The Uses of Obscurity


Book Description

Originally published in 1981, this book examines why and how textual difficulty became a norm of modernist literature and questions how we can begin to account for the forms of obscurity and difficulty which developed in the late 19th Century and which became so important to modernism. The author argues that the decline of realism entailed the growth of ‘symptomatic’ or ‘subtextual’ reading which tended to treat fiction as compromised autobiography. This kind of reading left the author dangerously isolated and exposed in the midst of a newly sophisticated public. Within this general cultural perspective, the book traces the private anxieties that led George Meredith, Joseph Conrad and Henry James to conceal themselves within their complex and resistant fictions. It discusses opacity in the texts themselves – embarrassment and shame in Meredith; ‘engimas’ in Conrad; and the fear of vulgarity and knowledge in Henry James.




Embracing Obscurity


Book Description

Argues for a life based on humility, service, and sacrifice instead of the accepted worldview of a life valuing fame and recognition.




Jade Fall


Book Description

Lauren and her friends visit an amusement park, Hydro World, located in the Mojave Desert on its opening day. The park is advanced beyond anything Lauren could have imagined-state of the art in a technology that allowed its builders to create whole enclosed ecosystems, mimicking a natural world lost to environmental decay. Then the Jade Fall happens, an enormous green meteor makes landfall, exploding into blinding emerald light. When the light fades, Lauren has survived, and so has Hydro World, but as she looks around, only two of her friends, Bobby and Lisa, are there-everyone else has vanished. Lauren and her friends meet more survivors, and it seems only a fraction of parkgoers survived the Jade Fall. Lauren attempts to lead the survivors out of Hydro World, assisted by the park's central computer, which goes by the name Leviathan. Soon they find the world around them has been altered-often in seemingly impossible ways. Hydro World has become a place where water can burn, gravity can change, and more. In the gloom of the desolate park, new life begins to assert itself. Some are benignly beautiful, but others are unspeakable abominations with too many eyes and too many mouths. Worse for Lauren, she slowly becomes aware of her own impossible changes to her body, developing frightening powers which she tries to keep hidden from her fellow survivors-at first. With extreme power the others lack, she balances on the edge of survival and becoming yet another of Hydro World's monsters. "I'm afraid of the things I can hear, the things I can do. And most of all, I'm afraid that when I'm in the moment doing those things, I'm not afraid at all. I'm afraid that I love it."




Intellectual Impostures


Book Description

When Intellectual Impostures was published in France, it sent shock waves through the Left Bank establishment. When it was published in Britain, it provoked impassioned debate. Sokal and Bricmont examine the canon of French postmodernists - Lacan, Kristeva, Baudrillard, Irigaray, Latour, Virilio, Deleuze and Guattari - and systematically expose their abuse of science. This edition contains a new preface analysing the reactions to the book and answering some of the attacks.




The Dictionary of Obscure Sorrows


Book Description

NEW YORK TIMES BESTSELLER “It’s undeniably thrilling to find words for our strangest feelings…Koenig casts light into lonely corners of human experience…An enchanting book. “ —The Washington Post A truly original book in every sense of the word, The Dictionary of Obscure Sorrows poetically defines emotions that we all feel but don’t have the words to express—until now. Have you ever wondered about the lives of each person you pass on the street, realizing that everyone is the main character in their own story, each living a life as vivid and complex as your own? That feeling has a name: “sonder.” Or maybe you’ve watched a thunderstorm roll in and felt a primal hunger for disaster, hoping it would shake up your life. That’s called “lachesism.” Or you were looking through old photos and felt a pang of nostalgia for a time you’ve never actually experienced. That’s “anemoia.” If you’ve never heard of these terms before, that’s because they didn’t exist until John Koenig set out to fill the gaps in our language of emotion. The Dictionary of Obscure Sorrows “creates beautiful new words that we need but do not yet have,” says John Green, bestselling author of The Fault in Our Stars. By turns poignant, relatable, and mind-bending, the definitions include whimsical etymologies drawn from languages around the world, interspersed with otherworldly collages and lyrical essays that explore forgotten corners of the human condition—from “astrophe,” the longing to explore beyond the planet Earth, to “zenosyne,” the sense that time keeps getting faster. The Dictionary of Obscure Sorrows is for anyone who enjoys a shift in perspective, pondering the ineffable feelings that make up our lives. With a gorgeous package and beautiful illustrations throughout, this is the perfect gift for creatives, word nerds, and human beings everywhere.




Obscurity and Clarity in the Law


Book Description

This book explores the intricate and multi-dimensional conception of clarity and obscurity in the law. It presents and examines the most recent research and theories, giving practical guidance on how to avoid obscurity in legal drafting and its impact on legal interpretation. The book is aimed at a multidisciplinary audience and seeks to promote an interdisciplinary debate on clarity, law and language, calling for the moving of clarity beyond the study of plain language. The aims of the book are thus two fold. The first is to critically reach a nexus between the disciplines of law and language with respect to the debates on clarity in legal discourse. The second is to achieve an international perspective on the issue, drawing from a wide range of legal and political contexts.