Tragic Vision of John Ford


Book Description







John Ford: Critical Re-Visions


Book Description

Originally published in 1988, John Ford: Critical Re-Visions offers a wholesale reconsideration of the reputation of a major Caroline playwright. The volume takes an historical perspective and offers a better understanding of Ford's achievement in the light of the theatrical and social conditions of his own day. The collection of essays was assembled for the 400th anniversary of the playwright's birth. The contributors, well known scholars in the field, work from a variety of critical positions: insights associated with a new historicist, feminist, structuralist and post-structuralist theory are represented, together with more traditional approaches. The essays range from detailed readings of the individual plays, including 'Tis Pity She's a Whore, Perkin Warbeck, Love's Sacrifice and The Lady's Trial to more wide-ranging studies of imagery and theatrical convention; several help to illuminate our understanding of Ford's plays in the theatre of his own time, while another offers a detailed account of post-war stage, film and television productions.




The Fancies, Chaste and Noble


Book Description

Published in 1985: The main plot portrays the bachelor Octavio, Marquis of Siena, and his establishment of his "Bower of Fancies," something like a Platonic academy for those he calls the "fancies" — Clarella, Silvia, and Floria, three young women who are, or are said to be,"young, wise, noble, fair, and chaste.




'Tis Pity She's a Whore and Other Plays


Book Description

Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.




The Selected Plays of John Ford


Book Description

This selection contains the three finest plays of the Stuart dramatist John Ford. The Broken Heart is a classical tragedy of suffering; 'Tis Pity She's a Whore, Ford's best-known play and one still frequently performed, is a tragic story of limitless ambition and social rivalry expressed in sexual terms; Perkin Warbeck is the last great successor to the history plays of Shakespeare. Together they exemplify the unique tone of Ford's drama, in which passion and gravity are united by a playwright with a poetic sense of theatre. This is the only one-volume selection of Ford's plays now available. The texts are modernised and equipped with notes explaining unfamiliar language and historical references. A general introduction gives a brief biography and bibliography; individual introductions deal with the sources and stage history of each play. Longer notes at the back of the book discuss points of staging and interpretation, and there is a full textual apparatus which makes this edition useful for the scholar as well as the student.







Shakespeare and the Poet's Life


Book Description

Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating.