Vampire City


Book Description

Some tell of a great city of black jasper which has streets and buildings like any other city but is eternally in mourning, enveloped by perpetual gloom. Some call it Selene, some Vampire City, but the vampires refer to it among themselves by the name of the Sepulchre... To destroy the dreaded vampire lord Otto Goetzi, writer Ann Radcliffe, Merry Bones the Irishman, and Grey Jack her faithful servant, launch an all-out attack on Selene... "We can easily see in Vampire City the ultimate literary ancestor of Buffy the Vampire-Slayer."-Brian Stableford. Paul F?val (1816-1887) was the author of numerous popular swashbuckling novels and one of the fathers of the modern crime thriller. Brian Stableford has published more than fifty novels and two hundred short stories. Vampire City was written in 1867-thirty years before Bram Stoker's Dracula-and is one of three classic vampire stories also available from Black Coat Press.




The Vampire's City


Book Description

When Colette returns to her hometown after a decade away, she knows her life will never be the same. With the war between the two families finally cooling, Colette returns to Mayfield determined to improve relations in the divided city the only way she knows how. Opening up a business that serves both humans and vampires isn’t going to win her any friends, but she didn’t expect enemies to pop up so quickly. Danger lurks in the shadows as she does all she can to repair the broken city she left behind so many years ago. Now with her head held high and her father’s stubborn nature in her veins, Colette collides with the one vampire whom she knows could shatter her plans—and her heart. "The Vampire’s City" is filled with political intrigue and scandalous secrets, written by USA Today bestselling fantasy romance author, Mary E. Twomey.




La Vida Vampire


Book Description

First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.




Vamps and the City


Book Description

Who says a vamp can't have it all? Darcy Newhart thought it was a stroke of genius—the first–ever reality TV show where mortals vie with vampires for the title of The Sexiest Man on Earth. As the show's director, Darcy's career would be on track again. And she can finally have a life apart from the vampire harem. Okay, so she's still technically dead, but two out of three's not bad. Now she just has to make sure that a mortal doesn't win. If only she wasn't so distracted by a super–sexy and live contestant named Austin... But Darcy doesn't know the worst of it. Austin Erickson is actually a vampire slayer! And he's got his eye on the show's leggy blond director. Only problem is, he's never wanted any woman—living or dead—as badly. But if he wins her heart, will he lose his soul? And if it means an eternity of hot, passionate loving with Darcy, does that really matter anyway?




Tale of the Twin-City Vampires


Book Description

Benjamin Hall has a deadly secret-one that threatens his very life. After returning to his childhood home of Minneapolis, Benjamin comes face-to-face with his worst nightmare; the sinister entity lurking inside his head. Multiple-Personality Disorder? Or possession by a fallen angel? Only one thing is for certain; his other side has plans for the body they share. Plans that involve Benjamin waking up hours later with blood on his hands. Meanwhile, bodies are turning up drained of blood with two distinct wounds on the neck. As the death toll rises, Benjamin has to wonder-is he the Twin-City Vampire?




The Broken City


Book Description

When it comes to finding a safe haven, Colette is running out of options. Having a baby wasn’t supposed to be possible, but now that Colette is pregnant, the happy couple isn’t sure what to do. While Rome is ready to be a father, Colette knows the road ahead will be rough for the child she carries. Being the Last Deadblood was supposed to ensure the violence against vampires would one day come to an end, but it seems that whether Colette draws breath or not, there are some who will always hate what they do not understand. When a war comes to their doorstep, Colette knows that if she doesn’t put a stop to the revolution once and for all, her child will bear the consequences. Though it might take all she has, Colette will stop at nothing to take this stand… …even if it might be her last. "The Last City" is filled with political intrigue and scandalous secrets, written by USA Today bestselling fantasy romance author, Mary E. Twomey.




Damnation City


Book Description




Real Cities


Book Description

What is real about city life? Real Cities shows why it is necessary to take seriously the more imaginary, fantastic and emotional aspects of city life. Drawing inspiration from the work of Walter Benjamin, Sigmund Freud and Georg Simmel, Pile explores the dream-like and ghost-like experiences of the city. Such experiences are, he argues, best described as phantasmagorias. The phantasmagorias of city life, though commonplace, are far from self-evident and little understood. This book is a path-breaking exploration of urban phantasmagorias, grounded empirically in a series of unusual and exciting case studies. In this study, four substantial phantasmagorias are identified: dreams, magic, vampires and ghosts. The investigation of each phantasmagoria is developed using a wide variety of clear examples. Thus, voodoo in New York and New Orleans shows how ideas about magic are forged within cities. Meanwhile vampires reveal how specific fears about sex and death are expressed within, and circulate between, cities such as London and Singapore. Taken together, such examples build a unique picture of the diverse roles of the imaginary, fantastic and the emotional in modern city life. What is "real" about the city has radical consequences for how we think about improving city life, for all too often these are over-looked in utopian schemes for the city. Real Cities forcefully argues that an appreciation of urban phantasmagorias must be central to what is considered real about city life.




Vampires from Another World


Book Description

This book begins at the intersection of Dracula and War of the Worlds, both published in 1897 London, and describes the settings of Transylvania, Mars, and London as worlds linked by the body of the vampire. It explores the "vampire from another world" in all its various forms, as a manifestation of not just our anxieties around alien others, but also our alien selves. Unsurprisingly, many of the tropes these novels generated and particularly the themes they have in common have been used and adapted by vampire narratives that followed. From Nosferatu to Alien, Interstellar, Stranger Things, and many others, this book examines how these narratives have evolved since the end of the nineteenth century. Bringing together texts and films from across the 19th, 20th, and 21st centuries, from the far reaches of outer space and the distant future, it concludes that the unexpected and the unknown are not always to be feared, and that humanity does have the power to write its own future.




Celluloid Vampires


Book Description

In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.