Culture Wars in Brazil


Book Description

DIVExamines the role of the Brazilian government as it attempted to create a national culture during a fifteen-year period of authoritarian cultural management./div




Vargas and Brazil


Book Description

This volume unites scholars from Brazil, the U.S. and Europe, who draw on a close re-reading of the Vargas literature, hitherto unavailable or unused sources, and a wide array of methodologies, to shed new light on the political changes and cultural representations of Vargas's regimes, realising why he meant different things to different people.




The Vargas Regime


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Father of the Poor?


Book Description

This book examines the life, times, and legacy of Getúlio Vargas, Brazil's dictator and president during most of the period from 1930 to 1954. Levine's chief concern is how Vargas' legacy influenced Brazil, and to what extent his social legislation affected people's lives. Vargas ignored individual rights, working for state-regulated citizenship without disharmony, without the right to dissent. His revolution was partial; one in which new constituencies and rules were grafted onto traditional political practices. Vargas devoted as much effort to manipulating workers as he did to benefiting them. By the end of his long tenure in power, some things had hardly changed at all: the readiness of the armed forces to intervene; the elite's tenacious hold on privilege; and the historical predominance of the Center-South. Brazil's distribution of income remained among the least equable in the world, but Vargas did not perceive this as a problem that needed to be solved. That Vargas promised much and delivered little did not diminish the adulation that Brazilians held for him. Ordinary people would shrug and say 'O presidente sempre lembrou da gente' ('The President always thought about us').




Brazil Under Vargas


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Brazil Under Vargas


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Culture Wars in Brazil


Book Description

In Culture Wars in Brazil Daryle Williams analyzes the contentious politicking over the administration, meaning, and look of Brazilian culture that marked the first regime of president-dictator Getúlio Vargas (1883–1954). Examining a series of interconnected battles waged among bureaucrats, artists, intellectuals, critics, and everyday citizens over the state’s power to regulate and consecrate the field of cultural production, Williams argues that the high-stakes struggles over cultural management fought between the Revolution of 1930 and the fall of the Estado Novo dictatorship centered on the bragging rights to brasilidade—an intangible yet highly coveted sense of Brazilianness. Williams draws on a rich selection of textual, pictorial, and architectural sources in his exploration of the dynamic nature of educational film and radio, historical preservation, museum management, painting, public architecture, and national delegations organized for international expositions during the unsettled era in which modern Brazil’s cultural canon took definitive form. In his close reading of the tensions surrounding official policies of cultural management, Williams both updates the research of the pioneer generation of North American Brazilianists, who examined the politics of state building during the Vargas era, and engages today’s generation of Brazilianists, who locate the construction of national identity of modern Brazil in the Vargas era. By integrating Brazil into a growing body of literature on the cultural dimensions of nations and nationalism, Culture Wars in Brazil will be important reading for students and scholars of Latin American history, state formation, modernist art and architecture, and cultural studies.




Literary Censorship in Francisco Franco's Spain and Getulio Vargas' Brazil, 1936-1945


Book Description

This book presents two systems of censorship and literary promotion, revealing how literature can be molded to support authoritarian regimes. The issue is complex in that at a descriptive level the strategies and methods new states use to control communication through the written word can be judged by how and when formal decrees were issued, and how publishing media, whether in the form of publishing companies or at the individual level, engaged with political overseers. But equally, literature was a means of resistance against an authoritarian regime, not only for writers but for readers as well. From the point of view of historical memory and intellectual history, stories of people without history and the production of their texts through the literary underground can be constructed from subsequent testimony: from books sold in secret, to the writings of women in jail, to books that were written but never published or distributed in any way, and to myriad compelling circumstances resulting from living under fascist authority. A parallel study on two fascist movements provides a unique viewpoint at literary, social and political levels. Comparative analysis of literary censorship/literary reward allows an understanding of the balance between dictatorship, official policy, and what literary acts were deemed acceptable. The regime need to control its population is revealed in the ways that a particular type of literature was encouraged; in the engagement of propoganda promotion; and in the setting up of institutions to gain international acceptance of the regime. The work is an important contribution to the history of twentieth-century authoritarianism and the development fascist ideas.




Vargas of Brazil


Book Description

The dominant public figure in Brazil from 1930 until 1954 was a highly contradictory and controversial personality. Getúlio Vargas, from the pampas of the southern frontier state of Rio Grande do Sul, became the dictator who ruled without ever forgetting the lower classes. Vargas was a consummate artist at politics. He climbed the political ladder through seats in the state and national legislatures to the post of federal Finance Minister and to the governorship of Rio Grande do Sul. His career then took him to the National Palace as Provisional President and as Constitutional President, and later as the dictator of his "New State." After his deposition in 1945 and a period of semiretirement, his continuing widespread popularity resulted in his successful come-back campaign in 1950 for the Presidency on the Labor Party ticket. Vargas' contributions to Brazilian political and economic life were many and important. Taking advantage of the power which his political magic provided him, he brought Brazil from a loose confederacy of semifeudal states to a strongly centralized nation. He was a great eclectic, welding into his social, political, and economic policies what he found good in various programs. He was also a great opportunist in the sense that he adroitly took advantage of conditions and circumstances to effect his ends. He was intimately related to the revolutionary changes in Brazilian life after 1930. Vargas, "Father of the Brazilians," attributed achievements such as these to power in his own hands. His foes, however, still feared the political wizard, and they cheered the military when it deposed him. After his return, "on the arms of the people," Vargas saw that the armed forces were determined to repeat history, and in 1954 he chose another path—suicide. All of these exciting events are related in John W. F. Dulles's Vargas of Brazil: A Political Biography. Despite its emphasis on Vargas the politician and statesman, the reader comes to know Vargas the man. For this portrait of Vargas and of Brazil the author has drawn much material from State Department papers in the National Archives and from other public sources, and from interviews with numerous persons who were participants in the events he describes or observers of them. The result is an interesting, revealing, valid account of an important people. Many illustrations supplement the text.