The Ungovernable Rock


Book Description

The author draws together abundant material to be found in archives, libraries, essays, and articles, and presents the Anglo-Corsican Kingdom as a coherent whole. He places it in its European setting, shows how it made considerable sense as an integral part of the Allied strategy in the war against Revolutionary France, and relates it to British strategy in the Mediterranean over more than a century.




The Great Sea


Book Description

Connecting Europe, Asia, and Africa, the Mediterranean Sea has been for millennia the place where religions, economies, and political systems met, clashed, influenced and absorbed one another. In this brilliant and expansive book, David Abulafia offers a fresh perspective by focusing on the sea itself: its practical importance for transport and sustenance; its dynamic role in the rise and fall of empires; and the remarkable cast of characters-sailors, merchants, migrants, pirates, pilgrims-who have crossed and re-crossed it. Ranging from prehistory to the 21st century, The Great Sea is above all a history of human interaction. Interweaving major political and naval developments with the ebb and flow of trade, Abulafia explores how commercial competition in the Mediterranean created both rivalries and partnerships, with merchants acting as intermediaries between cultures, trading goods that were as exotic on one side of the sea as they were commonplace on the other. He stresses the remarkable ability of Mediterranean cultures to uphold the civilizing ideal of convivencia, "living together." Now available in paperback, The Great Sea is the definitive account of perhaps the most vibrant theater of human interaction in history.




The Lion at Dawn


Book Description

In February 1793, in the wake of the War of American Independence and one year after British prime minister William Pitt the Younger had predicted fifteen years of peace, the National Convention of Revolutionary France declared war on Great Britain and the Netherlands. France thus initiated nearly a quarter century of armed conflict with Britain. During this fraught and still-contested period, historian Nathaniel Jarrett suggests, Pitt and his ministers forged a diplomatic policy and military strategy that envisioned an international system anticipating the Vienna settlement of 1815. Examining Pitt’s foreign policy from 1783 to 1797—the years before and during the War of the First Coalition against Revolutionary France—Jarrett considers a question that has long vexed historians: Did Pitt adhere to the “blue water” school, imagining a globe-trotting navy, or did he favor engagement nearer to shore and on the European Continent? And was this approach grounded in precedent, or was it something new? While acknowledging the complexities within this dichotomy, The Lion at Dawn argues that the prime minister consistently subordinated colonial to continental concerns and pursued a new vision rather than merely honoring past glories. Deliberately, not simply in reaction to the French Revolution, Pitt developed and pursued a grand strategy that sought British security through a novel collective European system—one ultimately realized by his successors in 1815. The Lion at Dawn opens a critical new perspective on the emergence of modern Britain and its empire and on its early effort to create a stable and peaceful international system, an ideal debated to this day.




Islands and the British Empire in the Age of Sail


Book Description

This volume examines the various ways in which islands (and groups of islands) contributed to the establishment, extension, and maintenance of the British Empire in the age of sail.




British Malta, 1798–1835


Book Description

British Malta, 1798–1835 explores the incorporation and early administration of Malta as a British protectorate, and later as a Crown colony. Few connections existed between Great Britain and Malta before 1798, but Napoleon’s Mediterranean ambitions forged a link that remained even after the expulsion of the French. Malta’s incorporation into the British Empire encountered numerous and varied challenges: a deadly plague, diplomatic rows, economic rebuilding, continual food supply obstacles, and the unique challenge of governing a long-subjugated population. The Maltese people spent the previous 228 years ruled by an anachronistic crusading order that they were barred from joining. While most sought the protection of the British government, many also strove for more Maltese autonomy and agency. This tension helped define the first three and a half decades of British rule in Malta. Reaching beyond the traditional periodization of the Napoleonic era, this book provides a broader context of the fitful growth of the British Empire. Scholars and general readers drawn to the history of Malta, the British Mediterranean, and the expansion of the British Empire will find value in this narrative history.




Tempest


Book Description

A major new history of the Royal Navy during the tumultuous age of revolution The French Revolutionary Wars catapulted Britain into a conflict against a new enemy: Republican France. Britain relied on the Royal Navy to protect its shores and empire, but as radical ideas about rights and liberty spread across the globe, it could not prevent the spirit of revolution from reaching its ships. In this insightful history, James Davey tells the story of Britain's Royal Navy across the turbulent 1790s. As resistance and rebellion swept through the fleets, the navy itself became a political battleground. This was a conflict fought for principles as well as power. Sailors organized riots, strikes, petitions, and mutinies to achieve their goals. These shocking events dominated public discussion, prompting cynical--and sometimes brutal--responses from the government. Tempest uncovers the voices of ordinary sailors to shed new light on Britain's war with France, as the age of revolution played out at every level of society.




Britain’s War for the Mediterranean


Book Description

Britain’s War for the Mediterranean provides a definitive study on British warmaking in the Mediterranean during the War of the First Coalition. It traces the origins of foreign and naval policies from the early eighteenth century to describe the duality of British affairs. These contradictions manifested themselves in the War of the First Coalition as Great Britain attempted to build consensus in the Mediterranean World while clinging to its power base of naval power and commerce. The book explores the decisions of individuals and the wider trends of the British political and naval system, honed over the course of the eighteenth century. In explaining war against Revolutionary France, the book follows the decisions of admirals, diplomats, and politicians in attempting to cobble together a coalition of Spanish, Austrian, Sardinian, and Neapolitan forces. This book also makes connections with the other theaters of war: The Austrian Netherlands and the Caribbean. Britain’s War for the Mediterranean examines the internal working of the British government during the crisis of the French Revolution. It focuses on how politicians, diplomats, and military commanders formulated strategy for the Mediterranean theater. One of the major conclusions of this book is that the British government never spoke with one voice. Lacking synchronization in a changing conflict, the structure and conflicting objectives of each branch of the government failed to create a coherent plan to resist Republican expansion in the region. The book complicates the simplistic view of previous works on the weakness of allies and the naivete of the Pitt ministry, providing agency to diplomats and commanders across the region. The second major conclusion is that these conflicting objectives were firmly rooted in the experiences of the eighteenth century. British diplomacy, crippled in the aftermath of the American Revolution, saw the French Revolution as an opportunity to build consensus and a shared view of a British world. French aggression offered an opportunity to reclaim a position of influence lost over the course of the 1700s. In contrast, the trajectory of British foreign policy shaped the use of the Royal Navy in the eighteenth century. A trans-Atlantic force, a war in the Mediterranean forced British admirals to relearn the complicated nature of regional foreign policy. Diplomacy and naval power clashed over the conduct of the war – one rooted in foreign courts, the other in maritime coercion.




Meaning and Interpretation of Music in Cinema


Book Description

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.




Music, Travel, and Imperial Encounter in 19th-Century France


Book Description

This book considers the activities and writings of early song collectors and proto-ethnomusicologists, memoirists, and other "musical travelers" in 19th-century France. Each of the book’s discrete but interrelated chapters is devoted to a different geographic and discursive site of empire, examining French representations of musical encounters in North America, the Middle East, as well as in contested areas within the borders of metropolitan France. Rosenberg highlights intersections between an emergent ethnographie musicale in France and narratives of musical encounter found in French travel literature, connecting both phenomena to France’s imperial aspirations and nationalist anxieties in the period from the Revolution to the late-nineteenth century. It is therefore an excellent research tool for scholars in the fields of ethnomusicology, musicology, cultural studies, literary history, and postcolonial studies.




Dreams Within a Dream


Book Description

"What we see, and what we seem, are but a dream, a dream within a dream." Michael Bliss views Miranda's voice-over at the beginning of Picnic at Hanging Rock as so pivotal in explaining the films of Peter Weir that he borrows her words to create the title of his own study of the Australian filmmaker's work. Bliss views Weir as an artist whose values are rooted in the realm of the dream, of the unconscious. Surrealistic in technique, Weir avoids the pedestrian assurances of a material realm in favor of an irresolution that, while potentially frustrating, is nonetheless for him a more truthful representation of what he considers reality. For Weir, as for Plato, Bliss demonstrates, "empirical reality is nothing more than a shadow of what is real." Bliss also considers Weir's heritage. Australian cinema, Bliss explains, is characterized by melodramatic narratives born of a desire to see good and evil portrayed in striking opposition. Weir, for example, dramatizes the contradictory forces of light versus darkness, reason versus mystery, and rationality versus magic in such films as Picnic at Hanging Rock and The Last Wave. This melodramatic emphasis is evident as well in the polarized characterizations in such films as Witness, Dead Poets Society, and The Truman Show. Bliss also discusses Weir's use of another staple of Australian cinema-- "mateship," the celebration of the bond between male companions. But by making self-knowledge dependent on action involving one's friends, Weir gives mateship a new meaning. Moreover, like other Australian filmmakers, Weir emphasizes the starkness of the Australian landscape, which functions either as a hazard or a deadly challenge, at least until American mythology caused him to see nature in a more positive light. Also prominent in Weir's films is an Australian spirit of rebellion coupled with the Aussie ambivalence toward all aspects of British culture. To help explain Weir's films, Bliss looks to Freud and Jung, whom Weir has studied, and also to two other prominent purveyors of myth and archetype, Northrop Frye and Joseph Campbell. Virtually all Weir characters struggle toward a new mode of awareness, a psychological awareness based on archetypal truths. Many of his films involve archetypal journeys heading through conflict to spiritual unity. Weir's quest is to find out what we really know and how we know what we know.