks, including the old stone bridge of Pont de la Margineda and the iconic medieval castle of Sant Joan de Caselles. Furthermore, Andorra has a strong economy, thanks in large part to its status as a tax haven, with numerous financial services available to businesses and individuals.




The Music of Spain


Book Description

This book celebrates the classical compositions of Spain, including some opera works. Discussed in the books are opera titles such as Conchita and Carmen, as well as notable figures in Spain's performing arts world such as La Argentina.




Dancing Throughout Mexican History (1325-1910)


Book Description

This book is a must read for anyone who would like to learn more about Dance in Mexican History. It is an especially important reference for teachers of Mexican Folkloric Dance who would like to incorporate Mexican Dance History into their teachings. Using the time frame of 1325-1910, Martínez-Hunter skillfully gives a brief overview of Mexican history accompanied by an analysis of the dances during this period. She begins by diving into accounts of the Aztec dances in Pre-Hispanic Mexico before and after the conquest. Then, she describes the Dance Dramas that arose when the Spanish began to Christianize the Indigenous people. During the Spanish colonization, Martínez-Hunter notes the ways in which theatrical dances were imported from Europe to Mexico; the influences of the court dances including the pavane, sarabande, and the chaconne which began in the New World and traveled to Europe; as well as the Indigenous, mestizo, Chilean, and African influences on the dances of Mexico. Then, covering the dances during the Independence of Mexico (1810-1821) until the beginnings of the Mexican Revolutionary War (1910-1920), Martínez-Hunter juxtaposes the popularity of the European ballroom dances with the dances of the peasant people known as jarabes and sones. To honor the life's work of Martínez-Hunter all the photographs of the jarabes and sones included in this book feature her dancers of the University of Texas at Austin Ballet Folklorico from the 1970s. They document her many contributions to Dance when she was a faculty member at this institution.