The Trial of Billy the Kid


Book Description

This book is about Billy the Kid's trial for murder, and the events leading to that trial. The result of Billy's trial sealed his fate. And yet Billy's trial is the least written about, and until this book, the least known event of Billy's adult life. Prior biographies have provided extensive - and fascinating - details on Billy's life, but they supply only a few paragraphs on Billy's trial. Just the bare facts: time, place, names, result. Billy's trial the most important event in Billy's life. You may respond that his death is more important - it is in anyone's life! That is true, in an existential sense, but the events that lead to one's death at a particular place and time, the cause of one's death, override the importance of one's actual death. Those events are determinative. Without those events, one does not die then and there. If Billy had escaped death on July 14, 1881, and went on to live out more of his life, that escape and not his trial would probably be the most important event of Billy's life. The information presented here has been unknown until now. This book makes it possible to answer these previously unanswerable questions: Where was Billy captured? Where was Billy tried? What were the governing Territorial laws? What were the charges against Billy? Was there a trial transcript and what happened to it? What kind of defense did Billy present? Did Billy testify in his own defense? Did Billy have witnesses standing for him? Who testified against him for the prosecution? What was the jury like? What action by the trial judge virtually guaranteed his conviction? What legal grounds did he have to appeal his verdict? Was the trial fair? Supplementing the text are 132 photos, including many photos never published before.







Billy the Kid's Grave


Book Description

"Quien es?" The answer to this incautious question - "Who is it?" - was a bullet to the heart. That bullet -- fired by Lincoln County Sheriff Patrick F. Garrett from a .40-44 caliber single action Colt pistol -- ended the life of Billy the Kid, real name William Henry McCarty. But death - ordinarily so final - only fueled the public's fascination with Billy the Kid. What events led to Billy's killing? Was it inevitable? Was a woman involved? If so, who was she? Why has Billy's gravestone become the most famous - and most visited - Western death marker? Is Billy really buried in his grave? Is the grave in the right location? Is it true that Pat Garrett's first wife is buried in the same cemetery? Is Billy's girlfriend buried there also? The Fort Sumner cemetery where Billy's grave is located was once plowed for cultivation. Why? What town, seeking a profitable tourist attraction, tried to move Billy's body, using a phony relative to justify the action? These questions -- and many others - are answered in this book. Over 60 photos, including many historical photos never previously published.




Billy the Kid


Book Description

A collection of historical "facts" concerning this "Billy the Kid", or is it these "Billy the Kids"?




Billy the Kid


Book Description

See:




Billy the Kid on Film, 1911-2012


Book Description

A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.




Wanted


Book Description

Two famous 19th century outlaws from opposite sides of the world are brought to rollicking life in the acclaimed historian’s “marvelous dual biography” (Douglas Brinkley, author of The Wilderness Warrior). The legendary exploits of Billy the Kid and Ned Kelly live on in the public imaginations of their respective countries, the United States and Australia. But the outlaws’ reputations are so mythologized, the truth of their lives has become obscure. In Wanted, Robert M. Utley reveals the true stories and parallel courses of the two notorious contemporaries who lived by the gun, were executed while still in their twenties, and remain compelling figures in the folklore of their homelands. Utley draws sharp portraits of both young men, offering insightful comparisons of their lives and legacies. Billy was a fun-loving sharpshooter who excelled at escape and lived on the run after indictment for his role in the Lincoln Country War. While Ned, raised in the bush by his Irish convict father, was driven by outrage against British colonial authority to steal cattle and sheep, kill three policemen, and rob banks for the benefit of impoverished Irish sympathizers. Recounting their exploits, differences, and shared fates, Utley illuminates the worlds in which they lived on opposite sides of the globe. “Robert M. Utley displays the gifts that have made him a storied interpreter of the nineteenth-century west.”—T. J. Stiles, Pulitzer Prize-winning author of The First Tycoon




Billy the Kid's Writings, Words, and Wit


Book Description

Gale Cooper's Billy the Kid's Writings, Words, and Wit, in hardcover and paperback, 592 pages, has all written and recorded words of William H. Bonney aka Billy the Kid; with the author's newly authenticated Billy the Kid letter.




The Death of Billy the Kid


Book Description

Many years after the death of Billy the Kid, Deputy John William Poe, who was just outside the door when Sheriff Pat Garrett killed Billy, wrote out the whole story, which was published in a small edition. While certain statements made in the book by Poe are controversial, his account is a valuable document for anyone interested in Billy the Kid.




The Collected Works of Billy the Kid


Book Description

Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)