THE VALETS TRAGEDY AND OTHER STUDIES


Book Description

THE VALET'S TRAGEDY AND OTHER STUDIES by ANDREW LANG is a gripping collection of tales that delve into historical mysteries and intriguing events. From the unexplained disappearance of a valet to the inexplicable occurrences in grand manor houses, Lang provides a fascinating study of each enigma. Lang's narratives strike a perfect balance between scholarly examination and enthralling storytelling, drawing readers into the heart of each mystery. Embark on a journey of historical intrigue with THE VALET'S TRAGEDY AND OTHER STUDIES. Get your copy today!




The Valet's Tragedy


Book Description

Historical mysteries including the case of Sir Edmund Berry Godfrey.




The Valet's Tragedy, and Other Studies


Book Description

"The Valet's Tragedy, and Other Studies" by Andrew Lang Lang was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales of which this book takes part. With 12 stories, this collection contains The Valet's Tragedy, The Valet's Master, The Mystery of Sir Edmund Berry Godfrey, The False Jeanne D'Arc, Junius and Lord Lyttelton's Ghost, The Mystery of Amy Robsart, The Voices of Jeanne D;Arc, The Mystery of James De La Cloche, The Truth About 'Fisher's Ghost', The Mystery of Lord Bateman, The Queen's Marie, The Shakespeare Bacon Imbroglio.




Tragedy in Hegel's Early Theological Writings


Book Description

“Wake argues, the young Hegel experimented with using tragedy as a diagnostic tool to explain the rise and fall of religions and even history itself.” —Hegel Bulletin Tragedy plays a central role in Hegel’s early writings on theology and politics. Hegel’s overarching aim in these texts is to determine the kind of mythology that would best complement religious and political freedom in modernity. Peter Wake claims that, for Hegel at this early stage, ancient Greek tragedy provided the model for such a mythology and suggested a way to oppose the rigid hierarchies and authoritarianism that characterized Europe of his day. Wake follows Hegel as he develops his idea of the essence of Christianity and its relation to the distinctly tragic expression of beauty found in Greek mythology. “Elegant. Combines the virtues of close reading of extraordinary subtlety with a wide-angle scope not only to Hegel’s work as a whole, but also to the enduring value of the early work.” —Cyril J. O’Regan, University of Notre Dame “Wake’s book is provocative and helpful because it sharpens appreciation of the complexity of the material in the ETW; it brings into focus tensions and contradictions in the texts. It contributes to the recognition of the subtlety and enduring importance of this early work.” —Notre Dame Philosophical Reviews




Tragedy, Recognition, and the Death of God


Book Description

Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.




Nietzsche and the Rebirth of the Tragic


Book Description

Addresses the question of the legacies of Nietzsche's theories of tragedy as literary genre and of the tragic as ontological concept. This volume gives a sampling of the multifaceted and widespread impact of Nietzsche's thought in Eastern as well as in Western Europe and in the United States.




Tragedy and Philosophy. A Parallel History


Book Description

Completed shortly before her death in 2019, Tragedy and Philosophy. A Parallel History is the sum of Agnes Heller’s reflections on European history and culture, seen through the prism of Europe’s two unique literary creations: tragedy and philosophy.




Theatre, Theory, Theatre


Book Description

(Applause Books). Available for the First Time in Paperback! From Aristotle's Poetics to Vaclav Havel, the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work, Theatre/Theory/Theatre , collects history's most influential Eastern and Western dramatic theorists poets, playwrights, directors and philosophers whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries, we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold, and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka, Corneille to Brecht, this is an indispensable compendium of the greatest dramatic theory ever written.




The Devil Upon Crutches


Book Description

This is the first reprinting since the eighteenth century--and the first scholarly edition--of Tobias Smollett’s translation of The Devil upon Crutches. First published in France in 1707 as Le Diable boiteux, Alain René Le Sage’s novel relates the picaresque wanderings of Asmodeus, a refined, likable but decrepit devil, and Zambullo, his newfound mortal companion. After Zambullo releases Asmodeus from a bottle, the two embark on a flight above the rooftops of Madrid. Peeking into houses, prisons, palaces, and even tombs, Zambullo witnesses one incident of treachery and self-delusion after another. Smollett’s superior wit and sense of irony suited him well as translator for this novel, with its juxtaposition of realism with romance, satire with sentiment, and sexual intrigue with moral admonition. This authoritative textual edition is based on the 1759 second edition of Smollett’s translation. The extensive introduction covers such topics as the original French edition; the composition, printing, and reception of Smollett’s The Devil upon Crutches; and Smollett’s career as a translator. Also included are a complete textual apparatus and a guide to the now-exotic pharmaceuticals and remedies one encounters in the novel.