Ugly American


Book Description

The ineffectual Ambassador is just one of the handicaps facing the Americans as Southeast Asia becomes increasingly involved with Communism.




Kings of the High Frontier


Book Description




The New Urban Frontier


Book Description

Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban 'frontiers', the author explores the interconnections of urban policy, patterns of investment, eviction, and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor, and the homeless as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge.




Jim Ugly


Book Description

A one-man dog Part wolf and fiercely independent, Jim Ugly is a dog who answers to only one person. Unfortunately, that man -- Sam Bannock -- has disappeared. Rumor has it that Sam is dead, but to his son, Jake, something about that doesn't sound quite right. So Jake and Jim Ugly embark on a wild journey into the frontier West, where they find themselves pursued by a pretty lady, a theater troupe, and one very ornery yellow-legged man. And they all want to know one thing: Where is Sam Bannock?




Our Frontier Is the World


Book Description

Mischa Honeck’s Our Frontier Is the World is a provocative account of how the Boy Scouts echoed and enabled American global expansion in the twentieth century. The Boy Scouts of America (BSA) has long been a standard bearer for national identity. The core values of the organization have, since its founding in 1910, shaped what it means to be an American boy and man. As Honeck shows, those masculine values had implications that extended far beyond the borders of the United States. Writing the global back into the history of one of the country’s largest youth organizations, Our Frontier Is the World details how the BSA operated as a vehicle of empire from the Progressive Era up to the countercultural moment of the 1960s. American boys and men wearing the Scout uniform never simply hiked local trails to citizenship; they forged ties with their international peers, camped in foreign lands, and started troops on overseas military bases. Scouts traveled to Africa and even sailed to icy Antarctica, hoisting the American flag and standing as models of loyalty, obedience, and bravery. Through scouting America’s complex engagements with the world were presented as honorable and playful masculine adventures abroad. Innocent fun and earnest commitment to doing a good turn, of course, were not the whole story. Honeck argues that the good-natured Boy Scout was a ready means for soft power abroad and gentle influence where American values, and democratic capitalism, were at stake. In other instances the BSA provided a pleasant cover for imperial interventions that required coercion and violence. At Scouting’s global frontiers the stern expression of empire often lurked behind the smile of a boy.




Music in the Western


Book Description

Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.




Life in the Saddle


Book Description

Englishman Frank Collinson went to Texas in 1872, when he was seventeen, to work on Will Noonan’s ranch near Castroville. He lived the rest of his life in the southwestern United States, and at the age of seventy-nine began writing about the Old West he knew and loved. He had a flair for writing, a phenomenal memory, and a passion for truth that is evident in what he wrote and said. His writings for Ranch Romances, his letters, and transcriptions of his conversations have been arranged here in roughly chronological order, so that their importance for frontier history is readily apparent. Collinson ranged the West in his writings as he did in person, telling of the last tragic days of buffalo hunting on the Plains; clashes between hunters or cowboys and the Plains Indians; the character of trail drivers; and the definitive nature of violence, particularly at gun-point. J. Frank Dobie said of Collinson: "In the realm of frontier chronicles, the writing of educated Englishmen. . . men with the perspective of civilization, with imagination, and a lust for primitive nature, stand out. To this class of men belongs Frank Collinson."




My Mother Was a Freedom Fighter


Book Description

I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.




World Economic and Social Survey 2018


Book Description

This publication reviews the advances in frontier technologies including automation, robotics, renewable energy technologies, electric vehicles, biotechnologies and artificial intelligence and analyzes their economic, social and environmental impact. These technologies present immense potentials for the 2030 Agenda, fostering growth, prosperity and environmental sustainability. They also pose significant risks of unemployment, underemployment and rising income and wealth inequality and raise new ethical and moral concerns. The Survey identifies policy measures at national levels with the capacity to both maximize the potential of these technologies and mitigate their risks, thereby striking a balance among economic efficiency, equity and ethical considerations




Frontier's End


Book Description

The western frontier was officially pronounced closed in 1890, the year Harvey Fergusson was born in Albuquerque. He spent his life reopening it in a series of novels stretching from the classic Wolf Song to the belatedly acclaimed Grant of Kingdom and The Conquest of Don Pedro. In this first full biography and critical study, Robert F. Gish sees Fergusson as a modern frontiersman in love with the outdoors, women, and writing. The scion of New Mexico family prominent in business and politics, Fergusson moved restlessly from one new frontier to another, always seeking to recreate in his life and work the adventure and freedom enjoyed by his ancestors. After a strenuous open-air life by the Rio Grande he went east to raise a ruckus us a journalist and then to Hollywood as a screenwriter, all the while testing his sexual mettle. Finally freelance writing was the only frontier available to one of his imaginative energy. Fergusson?s early novel Wolf Song is still considered one of the best ever written about the mountain man. Gish shows the writer embracing the gloriously masculine and atavistic role of a ?lone rider? even as he scorned ?the worship of the primitive.? Fergusson struck up a friendship with H. L. Mencken and Theodore Dreiser (who influenced his literary style) and played a part in the development of Taos and Santa Fe as meccas for artists and writers. Based on extensive research, including Fergusson?s diaries and correspondence, Frontier?s End goes a long way toward reconciling the regional with the mainstream in American literature in the person of a serious novelist whose importance is finally being recognized.