The Vela: A Novel


Book Description

Orphan, refugee, and soldier-for-hire Asala Sikou doesn't think too much about the end of civilization. Her system's star is dying, and the only person she can afford to look out for is herself. When a ship called The Vela vanishes during what was supposed to be a flashy rescue mission, a reluctant Asala is hired to team up with Niko, the child of a wealthy inner planet's president, to find it and the outer system refugees on board. But this is no ordinary rescue mission; The Vela holds a secret that places the fate of the universe in the balance, and forces Asala to decide—in a dying world where good and evil are far from black and white, who deserves to survive?




The Vela Project


Book Description

A terrorist attack leaves millions inflicted with a horrific disease. This scar on humanity has left desperate politicians no alternative than to rest their hopes on bizarre theories and hypotheses regarding an unknown cure. The ensuing lust for answers and power by the corrupt New World Order leads to betrayal, assassinations, concentration camps, and the potential destruction of the United States. In this ultimate battle between good and evil, who will win the race against time?




Vela


Book Description




The Adventures of Vela


Book Description

Journey through the many stories and worlds of the immortal Vela - Vela, so red and ugly at birth they called him the Cooked; Vela the lonely admirer of pigs and the connoisseur of feet; Vela the lover of song maker Mulialofa the Boneman. Follow him down through the centuries on his travels, encountering the single-minded society of the Tagatanei and the Smellocracy of Olfact. Accompany him, too, as he recounts the stories of Lady Nafanua, the fearsome warrior queen, before whose powers Palagi priests and travelling chroniclers still bow down today.




The Modern Italian Novel


Book Description

This volume offers a complete survey and bibliography of Italian literature from 1827 to 1930, giving its three stages of development: historical, naturalistic, reflective.




The Twentieth-Century Spanish American Novel


Book Description

A Choice Magazine Outstanding Academic Book Spanish American novels of the Boom period (1962-1967) attracted a world readership to Latin American literature, but Latin American writers had already been engaging in the modernist experiments of their North American and European counterparts since the turn of the twentieth century. Indeed, the desire to be "modern" is a constant preoccupation in twentieth-century Spanish American literature and thus a very useful lens through which to view the century's novels. In this pathfinding study, Raymond L. Williams offers the first complete analytical and critical overview of the Spanish American novel throughout the entire twentieth century. Using the desire to be modern as his organizing principle, he divides the century's novels into five periods and discusses the differing forms that "the modern" took in each era. For each period, Williams begins with a broad overview of many novels, literary contexts, and some cultural debates, followed by new readings of both canonical and significant non-canonical novels. A special feature of this book is its emphasis on women writers and other previously ignored and/or marginalized authors, including experimental and gay writers. Williams also clarifies the legacy of the Boom, the Postboom, and the Postmodern as he introduces new writers and new novelistic trends of the 1990s.




The Twenty Days of Turin: A Novel


Book Description

An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.




Book of the Dead: A Matt Kearns Novel 2


Book Description

From bestselling author Greig Beck, with new book Extinction Plague: A Matt Kearns Novel 4 out soon. When a massive sinkhole opens up and swallows a retired couple from Iowa it seems like a freak occurrence. But it's not the only one. Similar sinkholes are opening all over the world, even on the sea floor. And they're getting bigger. People living near the pits are reporting strange phenomena-vibrations, sulfurous odors, and odd sounds in the stygian depths. Then the pets begin to go missing. When people start disappearing as well, the government is forced to act. Professor Matt Kearns and a team of experts are sent in by the military to explore one of the sinkholes, and they discover far more than they bargained for. From the war zones of the Syrian Desert to the fabled Library of Alexandria, and then to Hades itself, join Professor Matt Kearns as he attempts to unravel an age-old prophecy. The answers Matt seeks are hidden in the fabled Al Azif-known as the Book of the Dead-and he must find it, even if it kills him. Because time is running out ... not just for Matt Kearns, but for all life on Earth. Bringing the Cthulhu myth to life, this thriller is perfect for fans of Matthew Reilly, Steve Alten, Myke Cole, Graham Masterton, James Rollins and Michael Crichton. PRAISE FOR BOOK OF THE DEAD "With THE BOOK OF THE DEAD, Greig Beck conjures terror and dark magic in a sprawling, apocalyptic nightmare of a novel. Highly recommended!" Jonathan Maberry, New York Times bestselling author of V-Wars and Predator One




The Spanish American Novel


Book Description

In The Spanish American Novel, John S. Brushwood analyzes the twentieth-century Spanish American novel as an artistic expression of social reality. In relating the generic history of the novel to extraliterary events in Spanish America, he shows how twentieth-century fiction sets forth the essence of such phenomena as the first Perón regime, the Mexican Revolution, the Che Guevara legend, indigenismo, and the strongman political type. In essence, he views the novel as art rather than as document, but not as art alienated from society. The discussion is organized chronologically, opening with the turn of the century and focusing on novels from 1900 to 1915 that exemplify various aspects of the nineteenth-century literary inheritance. Brushwood then highlights the avant-garde fiction (influenced by Proust and Joyce) of the 1920s as a precursory movement to the “new” Latin American novel, a phenomenon that came into its own during the 1940s. He then examines the “boom” in Spanish American fiction, the period of extensive international recognition of certain works, which he dates from 1962 or 1963. In each era considered, the development of the novel is placed in dual perspective. One view—that of particularly significant novels in light of others published during the same year—is a cross section of the genre at one particular moment. The second view—that of a panorama of novels published in intervals between significant moments in the history of the novel—is more general and selective in the number of books discussed. Combining the historical with the analytical approach, the author proposes that the experience of a novel in which reality has been transformed into art is essential to our understanding of that reality.




Anglophone Verse Novels as Gutter Texts


Book Description

Anglophone Verse Novels as Gutter Texts draws on the notion of the 'gutter' in graphic narratives – the gap between panels that a reader has to imaginatively fill to generate narrative sequence – to analyse the largely overlooked literary form of the verse novel. Marked at all levels by the tense constellation of segment and sequence, and a conspicuously 'gappy' texture, verse novels offer productive alternatives to the dominant prose novel in contemporary fiction, where a similar 'gappiness' has become a hallmark, as illustrated by the loosely interlaced multi-strand plot structures of influential 'world novels' (Bolaño, Mitchell, Powers). The verse novel is a form particularly prolific in the postcolonial world and among diasporic or minoritarian writers in the Global North. This study concentrates on two of the most prominent areas in which verse novels distinguish themselves from the prose novel to read texts by Derek Walcott, Anne Carson, Bernardine Evaristo, Patience Agbabi and others: In 'planetary' verse novels from the Caribbean, Canada, Samoa and Hawai'i, the central trope of the volcano evokes a world in constant un/making; while post-national verse novels, particularly in Britain, modify the established paradigms of imagined communities. Dirk Wiemann's study speculates whether the resurgence of verse novels correlates with the apprehension of inhabiting a world that has become unpredictable and dangerous but also promising: a 'post-prosaic' world.