The Unveiled Ladies of Stamboul


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The Unveiled Ladies of Istanbul (Stamboul)


Book Description

The Unveiled Ladies of Istanbul (Stamboul) is a picturesque description of women's life in post-World War I Turkey during a period of social and political turmoil. Here Demetra Vaka (1877-1946), an expatriate of Ottoman Turkey, established American journalist and acquaintance of Prince Sabaheddin, returns to her native Istanbul after a 20-year absence. Describing women's lives in post-World War I Turkey, she reports on the successful project of female emancipation pursued by Mustafa Kemal as part of the nationalist agenda. Noting how much this project had benefited upper- and middle-class Turkish women, Vaka nonetheless regrets that the gradual emergence of the monocultural, modern Republic was bringing an end to the multiethnic character of the Ottoman State.




Women in Dialogue


Book Description

Women in Dialogue: (M)Uses of Culture results from an international symposium held at Ege University, Izmir, Turkey, in 2006, which brought together scholars from over ten countries, and from multiple academic backgrounds, who share professional interest in women’s studies, and, to no less degree, in current women’s realities. The book presents a collection of essays united by a common focus on the position of women as objects of cultural production in different geographic, national, and political contexts, as well as the character and typology of women’s contribution to cultural activity across the ethnic or religious divide marking the face of contemporary world. The volume comprises two sections: the first, titled “Women in Dialogue,” contains contributions which analyze literary representations of women from a variety of perspectives, and from diverse spatial and temporal locations. The second part, titled “(M)Uses of Culture,” includes personalized observations by several women writers, of both poetry and fiction, their commentaries on their own work as artists, and their deeply experienced “musings” on the position of women as artists in the world of today. The essays that this volume brings together are varied in subject matter; yet they are connected by the common theme, epitomized in the metaphor of dialogue, as a platform for active, productive communication, leading – on the pages of the book, if not elsewhere – to learning, and mutual understanding.







Postcolonial Studies


Book Description

This new anthology brings together the most diverse and recent voices in postcolonial theory to emerge since 9/11, alongside classic texts in established areas of postcolonial studies. Brings fresh insight and renewed political energy to established domains such as nation, history, literature, and gender Engages with contemporary concerns such as globalization, digital cultures, neo-colonialism, and language debates Includes wide geographical coverage – from Ireland and India to Israel and Palestine Provides uniquely broad coverage, offering a full sense of the tradition, including significant essays on science, technology and development, education and literacy, digital cultures, and transnationalism Edited by a distinguished postcolonial scholar, this insightful volume serves scholars and students across multiple disciplines from literary and cultural studies, to anthropology and digital studies




Rethinking Orientalism


Book Description

The oppressed yet highly sexualized woman of the Muslim harem is arguably the pivotal figure of Western orientalism. Yet, as Reina Lewis demonstrates, while orientalist thinking had recently been challenged, Western understandings of Middle Eastern culture remain limited. This book presents alternative dialogues between Ottoman and Western women. Lewis examines, from the position of cultural theory, the published autobiographical accounts about segregated life of self-identified "Oriental" women Demetra Vaka Brown, Halide Edib, Zeyneb Hanum, Melek Hanum and Grace Ellison. Bringing her subjects vividly to life, Lewis uses these texts to challenge the Western orientalist stereotypes that have become commonplace within postcolonial theory.