The Victims of Society


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The Victim's Fortune


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“Imagine a book with the narrative force and the behind-the-scenes revelations of Barbarians at the Gate. Now imagine that what’s at stake isn’t just which rich investment banker gets richer, but rather is one of the great moral issues of our time, restitution for Holocaust survivors. Imagine no more, because John Authers and Richard Wolffe have written just such a book in The Victim’s Fortune.”— Samuel G. Freedman, author of Jew vs. Jew A riveting account of what went wrong in the battle over compensation for Holocaust survivors Fifty years after World War II, a small group of Americans launched a campaign to confront the world with the fact that many assets looted by the Nazis had never been returned to their owners. Backed by class-action lawsuits and threats of economic sanctions, they mounted a vigorous challenge against some of the world's largest corporations and governments to demand billions of dollars. But what began as a moral crusade soon became a bare-knuckle battle that opened up painful debates about whether money can ever compensate for the horrors of the Holocaust. John Authers and Richard Wolffe offer a spellbinding investigative account of this momentous international struggle. The Victim's Fortune captures the personalities, ruthless tactics, and moral dilemmas surrounding the fight over compensation -- all unfolding against the backdrop of one of the darkest moments in human history.




The Victims of Gaming


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The Gaming Table: Its Votaries and Victims (Vol.I&II)


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The Gaming Table: Its Votaries and Victims, edition in two volumes, represents history of gambling from ancient times in India, Egypt and Greece to modern days England, France and United States. The book covers all sorts of gaming and gambling, including card games, board games, lotteries, tricks, frauds and many more schemes that developed throughout the ages.







Victims and Villains in Vasari's Lives


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Giorgio Vasari's The Lives of the Artists (1550, 1568) has been a key subject of study for students of the Italian Renaissance over the hundreds of years since its publication. It has maintained a powerful grip on the historical imagination and continues to influence the way scholars treat the Renaissance, its artists, and the entire intellectual enterprise of Western art. Focusing on Vasari's literary and narrative achievements, Andrew Ladis turns to Vasari's villains, rather than his heroes, to demonstrate the biographer's foremost interest in glorifying Michelangelo. Approaching Lives on Vasari's terms--as the grand story of the rebirth and triumph of art in Italy--Ladis argues that Vasari was not a mere compiler of facts, but a shrewd, self-confident author aware of the power of metaphor. With a literary reading of the text, Ladis analyzes Vasari's motives and methods as an attempt to portray the great Michelangelo as a Christlike exemplum of ultimate light and goodness. Through biographic details both real and invented, Vasari presents all other artists as various players with varying degrees of heroic and villainous value. Antiheroic characters such as Buffalmacco, Lippi, and Castagno, Ladis argues, serve to accentuate the contrasting greatness of Michelangelo.







The Victims of Society


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Reprint of the original, first published in 1837.




The Victims of Democracy


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.