The Tragic Muse


Book Description

Catalogue published in conjunction with an exhibition held at the Smart Museum of Art, University of Chicago, Feb. 10-June 5, 2011.




Tragic Muse


Book Description

The great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star." Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. In Tragic Muse, Rachel M. Brownstein reveals the life of la grande Rachel and explores--at the boundary of biography, fiction, and cultural history--the connections between this self-dramatizing woman and her image. Born to itinerant Jewish peddlers in 1821, Rachel arrived on the Paris stage at the age of fifteen. She became both a symbol of her culture's highest art and a clue to its values and obsessions. Fascinated with all things Napoleonic, she was the mother of Napoleon's grandson and the lover of many men connected to the emperor. Her story--the rise from humble beginnings to queen of the French state theater--echoes and parodies Napoleon's own. She decisively controlled her career, her time, and finances despite the actions and claims of managers, suitors, and lovers. A woman of exceptional charisma, Rachel embodied contradiction and paradox. She captured the attention of her time and was memorialized in the works of Matthew Arnold, Charlotte Brontë, George Eliot, and Henry James. Richly illustrated with portraits, photographs, and caricatures, Tragic Muse combines brilliant literary analysis and exceptional historical research. With great skill and acuity, Rachel M. Brownstein presents Rachel--her brief intense life and the image that was both self-fashioned and, outliving her, fashioned by others. First published by Knopf (1993), this book will attract a broad audience interested in matters as wide ranging as the construction of character, the cult of celebrity, women's lives, and Jewish history. It will also be of enduring interest to readers concerned with nineteenth-century French culture, history, literature, theater, and Romanticism. Tragic Muse won the 1993 George Freedley Award presented by the Theater Library Association.




The Tragic Muse


Book Description




The Tragic Life Story of Medea as Mother, Monster, and Muse


Book Description

This volume offers a critical yet empathic exploration of the ancient myth of Medea as immortalized by early Greek and Roman dramatists to showcase the tragic forces afoot when relational suffering remains unresolved in the lives of individuals, families and communities. Medea as a tragic figure, whose sense of isolation and betrayal interferes with her ability to form healthy attachments, reveals the human propensity for violence when the agony of unresolved grief turns to vengeance against those we hold most dear. However, metaphorically, her life story as an emblem for existential crisis serves as a psychological touchstone in the lives of early twentieth-century female authors, who struggled to find their rightful place in the world, to resolve the sorrow of unrequited love and devotion, and to reconcile experiences of societal abandonment and neglect as self-discovery.




Transatlantic Spectacles of Race


Book Description

The tragic mulatta was a stock figure in nineteenth-century American literature, an attractive mixed-race woman who became a casualty of the color line. The tragic muse was an equally familiar figure in Victorian British culture, an exotic and alluring Jewish actress whose profession placed her alongside the “fallen woman.” In Transatlantic Spectacles of Race, Kimberly Manganelli argues that the tragic mulatta and tragic muse, who have heretofore been read separately, must be understood as two sides of the same phenomenon. In both cases, the eroticized and racialized female body is put on public display, as a highly enticing commodity in the nineteenth-century marketplace. Tracing these figures through American, British, and French literature and culture, Manganelli constructs a host of surprising literary genealogies, from Zelica to Daniel Deronda, from Uncle Tom’s Cabin to Lady Audley’s Secret. Bringing together an impressive array of cultural texts that includes novels, melodramas, travel narratives, diaries, and illustrations, Transatlantic Spectacles of Race reveals the value of transcending literary, national, and racial boundaries.




The muse's tragedy


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Euripides and the Tragic Tradition


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Euripides and the Tragic Tradition asks all the right questions. It forces us to confront the many contradictions in Euripides' work, demonstrates the differences between the literary assumptions of Sophocles and Euripides, and challenges us to respond to Euripidean drama with sophistication and sensitivity. --Francis M. Dunn, Scholia.




Aristophanes and His Tragic Muse


Book Description

Despite the many studies of Greek comedy and tragedy separately, scholarship has generally neglected the relation of the two. And yet the genres developed together, were performed together, and influenced each other to the extent of becoming polar opposites. In Aristophanes and His Tragic Muse, Stephanie Nelson considers this opposition through an analysis of how the genres developed, by looking at the tragic and comic elements in satyr drama, and by contrasting specific Aristophanes plays with tragedies on similar themes, such as the individual, the polis, and the gods. The study reveals that tragedy’s focus on necessity and a quest for meaning complements a neglected but critical element in Athenian comedy: its interest in freedom, and the ambivalence of its incompatible visions of reality.




The Tragic Muse


Book Description

'You must paint her just like that ... as the Tragic Muse' Suggests one of James's characters to Nick Dormer, the young Englishman who, during the course of the novel, will courageously resist the glittering Parliamentary career desired for him by his family, in order to paint. His progress is counterpointed by the 'Tragic Muse' of the title, Miriam Rooth, one of James's most fierily beautiful creations, a great actress indifferent to social reputation, and triumphantly dedicated to her art. In portraying the conflict between art and 'the world' which is his novel's central idea, James engaged obliquely with current debates on the new aestheticism of Pater and Wilde and on the nature of the actor's performance. Through the living complexity of his protagonists he reveals how much, as Philip Horne puts it, 'to take art seriously as an end in itself ... is still a provocative course'.




Genius Belabored


Book Description

The fascinating story of Ignaz Semmelweis, a nineteenth-century obstetrician ostracized for his strident advocacy of disinfection as a way to prevent childbed fever In Genius Belabored: Childbed Fever and the Tragic Life of Ignaz Semmelweis, Theodore G. Obenchain traces the life story of a nineteenth-century Hungarian obstetrician who was shunned and marginalized by the medical establishment for advancing a far-sighted but unorthodox solution to the appalling mortality rates that plagued new mothers of the day. In engrossing detail, Obenchain recreates for readers the sights, smells, and activities within a hospital of that day. In an era before the acceptance of modern germ science, physicians saw little need for cleanliness or hygiene. As a consequence, antiseptic measures were lax and rudimentary. Especially vulnerable to contamination were new mothers, who frequently contracted and died from childbed fever (puerperal fever). Genius Belabored follows Semmelweis’s awakening to the insight that many of these deaths could be avoided with basic antiseptic measures like hand washing. The medical establishment, intellectually unprepared for Semmelweis’s prescient hypothesis, rejected it for a number of reasons. It was unorthodox and went against the lingering Christian tradition that the dangers of childbirth were inherent to the lives of women. Complicating matters, colleagues did not consider Semmelweis an easy physician to work with. His peers described him as strange and eccentric. Obenchain offers an empathetic and insightful argument that Semmelweis suffered from bipolar disorder and illuminates how his colleagues, however dedicated to empirical science they might have been, misjudged Semmelweis’s methods based upon ignorance and their emotional discomfort with him. In Genius Belabored, Obenchain identifies Semmelweis’s rightful place in the pantheon of scientists and physicians whose discoveries have saved the lives of millions. Obenchain’s biography of Semmelweis offers unique insights into the practice of medicine and the mindsets of physicians working in the premodern era. This fascinating study offers much of interest to general readers as well as those interested in germ theory, the history of medicine and obstetrics, or anyone wishing to better understand the trajectory of modern medicine.