The violent bear it away


Book Description

DigiCat Publishing presents to you this special edition of "The violent bear it away" by Flannery O'Connor. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.




The Violent Bear it Away by Flannery O'connor: Hardcover Book


Book Description

The Violent Bear It Away is a 1960 novel by American author Flannery O'Connor. It is the second and final novel that she published. The first chapter was originally published as the story "You Can't Be Any Poorer Than Dead" in the journal New World Writing.The novel tells the story of Francis Marion Tarwater, a fourteen-year-old boy who is trying to escape the destiny his uncle has prescribed for him: the life of a prophet. Like most of O'Connor's stories, the novel is filled with Catholic themes and dark images, making it a classic example of Southern Gothic literature. Mason Tarwater, an outspoken evangelist and self-ordained prophet, dies many years after kidnapping his great-nephew Francis, raising him in a backwoods cabin and preparing him to someday take his place as a prophet. Prior to his death, Mason asked the now-teenaged Francis to give him a proper Christian burial with a cross marking the grave so that his body would be resurrected on Judgment Day. Francis starts to dig the grave but suddenly hears a "Voice" in his head telling him to forget about the old man. Francis obeys and gets drunk instead. When Francis wakes from his drunken sleep, he sets the cabin on fire, believing that his great-uncle's body is still inside. He leaves for the city and gets a ride from a salesman, who drops him off at his Uncle Rayber's house. Rayber, a well-educated schoolteacher, is amazed to see young Francis, whom he had long ago given up on after his kidnapping by Mason. Francis is also greeted at the door by Rayber's young son Bishop, who (it is implied) has Down syndrome and low intelligence. Bishop is Rayber's child with Bernice Bishop, a meddlesome social worker whom Mason had referred to as "the welfare woman." The old man had previously told Francis that Bernice was much older than Rayber and only able to give him one disabled child, and that God had mercy on the child by making him "dim-witted," which was the only way to protect him from his evil parents. Mason had commissioned Francis to baptize Bishop at some point, in order to save the little boy's soul. Due to this history, Francis is immediately put on edge when confronted with Bishop, but decides to stay with his uncle anyway. Francis does not think of Bishop as a human being and finds him repulsive. The three begin to live together as a family for a while, and Rayber is excited to have his nephew back in order to raise him as a normal boy and provide him with a proper education. However, Francis resists his uncle's attempts at secular reform very much the same way he resisted Mason's attempts at religious reform. Rayber understands what Francis is going through, as he himself had been kidnapped as a child by Mason, but Rayber's father had managed to rescue him.




Flannery O'Connor


Book Description

Despite Flannery O'Connor's brief life, her work, comprising novels, short stories, essays, and articles, has had a great impact on American literature and to some extent popular culture, of the twentieth and twenty-first centuries. Her writing has become well loved, well read, and often studied. This book reprints complete book reviews and excerpts from review essays on the works of Flannery O'Connor that appeared in newspapers and periodicals during the author's writing life (1945-64) and after her early death. The more than four hundred edited reviews are prefaced with a substantial Introduction that situates O'Connor within the critical milieu of post-war American letters and Southern literary tradition, and provides an overview of contemporary critical responses to her collected stories, novels, and occasional pieces. An important resource for scholars of O'Connor and of Southern literature generally, this volume reveals much about her early reception and the continuing relevance of her work.




Creating Flannery O'Connor


Book Description

Daniel Moran explains how O'Connor attained that status, and how she felt about it, by examining the development of her literary reputation from the perspectives of critics, publishers, agents, adapters for other media, and contemporary readers.




Flannery O'Connor


Book Description

An essential book for critical study of the works of Flannery O'Connor. "The best study of one of the best writers"--Robert Fitzgerald




Flannery O'Connor and Robert Giroux


Book Description

Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus; Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O’Connor’s life—her relationship with her editors—that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux’s and O’Connor’s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature.




The Art and Vision of Flannery O'Connor


Book Description

Flannery O'Connor believed that fiction must try to achieve something on the order of what St. Gregory wrote about Scripture: every time it presents a fact, it must also disclose a mystery. O'Connor's artistic vision was located squarely in her Catholic faith, yet she realized that to view life only through the eyes of the Church was to ignore a large part of existence. In her fiction, therefore, she explored a wider world, employing voices that challenged conceptions of both self and faith, ultimately enlarging and deepening both. In The Art and Vision of Flannery O'Connor, Robert Brinkmeyer presents an innovative study of O'Connor's fiction by exploring the dialogic forces at work in her writing.Drawing on the insights of literary theorist Mikhail Bakhtin, Brinkmeyer offers an explanation for the great depth and power of O'Connor's work, paying particular attention to the ways her art and audience bear upon her regnant Catholic vision. This pressure and resistance, Brinkmeyer writes, free O'Connor's vision from the limits of its perspective, opening it to growth and understanding. After a thorough discussion of the ways in which O'Connor's Catholic and southern heritage helped to form her artistic vision, Brinkmeyer shows how dialogic encounters are at work in O'Connor's interaction with her largely fundamentalist narrators, the stories they tell, and her readers. He focuses on several of her stories as well as her two novels, Wise Blood and The Violent Bear It Away. As the first analysis of the dialogical dynamics of O'Connor's art and vision, this study offers an original approach to understanding O'Connor. But the significance of the book extends far beyond O'Connor scholarship, for Brinkmeyer presents a critical method that has value for exploring other writers, particularly other modern Catholic writers.




The Lost Art of Reading


Book Description

Reading is a revolutionary act, an act of engagement in a culture that wants us to disengage. In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.




Flannery O'Connor's Dark Comedies


Book Description

In Flannery O'Connor's Dark Comedies, Carol Shloss moves from biographical, thematic, and theological approaches and instead focuses her criticism on the successes and failures of O'Connor as a rhetorician. This valuable study of O'Connor's style uses reader-response theory to dissect the author's use of hyperbole, distortion, allusion, analogy, the dramatization of extreme religious experience, the manipulation of judgment through narrative voice, and direct address to the reader. Schloss aims to return Flannery O'Connor to her readers on fathomable terms, to offer a rhetorical, rather than theological, perspective from which to understand the country preachers, square-jawed farm wives, wise rubes, foolish intellectuals, huckster Bible salesmen, killers, and other "good country people" who populate O'Connor's fiction.




Passing by the Dragon


Book Description

This book attempts a close reading of the fiction of Flannery O'Connor, story by story, with one eye on her use of the Bible, and her view of the Bible in relation to her own work. After introductory chapters on O'Connor's markings in her own Roman Catholic Bible, her book reviews in diocesan newspapers, and her impatience with her wayward readers, Michaels looks first at her two novels, Wise Blood and The Violent Bear It Away, and then at seventeen of her short stories from her two collections, A Good Man Is Hard to Find and Everything That Rises Must Converge. Michaels takes notice of O'Connor's explicit references to the Bible (or Bibles) in her stories, and looks more particularly to the ways in which the stories are driven at least in part by specific biblical texts. Among the themes that emerge are alienation or displacement, what it means to be "good," the relation between body and spirit and between the Old Testament and the New, issues of race and gender, and above all what O'Connor once called "the action of grace in territory held largely by the devil."