The Tragic Protest


Book Description




The Tragic Protest


Book Description

is, what has been said already says that no anticipations of aesthetic theory are in place here. When research stays on the level of primitive imagination, prior to the distinction between real and unreal, to merge art with life, it cannot serve as guideline for thoughts on what is distinctive within art. No canons of composition can be forthcoming, even the very concept of composition, implying a composer, must remain inadmissible; since, unlike the one of tragic art, the composer of tragic life will be here in question. No analysis of form need be expected, and when a form of vision is described, it will not be what artistic critics are used to dissect. Purely aesthetic instruments, such as plot, contrast, harmony, proper pitch, likene3s, recognition, com pleteness, will be of no use and no relevance at all. And it hardly need be mentioned that the age-fortified classification of artistic kinds remains strictly out of bounds. Here is perhaps the proper place to introduce a stylistic apology. I t is clear to everyone with a neat sense of seemliness in language that the use of unattached adjectives is very awkward in English. No one reading these paragraphs can be blamed for fidgeting when molested again and again with "the tragic" instead of "tragedy. " The excuse has perhaps transpired in the preceding passage.




The Tragic Protest, Etc


Book Description




The Tragic Protest


Book Description

Un résumé de la vie et des moeurs de l'animal dans un texte facile d'accès, abondamment illustré. Quelques expériences permettent devisualiser et de pousser plus loin les connaissances.




From "I CAN'T BREATHE" to 'BLACK LIVES MATTER'


Book Description

May 26, 2020, is a date that no one will ever forget. That day, we all saw the terrible death of George Floyd on social media. Sitting at the computer in his New York apartment, opera singer, producer, and author David Serero witnessed this horrific video, which went viral and made headlines on every news channel. Never had he ever seen a man agonizing and begging for his life under the knee of a Police officer in the United States of America, and thus in the 21st century. He was outraged and sad. This behavior was unacceptable, indeed criminal, and righteously prosecuted as such. As a Jew, it immediately reminded him of photos of Nazis who proudly killed Jews during the Holocaust. Although he didn't know yet the details of Floyd's arrest, he knew it was not right. Following George Floyd's tragic death, David Serero witnessed a series of events that he wanted to collect all within the same book, in the form of a Diary, to understand how the event led to another. He hopes that future generations will understand the escalation that led from an obvious crime to a protest, then to an American revolution, to hopefully a change for the better in a country still struggling with racism. During the unprecedented time of the quarantine and lockdown, due to the COVID-19 pandemic, and while strict rules of self-distancing were applied, thousands of Americans took to the streets to protest police brutality and support the Black Lives Matter movement. Some protesters were peaceful, others very violent, creating chaos, which ultimately required the presence of the National Guard and a curfew. For 8 minutes and 46 seconds, George Floyd struggled for his life and mentioned his sadly known I Can't Breathe...Mama.... David Serero's fact-based-only Diary, covered the events day by day from the tragic death of George Floyd to the protests, also the looting and burning of businesses, the curfews, demolishing statues, burning the American Flag, reporters being rioted, Police officers being attacked while others showed their support by putting a knee down for George Floyd, and the Black Lives Matter movement. While some protesters showed their support for the police authorities, others provoked and attacked them. This prompted authorities to even request to 'defund the Police' and passing new bills in order to have officers liable for their actions, while...innocents civilians were brutally shot during the deadly weekend of Independence Day in several cities of America and thus by other civilians.After reading this Dairy, you will find the 100 Questions that he calls ILLOGICAL. Illogical as the tragic death of George Floyd and other events. Illogical because we have the solutions in our hands, but no one wishes to use them. Illogical because these questions shouldn't be asked since we modestly think that we have learned the lessons of our history, and therefore, had already solved this matter. He decided to call them The ILLOGICAL 100 and hopes that it will open a healthy dialogue and reflection for everyone to debate in the most peaceful manner. David Serero is on the side of all Americans; it does not make any difference with anyone's ethnicity, religions, sexual orientations, or political views, though he likes to refer to a culture that defines us and is made to be shared and preserved. He often likes to say: Culture is what is left, once we have forgotten and lost everything. He was in the right position, as an Immigrant and observer, to witness a country sadly (still) struggling with race in the 21st century, at the time where History and education are so much available on the internet.Diary of The Events + The 'Illogical 100'




Steeped in the Blood of Racism


Book Description

Minutes after midnight on May 15, 1970, white members of the Jackson city police and the Mississippi Highway Patrol opened fire on young people in front of a women's dormitory at Jackson State College, a historically black college in Jackson, Mississippi, discharging "buckshot, rifle slugs, a submachine gun, carbines with military ammunition, and two 30.06 rifles loaded with armor-piercing bullets." Twenty-eight seconds later two young people lay dead, another 12 injured. Taking place just ten days after the killings at Kent State, the attack at Jackson State never garnered the same level of national attention and was chronically misunderstood as similar in cause. This book reclaims this story and situates it in the broader history of the struggle for African American freedom in the civil rights and black power eras. The book explores the essential role of white supremacy in causing the shootings and shaping the aftermath. By 1970, even historically conservative campuses such as Jackson State, where an all-white Board of Trustees of Institutions of Higher Learning had long exercised its power to control student behavior, were beginning to feel the impact of the movements for African American freedom. Though most of the students at Jackson State remained focused not on activism but their educations, racial consciousness was taking hold. It was this campus police attacked. Acting on racial animus and with impunity, the shootings reflected both traditional patterns of repression and the new logic and rhetoric of "law and order," with its thinly veiled racial coding. In the aftermath, the victims and their survivors struggled unsuccessfully to find justice. Despite multiple investigative commissions, two grand juries and a civil suit brought by students and the families of the dead, the law and order narrative proved too powerful. No officers were charged, no restitution was paid, and no apologies were offered. The shootings were soon largely forgotten except among the local African American community, the injured victimized once more by historical amnesia born of the unwillingness to acknowledge the essential role of race in causing the violence.




The Arab Winter


Book Description

The Arab Spring promised to end dictatorship and bring self-government to people across the Middle East. Yet everywhere except Tunisia it led to either renewed dictatorship, civil war, extremist terror, or all three. In The Arab Winter, Noah Feldman argues that the Arab Spring was nevertheless not an unmitigated failure, much less an inevitable one. Rather, it was a noble, tragic series of events in which, for the first time in recent Middle Eastern history, Arabic-speaking peoples took free, collective political action as they sought to achieve self-determination.




Civil Rights and the Making of the Modern American State


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This book extends what we know about the development of civil rights and the role of the NAACP in American politics. Through a sweeping archival analysis of the NAACP's battle against lynching and mob violence from 1909 to 1923, this book examines how the NAACP raised public awareness, won over American presidents, secured the support of Congress, and won a landmark criminal procedure case in front of the Supreme Court.




America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s


Book Description

“Not since Angela Davis’s 2003 book, Are Prisons Obsolete?, has a scholar so persuasively challenged our conventional understanding of the criminal legal system.” —Ronald S. Sullivan, Jr., Washington Post From one of our top historians, a groundbreaking story of policing and “riots” that shatters our understanding of the post–civil rights era. What began in spring 2020 as local protests in response to the killing of George Floyd by Minneapolis police quickly exploded into a massive nationwide movement. Millions of mostly young people defiantly flooded into the nation’s streets, demanding an end to police brutality and to the broader, systemic repression of Black people and other people of color. To many observers, the protests appeared to be without precedent in their scale and persistence. Yet, as the acclaimed historian Elizabeth Hinton demonstrates in America on Fire, the events of 2020 had clear precursors—and any attempt to understand our current crisis requires a reckoning with the recent past. Even in the aftermath of Donald Trump, many Americans consider the decades since the civil rights movement in the mid-1960s as a story of progress toward greater inclusiveness and equality. Hinton’s sweeping narrative uncovers an altogether different history, taking us on a troubling journey from Detroit in 1967 and Miami in 1980 to Los Angeles in 1992 and beyond to chart the persistence of structural racism and one of its primary consequences, the so-called urban riot. Hinton offers a critical corrective: the word riot was nothing less than a racist trope applied to events that can only be properly understood as rebellions—explosions of collective resistance to an unequal and violent order. As she suggests, if rebellion and the conditions that precipitated it never disappeared, the optimistic story of a post–Jim Crow United States no longer holds. Black rebellion, America on Fire powerfully illustrates, was born in response to poverty and exclusion, but most immediately in reaction to police violence. In 1968, President Lyndon Johnson launched the “War on Crime,” sending militarized police forces into impoverished Black neighborhoods. Facing increasing surveillance and brutality, residents threw rocks and Molotov cocktails at officers, plundered local businesses, and vandalized exploitative institutions. Hinton draws on exclusive sources to uncover a previously hidden geography of violence in smaller American cities, from York, Pennsylvania, to Cairo, Illinois, to Stockton, California. The central lesson from these eruptions—that police violence invariably leads to community violence—continues to escape policymakers, who respond by further criminalizing entire groups instead of addressing underlying socioeconomic causes. The results are the hugely expanded policing and prison regimes that shape the lives of so many Americans today. Presenting a new framework for understanding our nation’s enduring strife, America on Fire is also a warning: rebellions will surely continue unless police are no longer called on to manage the consequences of dismal conditions beyond their control, and until an oppressive system is finally remade on the principles of justice and equality.




Franz Kafka's the Metamorphosis


Book Description

Presents a collection of critical essays about Kafka's The metamorphosis.