The Tragedy of Tragedies


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British Dramatists from Dryden to Sheridan


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Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.




TRAGEDY OF TRAGEDIES OR THE LI


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The Periodical


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The Tragedy of Tragedies; Or, the Life and Death of Tom Thumb the Great with the Annotations of H Scriblerus Secundus Edited by James T Hillhouse


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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.




Oxford University Press


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Rebirth in the Life and Works of Beatrix Potter


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This work traces the concepts of initiation, transformation and rebirth though Beatrix Potter's personal writings and her children's fiction. Her letters and journals reveal attempts to escape from what she called her "unloved birthplace" and her overbearing parents. Potter felt that her life culminated in her forties, when she was, in effect, reborn through marriage as Mrs. William Heelis, a farmer raising Herdwick sheep and buying land for the National Trust. From her first book, The Tale of Peter Rabbit, through some of the last, such as The Fairy Caravan and The Tale of Little Pig Robinson, central characters undergo processes of initiation during which they mature toward adulthood. The most successful ones move from being helpless children to more mature creatures on their way to independence, while others experience no change or even regression.




Henry Fielding, Critic and Satirist


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Fielding himself frequently stated that satire was his aim. Taking this statement as his point of departure, the author considers Fielding's criticism of men & manners, his attitude towards & his treatment of the literature, the politics, the learned professions, & the social conditions of his day.